Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Bumpy Chip It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.

Dana An old-fashioned movie made with new-fashioned finesse.

bobbysing When a director is given the responsibility of launching a fresh pair with the hero coming from one of father-figure families of the Film Industry then he should at least try to deliver something fresh in the name of concept or treatment, to make the best of the opportunity given. But sadly, just opposite is the case with LEKAR HUM DEEWANA DIL, which clearly indicates its flawed vision when a Rahman song is first wasted in its opening credits only and further when its story progression keeps jumping from one plot to another like a blind frog not knowing where it should actually move towards in the dark room.So displaying a confused mindset, director Arif Ali refuses to take some risk adapting any novel concept for the debutants and begins with his own tribute to JAANE TU YA JAANE NA (2008) in the film's initial moments, followed by a mixture of ideas taken from his brother Imtiaz Ali's SOCHA NA THA (2005), JAB WE MET (2007) and even HIGHWAY (2014), quite casually. At first it also reminded me of Sachin's PREM DEEWANE released in 1992 featuring an eloping couple. But changing tracks, the director soon goes back to the ages old theme of post (love) marriage misunderstandings, seen in numerous movies ranging from Rajesh Khanna's AVISHKAAR(1974), Rakesh Roshan's PRIYATAMA (1977) & Shaad Ali's SAATHIYA (2002) to Shahrukh Khan's CHALTE CHALTE (2003), delivering a pretty routine, boring and childish film targeting the youth of the nation in particular.To give you a fair idea about the script's intelligence quotient, it has a father hitting his college going boy with a fist as if he has done a crime and then the boy also willing to hit his girlfriend in the same manner (showing his fist) like a maniac. Later a marriage counselor seems more disturbed than her patients sitting on the couch and wait, we also have an item song here right within the jungle hideout of Naxalites having some funny lyrics saying 'Mawaali Qawwali'. With no detailing given to the lead characters, they both remain hyper throughout the film with their constant yelling and look silly taking many crucial decisions of life just like that (including their hasty marriage). Having nothing in store to surprise you right till its easily predictable climax, LHDD actually makes you think that did nobody read this script in the Kapoor family at all before launching one of their own kids. Or it was just formality done by Karishma Kapoor as an elder sister accompanying Armaan on Kapil's Comedy Show contributing in the film's media promotion.In the music department A.R. Rahman comes up with an average score once again with very few enjoyable songs saving the soundtrack from becoming a complete non-performer and DOP tries his best to give it a rich look. However regarding the performances where Armaan should always thank his lucky stars and God gifted family for the golden opportunity given, there Deeksha can still hope for some more work ahead due to her satisfactory act much better than Armaan. Supporting cast remains a mix of average to forced performers revealing another aspect of the director's questionable mindset wherein he still thinks that a South Indian father always has to be the one with a dark complexion.Summing up, I would like to address the viewers here, who eventually would be spending both their money & time on such poor ventures made without any specific vision. And in clear words, if you really are willing to see some fabulous films made on this important subject of an affair, love marriage and the problems arising in its later years post the initial romantic phases. Then forget about any of these confusingly made films without any soul of their own and just go for the famous trilogy on marital discord by Basu Bhattacharya made in the 70s comprising of three beautiful films called ANUBHAV (1971), AAVISHKAR (1973) and GREH PRAVESH (1979).In other words, if today film-makers in Hindi Cinema are not giving you many worth watching films to learn from then all is not lost yet as there are much better movies made in the past to be explored essentially and some great visionary work being done in the regional cinema of the country too which remains hidden due to our own short vision and limited access. So stop being fooled by all these routine projects made to serve the demanding market packaged in an impressive style and move towards the actual cinema, which you all have been missing since long.

binducherungath Lekar Hum Deewana Dil, a film by Arif Ali (Imtiaaz Ali's brother), turns out to be a juvenile movie. Movies viz. Bobby, Love Story, Betaab, Kayamat se Kayamat Taq, Saathiyan and many more in the yesteryears had the concept of elopement and getting married but were so sensibly handled that these movies turned out to be the blockbusters. Lekar Hum Deewana Dil fails to touch your heart with childish scenes. It has no elements of Romance. Rather, for major parts of the movie, the protagonists are shown to be fighting in a silly manner. Probably the director's attempt was to show that in love also, one has to be logical and practical. Arif also wanted to discuss whether the love can survive the challenges and the hard-core reality of life. Definitely, the movie could have been another great romantic movie, but somewhere the script, actors, performances …everything falls apart. I just wish, the movie was given a different and treatment so as to make this movie a good one to watch. The movie begins with Rahman's Khaleefa song as part of wedding celebration of "K" aka Karishma Sethi (debutant Deekhsa Seth). Dino aka Dinesh Nigam (Armaan Jain, another debutant and the latest entry from Kapoor clan) is there in the wedding house to elope with Karishma. Dino helps Karishma to elope with him and he is happy that he could save his good friend from an arranged marriage and Karishma is happy to get the support of Dino to escape from parental pressure of marriage. Both of them figure out, while they are drunk, that they are very good friends and so only perfect for each other. They feel that their match is decided in heaven and they decide to tie knot with each other. Dino and Karishma assumed that they would be able to retain their happiness forever and their lives would be roller-coaster for them, but they were far away from the reality.They had to run from one location to another, Mumbai to Goa to Nagpur to Raipur to save themselves from being caught. Ultimately they land up amongst Maoists in Dantwada. Blame-game begins between the two, when the harsh realities hit them.What happens thereafter? Do their families accept them back? Do they realize that they are happy together? How do the events unfold? Everything is very much predictable. The dialogues are very very mediocre. There is no warmth in the dialogues. Forced acronyms viz. atah.com (Apni Taqdeer Apne Haath), DMC (Dekho Magar Chuo Mat), Blunder.com (for some unexpected bad situations), AP (Aagyakari Putra) are used which does not seem to be funny at all.Let us not judge Armaan and Deeksha and write them off. Armaan takes efforts to be cool and Deeksha tries to look spontaneous / chirpy. But the plot, dialogues, music, dance moves…nothing has worked in their favour. Dev, elder brother of Dino (Sudeep Sahir) is noticeable. Rohini Hattangidi as judge and Gautami Kapoor as psychiatrist have justified their characters, rest of the cast is almost forgettable. AR Rahman's music fails to create any impact. An item song (rather a cabaret number) in Maoist camp seems so unreal and leaves you disgruntled.

Shiraj Dakshy Arif Ali brother of Imtiaz Ali debuts in this movie as a director and introduces the new pair of Armaan Jain (Grandson of Raj Kapoor ) and Deeksha Seth (Miss India Finalist)…..Arif who also is the writer of the movie is heavily influenced by his Brother Imtiaz Ali's movies like "Socha Na Tha", "Jab We Met" and even his recent "Highway". So as you guessed it right the story is of a young couple Dinesh a.k.a Dinoo (Armaan Jain) and Karishma (Deeksha Seth) who are utterly confused whether they are in love or are just good friends , but they decide to elope as Karishma is forced to marry a groom from a Shetty family. They get married and travel half way through India from Goa to Nagpur to Raipur to the forest of Bastar after which they realize that they are not compatible and call it quits and return home. They apply for divorce so the remaining plot surrounds whether they separate or they come together.The issue of the screenplay written by Arif Ali himself first is the length of 140 mins which was not required for a wafer thin plot, secondly the screenplay which just does not go anywhere. Till the end the lead pair looks confused and not sure and so does the audience. After the movie is over you feel confused whether the couple were really in love. The first half when they elope has some moments but in the second half it drags unnecessarily. Even when they elope there was no requirement of putting the Naxalite angle, other than for a song sequence which looks straight out of the 80's & 90's movie wherein there used to be a song in the villain's den. Arif wanted to target this movie for the youth but unfortunately it does not have any elements which may lure the youth.The lead pair of Armaan Jain and Deeksha Seth does not impress at all, especially Armaan who has a heavy hangover of his Uncle Randhir Kapoor style of acting and his dialogue delivery & Diction needs to be polished. Deeksha Seth looks completely confused throughout the movie and looks like "Alice in Wonderland" not knowing what is happening. The rest of the ensemble cast of Kumud Mishra, Sudeep Sahir, Anita Kulkarni, Rohini Hattangadi, Varun Badola, Gautami Kapoor try to put some sense through their performances but all in vain as the writing is so weak that they could not salvage.Arif Ali's direction does not create any impact as his writing; he just fails to get the lead pair to act. Arif has concentrated more on the portraying the cool quotient like the lingo and the look of the movie but fails miserably to set the love story properly the first requisite in a love story, only if the look could make a movie work….Well there are only two highlights of the movie which shines in this otherwise chaos is the cinematography by Laxman Utekar which captures right from the cool city life of Mumbai to the forests of Chattisgarh extremely well and beautifully. Second highlight is the music by A R Rahman, especially the peppy "Khalifa" and the ever so romantic "Allahada" which is written beautifully by Amitabh Bhattacharya."Le Kar Hum Deewana Dil" is pointless and does not make any sense as it misses the soul completely.

Anup APu Kumar LEKAR HUM DEEWANA DIL - Arif Ali ,, brother of one of my favorite director Imtiaz Ali,,,,,and Armann Jain grandson of Raj Kapoor ,, both doesn't have a good start......It doesn't seems like they two have their genuine passion of doing Bollywood movies as Director and Actor respectively.....And if they are doing this just for the fact that somebody else (in case of Arif Ali) or everybody else(in case of Armaan Jain) in their family is doing this ,, then they should rethink about their carrier...... About Arif Ali i may say that may be he could do better with experience and if he got good stories(as this one is written by himself-so i can say he is quite a bad writer)......... But for Armaan Jain ,, this boy is seriously bad and could ruin the names of Kapoors.....He barely can act,,,,his expression are really bad,,,,and he dance awkward ....... In comparison to him Diksha as our lead actress is good if not very good,,,,but she has to improve as well.....But interestingly the supporting cast have helped little,,,,but that's not enough because most of the time supporting actors are not with them..... The story is totally aimless,,,,you cant imagine where its heading,,,,although predictable you will scream out loud why the same things keep happening without taking the story anywhere...... Sometimes you will think how boys and girls do such stupid things ....... Music is average,,,,that too from the gem of India A R Rehman ,,,, seems like he also have started giving his best only to the big or you can say selected directors...... Bad Editing is one of the biggest enemy in the movie,,,,,as the movie is just 2hr and 20min (that's one of the reason why i have decide to watch the movie regardless of the bad reviews as the movie was short) still you will wait that why not still the interval have come....Before half of the movie is finished you are already bored and you know that another is yet to come....... M not getting much to write about the movie,,,,simply skip it,,,,rather you may watch Bobby Jassos which got little better reviews ,, or Transformer 4 will be the best selection.... 4 out of 10 .... by ANuP APu KuMaR