King of the Khyber Rifles

1953 "GREAT ADVENTURE OF INDIA!"
6.3| 1h40m| NR| en| More Info
Released: 23 December 1953 Released
Producted By: 20th Century Fox
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Budget: 0
Revenue: 0
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Synopsis

Freshly arrived Sandhurst-trained Captain Alan King, better versed in Pashtun then any of the veterans and born locally as army brat, survives an attack on his escort to his Northwest Frontier province garrison near the Khyber pass because of Ahmed, a native Afridi deserter from the Muslim fanatic rebel Karram Khan's forces. As soon as his fellow officers learn his mother was a native Muslim which got his parents disowned even by their own families, he falls prey to stubborn prejudiced discrimination, Lieutenant Geoffrey Heath even moves out of their quarters, except from half-Irish Lt. Ben Baird.

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Reviews

Scanialara You won't be disappointed!
Intcatinfo A Masterpiece!
Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
3D Phil I just came across this film as a free download on Lovefilm, it's in cinema-scope, Technicolour, great cast including Tyrone Power, Terry Moore Michael Rennie, John Justin, Guy Rolfe and directed by one of the great Hollywood directors, Henry King. Tyrone Power gives one of his best performances, he plays the part of a mixed race British officer with such dignity, I was also very impressed with Michael Rennie as the company commander and farther of the girl Tyrone's character falls in love with, what is there not to like. Here is the link so you can get to see this wonderful film: http://www.lovefilm.com/product/93881-King-of-the-Khyber-Rifles.html
Greg Couture Quite a few of those machine-tooled early CinemaScope productions from Twentieth Century Fox seem to be consigned to the dustbins of the memories of those of us who had the good fortune to see them in their full widescreen ratio with a magnetic stereophonic soundtrack during their initial release.This one, directed with unusual energy by that Hollywood veteran, Henry King; lensed by that master of the color cameras, Leon Shamroy; and graced with a suitably sweeping score by Bernard Herrmann, looks like its lost in the archives where, let us hope, the master negative survives until the day that keepers of the Twentieth vaults come to their senses and favor us with a DVD release in the original (not reduced to anything less, please!) widescreen anamorphic format.Terry Moore, who enjoyed a brief run as one of Fox's oft-used ingenues (and ladies of somewhat easier virtue, as in "Peyton Place") did seem a bit miscast, but Tyrone Power, Michael Rennie and well-chosen supporting players outshone her shortcomings. I recall that TIME magazine gave this quite a positive review and I remember that its use of mountainous California locations were quite convincing as a substitute for sending a company (or just a second unit) all the way to India's probably less hospitable subcontinent.
frankfob Sweeping, exciting spectacle, though on a bit lesser scale than usual. Power is a mixed-race (half British/half Indian) British officer in India battling the British class system on one side, the Indian caste system on the other side, racism from both sides, and rampaging, rebellious natives on all sides. Although he lacked the dynamism and ebullient personality of fellow swashbuckler Errol Flynn, Power nevertheless handled these kinds of action roles well, and was a good enough actor to pull them off believably. Terry Moore is, as always, miscast--she has the sunny demeanor of a USC cheerleader rather than the demure, dignified charm one would expect of the daughter of a senior, upper-class British officer. Michael Rennie's lip is properly stiff as the British commander, and Guy Rolfe is thoroughly effective as Power's megalomaniacal, menacing half-brother who is the leader of the rebels. Several extremely well staged action scenes--particularly at the climax--some very tense moments, crisp and beautiful Technicolor photography and Power's not-inconsiderable presence and charm make this a must-see for adventure fans--if they can ever find the damn thing. As mentioned previously, it hardly ever shows up on television and it's not out--legitimately, at least--on video or DVD yet.
Nazi_Fighter_David Henry King directed Tyrone Power in ll pictures (This one was number nine) beginning with "Lloyds of London," which first shot the young actor to stardom... King directed many of Power's best pictures including "In Old Chicago," "Alexander's Ragtime Band," "Jesse James," "The Black Rose," "Captain From Castile" and "Prince of Foxes"...Power was a great actor able to star in everything from Musicals and Westerns to historical epics and swashbucklers... He was originally meant to do the first CinemaScope film, "The Robe" in 1953, but ended up with "The King of the Khyber Rifles" instead.Power gives adequate performance as Alan King, a half-caste British army captain charging around the hills of India with courage and pride... He crushes a rebel uprising led by a boyhood friend, and engages in a fight-to-the-death... He struggles up and down rocky cliffs of the Himalayan Mountain Ranges and romances his commanding officer's daughter... all against the backdrop of a legendary Indian Mutiny (also called Sepoy Mutiny)Michael Rennie is cast as the tall Brigadier General Maitland who judges King (Tyrone Power) by his special qualifications, appointing him commander of the Khyber Riflemen... Rennie's pretty daughter Susan (Terry Moore) finds herself attracted to the handsome captain, causing a rivalry between King and Lieutenant Heath (John Justin), the officer who spread the news about King's mixed racial descent...Guy Rolfe is the ruthless Karram Khan, a rebel who tries to end the British rule... He warns King: "Last night you spare my life, now I return the gesture. But we will meet again and when we do, there will be no hesitation."The most dramatic moment of the motion picture is the spearing to death of four helpless British captives tied to a long wooden mast, waiting in fear to be executed by Khan's men... Power is also fastened, expecting the same fate, to be thrust in the chest by a deadly weapon... The film, spectacularly directed by a sure-handed craftsman, is sufficiently picturesque with bright and shining landscapes, very entertaining with an alarming storm and a rousing climax in which Power leads a furious assault filling the giant CinemaScope screen with impressive action sequences...