Wordiezett So much average

Lucybespro It is a performances centric movie

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.

Jithin K Mohan The most fun film of the year. Saif Ali Khan is fantastic and Sobhita Dhullipala also gives a notable performance after her brilliant performance in Raman Raghav 2.0 which was overshadowed by the terrific 2 lead performances. I know I am in a minority here but this has instantly become one of my favourite stoner comedies.

SagarMehta87 Indian cinema is rapt with sentimental, over-the-top and routinely cheesy films that revolve around family or romance or both and barely explores new areas. Other than the occasional horror flick from Vikram Bhatt or something out of the Kashyapscape, there's never any respite from from the drudgery of dance numbers and emo-esque melodies. A film like Kalakandi therefore has the responsibility not only to be different but to be extremely entertaining to stay relevant.That's not a good predicament to be in, though it does succeed in being a black comedy as it claims to be. The first half has genuine laughs. Where it falters as a movie is where it gives in to the lore of backstories and motives. It isn't enough that Saif has a life-ending disease (the news of which triggers the film's "trip"), but also a failed marriage and a son he doesn't get to meet. That story arc finds only 2 mentions and adds no layers to the character.What does work really well are the acid trip visuals. Although slightly incorrect in how they're shown and possibly a bit exaggerated, they do give a kind of preview of what a real trip might be like and also add to the laughs sprinkled throughout the film.Another thing the film achieves, with surprising success for Bollywood, is its treatment of a transgender character. Without being overtly sexual or derogatory, it still goes through the cliches and curiosities around them. That's mature film-making.There's 2 other story tropes, with two young couples at a night out and two thugs planning a way to loot their boss. It's a pleasure to see Shenaz Treasurywala (Ishq Vishk, remember?) and Pappi Bhaiya (Deepak Dobriyal), who holds his own in every frame with Vijay Raaz.The star power is surely with Saif but he never steals the spotlight. It's the perfect kind of film for Saif because he has certain limitations when he's the leading man. Without him though, this would feel like an indie film about getting high and money or something. Him being there helps the film and even the scenes where he isn't there, simply because you want to go back to find out what's up with him.The film doesn't try to tie together the three plots, except a chance meeting of 10-15 seconds. Better editing would help. The one thing I despised was the last scene when Pappi gets hit by a bullet Saif shoots towards the sky. I was reminded of the movie Welcome. That felt obvious for the film and yet very forced.I'd say watch it for the first half, and let the second half go by without complaining.

namashi_1 'Kaalakaandi' rides on an exciting idea, but entertains only in doses. Writer-Director Akshat Verma delivers a trippy, hysterical & absurd black-comedy that has some LOL moments, but comes across as uneven as it unfolds. Saif Ali Khan, however, aces over all & steals the show. 'Kaalakaandi' Synopsis: Three stories unfold during a wild night in Mumbai, India.'Kaalakaandi' has three stories, out of which only Saif's chapter works. As the man who's diagnosed with cancer, who later decides to let loose & goes all-high & encounters a transvestite, is among the film's strongest points. In his story, there is also Akshay Oberoi, who does something funnily stupid right before his marriage. The other story, featuring the gorgeous Sobhita Dhulipala as a woman who lands in trouble before flying abroad, is strictly okay. But the final story here, based on the supreme talents of Vijay Raaz & Deepak Dobriyal, is a complete waste. Despite two powerhouse performers & a ton of abusive language, this story is devoid of motive or impact. So, 'Kaalakaandi' aims to be a whacky, absurd black-comedy, with Mumbai being a character in itself in the narrative, but Verma doesn't entirely deliver. Had he stuck to only Saif's chapter, 'Kaalakaandi' would've been a laugh-riot, but alas, that's not the case. The remaining 2 stories don't stand out & even the pace in the second-hour, wobbles. In short, 'Kaalakaandi' has hilarious moments, but they are never enough to compensate for the film's other flaws. And then there is Saif. In a fearless, over-the-top performance, Saif returns to top-form after a hiatus. Having wasted his talents in duds like Rangoon & Chef last year, Saif takes on a trippy & crazy part & excels from start to finish. His scenes with the actress who portrays the transvestite, left me in splits. Its a shame that 'Kaalakaandi' can never match up-to Saif's bare-naked madness. Of the rest of the cast, Isha Talwar is excellent & Neil Bhoopalam leaves a mark in a comical cameo.On the whole, 'Kaalakaandi' has its moments for sure, but the minuses hit it hard. Nonetheless, not a bad way to spend the weekend!

Maulin Parmar Akshat Verma is famous for his dark humor and mad plot. After giving Delhi Belly as a writer, returns as a writer-director for this film, starring Saif Ali Khan, Deepak Dobriyal, Vijay Raaz, etc.The film is all about what happened on that one night. Three parallel stories have been running in a city on the same night. There is no connection between them. But the screenplay has been written very well that we feel connected towards all of them from the very first scene of each stories. Though, I believe that the most funny and fast paced story is the one between Vijay Raaz and Deepak Dobriyal. These two guys have chatted brilliantly about their plans and dreams in the most hilarious way. I want to thank CBFC for not deleting or muting any cuss words from this film, so that we can able to enjoy it in right manner. Without these words, What could Vijay Raaz do! LOL.Kunaal Roy Kapoor and Shobhita Dhulipala with other two actors are there to just give us an idea what could happen in a party. Also, the other factor, which you will find out while watching, is bit overly handled according to me. That's the one thing I didn't like in this film.The main part, or my favorite, is of Saif Ali Khan's! He has played an absolutely new character on screen. I wish I could have given chance...But, never mind! Saif has done his job superbly. Kudos to the thinker who thought the imagination and created the visuals of Saif's character. These are the highlights of the film. Isha Talwar is sweet and beautiful in her short role. Akshay Oberoi gives full support to his on screen brother Saif. By far, this story is the main part, (amm yes you got it right), of this film Kaalakaandi.Bollywood is changing day by day. This is one of the changes. Many would not like the ending scene, but, I completely laughed out loud on that. Because you have to remember that this is just a mad, crude, creepy film. I am sure if you invest your time into this, you definitely forget all your problems. In fact, you'll forget your real life too and get trapped into this mad world! It is different from Delhi Belly. Humor is less here. Life and death and Karma... in an adult movie, which I think is only for youngsters. After watching this, I would say: Fuck the rest, Let the Karma do the Best! Enjoy!