Jump Out Boys

2008
2.5| 1h23m| R| en| More Info
Released: 18 January 2008 Released
Producted By: Most Wanted Films
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Set in post hurricane New Orleans. A brutal Mexican drug lord (Armando LeDuc) busts out of jail to retrieve the $15 million that his girlfriend is hiding. But detective Raymond (Kris Kristofferson) and McCoy (Sheldon Robbins) will try their best to put him back to where he belongs.

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Reviews

Beanbioca As Good As It Gets
TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.
Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.
gwailo-2 Like the man said, I'd like the time back I spent watching this. Most amusing to me was the amount of time spent with the two of them in the car, and the rear window chroma or CGI which reminded me of the "Toonces the Driving Cat" skits on SNL. It's no wonder they didn't list filming locations, most of this could have been done in someone's garage.And way to take one more smack at post katrina nawlins, folks.People who know me will recall I often say there is no such thing as a bad pizza or a bad movie.I have to strike that last part now.This is a stinker.
SERGE MATTHEYSSEN NOT GOOD AT ALL!!!Dreadful dialogues. No magic between the actors. The main villains are laughably weak, and there is hardly anything interesting going on at all. Uninspired scenario: The plot moved from implausible to downright absurd.Kris Kristofferson is too old for a movie like this. In the movie, his wife is ovulating! He's like 90 years old. The entire movie is filled with irrelevant information. What the hell is DMX doing in this film? Punisher wannabe for hire? It's a shame to hear Willie Nelson's name in a crappy movie like this! Don't watch it, don't rent it, ... Forget it!
Dan Rodriguez This film was a classic buddy cop film. It really takes you into the swamps and backroads of Louisiana. The script was pretty good, and DMX was awesome as usual. It seems like most of the reviewers above are wanna- be film makers who don't have the means to make their own corny films, so they stand around and poke holes at the projects of real film makers who are doing it.This piece was action packed and the special effects were good. And man, Ciera Payton is hot. I also noticed the rappers Kane and Abel in this. They were pretty good too. Great film!!! I really enjoyed it and I recommend it to the masses!
night_wng 3 faults with this movie jump out within the first 5 minutes.1) lousy camera angles (specially mid-way thru, when the main character is racing thru the city with lights/siren, and the camera is in a 'chase' car behind. while most directors would b sure to zoom in on the first car, instead the 'chase' car's lights are shown in the scene)2) having an inter-racial partnership as main theme. this has been done hundreds of times, and doesn't really work here. especially when it's an obvious clone of Miami vice. I think if both partners were African-American, the story would be more believable.3) IF you're going to do #2 above, at least pair up 2 actors that can carry the story. I loved DMX's character. However, trying to force the viewer to believe a 72 yr old man would be his partner is ridiculous.Anyone with common sense knows that there is absolutely no way any police force would allow a 72 yr old officer to be an 'everyday' detective, that would be cruising the streets on a daily basis. It would be highly likely that they'd be enjoying retirement, or at best, would be behind a desk. I would hope Hollywood has more imagination than to keep churning out the same old story-line, every time it wants to do a cop themed movie. How many more do we have to put up with, before we see something new?

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