Actuakers One of my all time favorites.

Bergorks If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

clspencer I never went to see this show at the theatre, didn't get the opportunity, but knew the music and saw snatches on TV over the years.I watched the Arena Tour on TV - what a truly wonderful experience. I couldn't take my eyes off. It was now a proper rock musical - I haven't been so enthralled or impressed since I went to see Hair in 1969, but this surpassed that by miles. Well done, a wonderful show with excellent performances; Tim Minchin was just superb, as was Mel C, and Ben Forster was so powerful at times it hurt. The ensemble cast were wonderful too.Changing the time worked very well, there are parallels with today which you cannot ignore and which made it even more dramatic. The set design was superb, the costume quite stunning.Yes, I enjoyed it! I just wanted to be there soaking it all up!

drjimmyjam This is surely the best attempt at rejuvenating Lloyd Webber and Rice's under appreciated work since the 1973 movie featuring Ted Neely and Carl Anderson. It does however fall into similar traps from previous productions, in so much as, directors incessantly feel the need to modernise or set it in some kind of wacky environment, sometimes at the expense of logic. The most bizarre example being Ponteous Pilate doing push up's after tennis, whilst pondering Christ's fate. This production is for arenas and stadiums only; A gift to the awesome array of session musicians, who smash their way through the big numbers with aplomb, whilst still providing tenderness where needed. The cast also benefit from the size and scope of this production, but for different reasons. As a paying member of a 40,000 strong audience, one can imagine being swept away with Mel C's Magdeline, as would her voice have been swept away with reverb, and bolstered by the awesome accompaniment. But on TV, listening to the direct feed from the desk, her interpretation lacks all subtlety, and is harsh on the ears. No doubt her brief stint in the west end production of Blood Brothers, entertained Lloyd Webber's sensibilities both Musical Theatre, and commercial. Sadly, Ben Forster as Christ also disappoints due to a lack of rock authenticity. He seems to have the range (although he does seem to split his long held high note at the end of Everything's Alright - did that go unnoticed in post production? Or was it the 'warts and all' approach to editing live events?) but the higher notes are reached not unlike a choir boy. The 'screams' of Ted Neely and Ian Gillan are here replaced with a dulcet falsetto. And there is a lack of anger: Tim Rice's interpretation of Christ in his final days is as impatient and angry, as would any real man's mentality be. Forster however, is a whimpering victim, failing to find the good stuff needed for The Temple scene, and only marginally improving for Gethsemanie. Tim Minchin, however is a ray of light. There is no doubt that he delivers vocally in his big numbers, but that's where his focus seems to be, and not on the smaller moments where his voice is quite thin, and glassy. But due to the benefit of close up telly, his complete and utter emotional investment in the character, and what's at stake are undeniable. Whilst I'm not a massive fan of his tone, It's a great performance, with little attempt at hiding or covering up his own stylings, putting his own stamp on the character - a rock 'n' roll hallmark. Chris Moyles is adequate as Herod. This is to Superstar what Master Of The House is to Les Miserables, and is much loved, a lot of fun, and therefore, hard to get wrong. The 'wacky' re-imagining DOES work here, presenting the song as a live 'phone-in' /Jerry Springer-esque telethon of some kind. Bringing us round to design. It's done really well, with a huge screen covering various on stage moments, as well as providing storyline background ideas, atop a huge staircase. of which some steps retract or move. On the whole, it's great to see Superstar given the treatment it finally deserves, and as a fan of the show, musician, and actor, my hat goes off to the rollicking band, and energetic supporting cast. Superstar rocks, again!

bigmarksnelling Firstly, I have to say I would have seen at least 10 versions of the show, plus, of course, the movie. I also went to see the Arena spectacular at the brand-new Perth Arena. It was brilliant. I thought the 3 leads were totally brilliant, in particular Tim Minchin, who is a Perth boy. The DVD didn't disappoint either, and, to my musically educated mind, I felt that Ben Forster was absolutely brilliant, I thought Tim was fabulous, and I felt Mel Chisholm stole the show. This was the best iteration of this show I have ever seen, and I have also performed in the house band on a couple of them as well. I have seen Gillan, thought he over-sang, the best until now was John Farnham, but Forster wins for me. I can't understand one or two of the reviewers here, one said it was too modern????? The story was in set in 33AD, they didn't have tanks, helmets or metal scaffolding then either, but it's always been a part of the charm of this show , the juxtaposition of the times. I loved it. In case you can't tell.

bwdude Before I get to this very title, let me tell you where I am coming from on this: When I first saw the Motion Picture "Jesus Christ Superstar" in the 70s, I was hooked right away. I've never been a great fan of musicals, but this one had such a great score, I loved it and got the soundtrack on vinyl as soon as it was out. Since then I have not only seen the original Broadway show (on tape) but also multiple later live performances until well into the 90s and even in different countries. Each of those had its own style, its own cast, its own "feel", but all of them were great.This one though, the "Live Arena Show", I simply don't like, and believe me I've tried!First of all, it's wayyy to overmodernised to me, cellphones, tablets and all. This may just be my personal taste, but hey, it's my review as well. Second, the costumes, makeup and hairstyles of "the followers" are downright ridiculous. While the style of Herod and Pilates are pretty good in a tongue-in-cheek way, those of the followers are just pathetic.But the worst thing is, that Tim Minchin as Judas as well as Ben Forster as Jesus are just weak in any way. "The Temple" usually gives me goosebumps of delight, be it performed by Ted Neeley or Ian Gillan or some of the other Jesuses I've heard so far. In Forster's Case its all just "Meh".Also, Melanie C has a great and unique voice, I am just nor sure if its the right one for the role. Maybe I am just used to the smoothness of Yvonne Elliman, but it also did not feel right to me.In conclusion I did not enjoy it very much. If you are like me and love the Motion Picture or the Broadway Show, it might not be for you as well. On the other hand, if you are a younger person and this is the first time you ever see Jesus Christ Superstar at all, chances are that you will like it. If so, PLEASE listen to the original Soundtrack afterwards and I almost can guarantee you that you will be blown away!