FuzzyTagz
If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
ChicDragon
It's a mild crowd pleaser for people who are exhausted by blockbusters.
Humaira Grant
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
soryo1
A movie for the soul, where every character is built carefully and has it's own sensibility. The dialog and the story are well constructed, i did not knew were the time went. In some moment in the movie you know how it is going to end but it's a joy to watch, you grow fond for the characters one scene more beautiful than the other. I personally like best Jørgen Mortensen and Giulia couple because it creates the essence of love it's filling it's beauty it's power to overlook anything. It's a romance movie a story of hope centered on people, on the power of friendship as a family where by the presence of another being who listen to you and value you makes you feel important.
LeRoyMarko
What an evening well spent watching this film. It's poignant, touching, funny. It explores themes that are not always easy to talk about on the big screen: euthanasia for one, impotence for another. It also touches the tragedy of losing someone close to you. The cast is very good, all six of them, but especially Anette Stovelbaeck, Ann Eleonara Jorgensen and Peter Gantzler. And Sara Indrio Jensen is superb! Too bad she hasn't played in another movie. The dogme style goes well with this story. But one must get pass the first 10 minutes or so during which the hand-held camera can make you a bit dizzy! Seen at home, in Toronto, on March 25th, 2006.80/100 (***)
noralee
"Italian for Beginners (Italiensk for begyndere)" is yet another of the 2001 movies for grown-ups about adults dealing with death. It shows how death in the family leads to loneliness, though not as light-hearted as indicated by the preview trailer.It is a poignant slice-of-life of a Danish town of misfits, in the earthy, gritty manner of "The Full Monty" or "Billy Elliott."Proudly flashing its minimalist Dogme 95 certificate (hence the lack of illustrative soundtrack songs), it has a warm-hearted understanding of the spectrum of human foibles.Here the woe-be-gone come together, improbably enough, at an Italian class in a local community center, with all that learning a romance language implies. At least that's what I could get out of it despite the older ladies behind me out for a matinée who decided that a sub-titled movie entitled them to talk loudly throughout, as well as kick my seat.(originally written 2/24/2002)
dlpatrick1
This is one of the most enjoyable and rewarding romantic comedies at the beginning of the decade. A Dogma 95 film, this movie exemplifies the challenges put up by the group of film makers that created Dogma 95 in Copenhagen. DOGMA 95 counters the individual film by the principle of presenting an indisputable set of rules known as THE VOW OF CHASTITY. The rules (10 in all) include principles such as: shooting must be done on location (scenes in Venezia) and on a sound stage used to rehearse Sound of Music--an auditorium where the Italian classes are held. Music should not be used unless it occurs where hte scene is being shot (how refreshing not to have Hollywood scores interrupting the natural sound). Hand-held camera-- this produces a feeling that you are doing the filming yourself. I felt that when Andreas was swimming in the hotel pool. Special lighting is not acceptable -- again the auditorium and the lights. Or the restaurant lighting. The characters in this movie are so real one feels you have met them before. You can read the plot elsewhere if you haven't seen this movie. There are pairings in this movie that show romance at its best -- forgiveness for the foible (Olympia was probably born with fetal alcohol syndrome-- Andreas understands this and near the end when he suggests she sing in the church choir, he suggests they prepare for her falling over into the pews. Giulia's budding love for Jorgen Mortensen is a treat -- little prayers in the kitchen -- and rehearsal for the big moments. This movie even treats impotence with the gentleness and humor and understanding that the best of life can deal. Perhaps most erotic is the scene where Karen washes Hal-Finn's hair in her salon -- ummmm! Not enough can be said about this movie. So to cut it short -- go see it -- watch it several times. A magical experience awaits -- where real people with real foibles find real connection.
