Sexylocher Masterful Movie

Comwayon A Disappointing Continuation

Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

doggie-24384 The girl was not raped, it's kind of sick that they falsely added that in

calvinnme First off, the atmosphere is just not there. The 1967 film had black and white photography and a truly inspired score that really put you in the mood, and in the time and place. As usual in films that try to take you back to more innocent times - in this case rural 1959 Kansas - they get the art direction and costumes down and just get the personalities of the people all wrong. In reality, Dick Hickock and Perry Smith were just inches from turning on each other like wolves many times after the crime. Here they tussle a little, but the real dark differences between them are just not shown. Hickock was in actuality the stronger and the more sociopathic of the two, here he is shown as just a carefree womanizer with a criminal bent for theft. Likewise, the actual deep remorse that Perry Smith felt over the murders is not shown, nor is the fact that he was the weaker of the pair, and a dreamer. In fact, Perry is shown as the stronger of the two.Not only are the criminals shown as not that menacing, the townspeople are shown as more modern in their speech patterns than was actually true. In a town where it really was true that EVERYBODY went to church every Sunday, where it really was true that a romance between a Catholic and a Methodist was doomed to failure, the female owner of the local diner is not going to yell across the room to a man who is a stranger to her "You bet your butt I do!" in response to how good a cup of coffee she makes.Of course at the end, the details of the crime are shown - at least from Perry Smith's viewpoint - because today people are used to seeing that kind of thing in the news and on broadcast TV - a family killed by complete strangers. In the 1967 film the details of the grisly murders would have been out of the question since the production code was technically in force for another couple of years.If you get a chance to see the 1967 version, it's a toss-up as to whether or not this one is worth your time. It is not bad, it is just not up to the standards of the original theatrical film.

Ajtlawyer This two-part TV mini-series isn't as good as the original from 1966 but it's solid. The original benefited from a huge number of things---it was all in black and white, it had a great jazz score and it was filmed at the real locations, including the home of the doomed Clutter family. That was important because in the book and in the original movie the home is very much a character itself.This remake was filmed in Canada which I guess doubles okay for Kansas. The story tries to be as sympathetic to Perry as it dares to and Eric Roberts plays him as a somewhat fey person, his homosexuality barely hidden. The gentler take by Roberts doesn't quite work in the end though because it's hard to believe that his version of Perry Smith would just finally explode in a spasm of murder. Whereas Robert Blake's take on Smith left you no doubt that his Perry Smith was an extremely dangerous character.Anthony Edwards was excellent as the bombastic, big-mouthed and ultimately cowardly Dick Hickcock, the brains of the outfit. His performance compares very well to Scott Wilson's role in the original movie.Since this is a longer movie it allows more time to develop the Clutter family and in this regard I think the 1996 movie has an advantage. The Clutters are just an outstanding, decent family. They've never harmed another soul and it is just inexplicable that such a decent family is ultimately massacred in such a horrifying way. It still boggles my mind that, after the Clutters were locked in the bathroom, that Herb Clutter didn't force out the window so at least his children would have a chance to escape. This movie has the thought occur to him, but too late. From what I read about the real home, which is still standing, the way the bathroom is configured they could've opened the counter drawers and effectively barricaded the door which would've forced the killers to blast their way in. But it might've bought time for some of the Clutters to escape. Why the Clutters didn't try this, I have no idea.Fans of the book will recognize that this movie takes a lot of liberties with how the crime is committed but not too serious. Still, it's distracting to viewers like me who have read tons about the case. The actors playing the cops, led by Sam Neill and Leo Rossi, are uniformly excellent, much better, I think, as a group, than the actors in the original movie. They know that to secure the noose around the necks of both of them they have to get them to confess. And the officers come to the interview impeccably prepared. They had already discovered the likely alibi the phony story of going to Fort Scott, and had debunked every jot of it. The officers then let Smith & Hickcock just walk into their trap. Hickcock is a b.s. artist who figures he can convince anyone of anything and the officers respectfully let him tell his cover story. But when they lower the boom on him, he shatters very quickly. It's very well filmed and acted and very gratifying to watch because the viewer naturally should loath Hickcock in particular by this point, a cowardly con-man who needs the easily manipulated Smith to do his killing for him. Supposedly Hickcock later stated that the real reason for the crime wasn't to steal money from the Clutters but to rape Nancy Clutter. At least she was spared that degradation.The actors playing the Clutters are very good, Kevin Tighe as Herb Clutter in particular. The story sensitively deals with Mrs. Clutter's emotional problems, most likely clinical depression, and Mrs. Clutter displays remarkable inner strength when she firmly and strongly demands that the killers leave her daughter alone. From what I've read the Clutters' surviving family was particularly bothered by how Bonnie Clutter was portrayed in the book, claiming it was entirely untrue. But as an aside, both of the killers related to the police how Mr. Clutter asked them to not bother his wife because of her long illness. Capote might make up that fiction to make the character of Bonnie more interesting but certainly the killers had no reason to falsely portray Mrs. Clutter and no doubt much of the conversation in the book (duplicated in the movies) is right off the taped confessions of the killers. So it would've been nonsensical for Herb to have said that and not have it be true.

Arlis I watched this on T.V. when it first came out. I would've bet money that it was in the late 80's but it says here its 1996. I watched it with my sister and we only got to see the first part of the miniseries. I really was locked in by the whole attitude Anthony Edwards carried and the hate he showed.The rest of the cast did nothing for me. Sam Neil is about as dry as an actor can get and Eric Roberts is an ugly no talent nobody who has never made a movie that he didn't cry in. I guess he knows that his sister is a big millionaire and he's nothing - that must suck, and for the record I hate her with passion as well.The production of this movie was so plain and not even worthy of a lifetime movie of the week in my opinion. the direction has to be a character within its self and that was the most boring aspect of this movie for me.I found this DVD at wal-mart for $3 last month and just had to see the rest of it. I wish I had left it setting there and saved my $3. Anthony Edwards was mean and I liked him in it though and thats the reason to watch it. The fear he puts into that family. I just found out today that this is a remake of a 1967 Robert Blake movie of the same name. I'll try to get it and see if it's better.