Hungry Wives

1972 "Every Night is Halloween."
5.6| 1h29m| R| en| More Info
Released: 01 May 1972 Released
Producted By: Latent Image
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Joan Mitchell is an unhappy, middle-aged suburban housewife with an uncommunicative businessman husband and a distant 19 year old daughter on the verge of moving out of the house. Frustrated at her current situation, Joan seeks solace in witchcraft after visiting a local tarot reader and leader of a secret black arts wicca set, who inspires Joan to follow her own path. After dabbling in witchcraft and believing she has become a real witch, Joan withdraws into a fantasy world and sinks deeper and deeper into her new lifestyle until the line between fantasy and reality becomes blurred.

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Reviews

Solemplex To me, this movie is perfection.
Sexyloutak Absolutely the worst movie.
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
Scott LeBrun In the years between his legendary "Night of the Living Dead" and his outbreak thriller "The Crazies", filmmaker George A. Romero was actually trying NOT to get pigeonholed as a horror director. This is one of his efforts from that era. It's not for hardcore horror fans; other than a few nightmare sequences, it barely flirts with that genre. It's more of a sometimes arty, sometimes exploitative drama about a suburban housewife named Joan Mitchell (Jan White). Rather dissatisfied with her lot in life, she begins to think about things such as extramarital sex, and the idea of dabbling in the occult.The performances are better than one might expect for such an independent, regional production. Romero uses his script as a set-up for exploring themes such as self esteem & self expression, female oppression, and the generation gap. For a while, it's likely to cause some audience members to be regularly checking their watches, as it rambles on at too deliberate a pace. It begins to maintain interest more consistently after the one hour mark. Regarding its artistic ambitions, Romero does seem to be enjoying himself coming up with those dream sequences. And in terms of exploitative elements, there is nudity both female and male, but never very much violence or gore."Hungry Wives" is fairly serious, but not totally without humor. Fans of the directors' output may want to see it for completions' sake, but it's not going to be for every taste.Six out of 10.
Michael_Elliott Season of the Witch (1972)* (out of 4) This notorious film from George A. Romero was at one time considered one of his two "lost" movies but while this one here was easily available in bootleg form, most people didn't see it (or the previously made THERE'S ALWAYS VANILLA) until released to DVD by Anchor Bay. The film tells the story of a bored wife named Joan (Jan White) who is ignored by her husband so she finds some new friends who just happen to be into black magic and sure enough things take a turn for the worse. This Romero film was originally released at 130-minutes as HUNGRY WIVES but when no one went to it it was then shown overseas as JACK'S WIFE with a 104-minute running time. It was then again cut down but the version on DVD now is this 104-minute version but it does carry the SEASON OF THE WITCH title card. No matter what you call it there's no denying that this is a downright horrid film that is just shocking to watch not because of it being scary but because it's rather hard to imagine the same person behind this film also made NIGHT OF THE LIVING DEAD. Romero himself has called this a piece of crap but the filmmaker might be too kind with those words. It's said that Romero made THERE'S ALWAYS VANILLA because he didn't want to be known as a horror director and I think this thought has a lot to do with the issues here. It's clear that Romero didn't want to make just another "witchcraft" film so he tried to do something different with the material, which I can appreciate but sadly the end results are just horrid. The majority of the blame has to go towards the screenplay because it just contains one long, drawn-out dialogue sequence after another and you can't help but lose focus of what the characters are saying because the stuff they're saying is just so bland. You'll be watching two of the characters talk but their dialogue just goes in such direction that you can't help grow bored and simply tune out. At 104-minutes the film is way too long and I can't help but thing what torture the original version must have been. The performances aren't very good either with none of them really standing out and there's some really bad editing that doesn't help matters either. SEASON OF THE WITCH probably would have been best served had it remained missing because there's no question that the director is embarrassed by it and he should be.
capone666 Season of the WitchWomen gravitate towards Wicca, because unlike Christianity it doesn't consider them to be the harbingers of sin.Unfortunately, this horror movie about the earth-centric religion is not the best example of that aforementioned assertion.Plagued with recurring nightmares of her traveling husband, bored housewife Joan (Jan White) seeks the spiritual counsel of her tarot card-reading neighbour (Virginia Greenwald), who is also the head priestess of the neighbourhood coven.Convinced that she too is a witch, Joan goes a little nutty, which results in her using witchcraft to seduce her daughter's TA, and get away with murder.A psychological trip through the mind of a lonely housewife, Season of the Witch is a less- zombified movie than what director George A. Romero is known for; however, it's just as insightful.As for which one is hotter: zombie or witch? When you get Skyclad with a witch their decomposing genitals don't fall off. (Yellow Light)
haildevilman Excellent! Before Romero got too famous for his Zombies, he gave us this little gem.This was a great find. Good story, great characters, good scares.You also had hippies, drugs, swinger types, and gaudy 70's decor.The best scenes were the recurring nightmares of the prowler trying to break into her house. Every time she had this nightmare it went further. Seeing the shadow go to the side of the house and cut the phone line while she was trying to call for help was CRE-EPY.And did anyone notice there was no music on the soundtrack during these scenes? All you heard was breathing and her voice when she tried to use the phone.One of the scariest scenes of the 70's, and that's going some.This deserves to be as well known as Romero's 'Dead' trilogy. Or at least 'Martin.' See this again.