SpuffyWeb Sadly Over-hyped

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Errington_92 The slow pace of Bal works to great affect as it explores the tribulations of a young boy not only with the conventional use of a storyline narrative but also with a range of beautiful compositions which equals the sophisticated style of vivid portraits.Yusuf is a young boy who is an outsider yet vastly intelligent. He is at odds with his school life never fitting in amongst his peers, constantly watching them from a distance along with struggling in parts of his studies. When Yusuf stutters through a reading in class minimal techniques are used, only the camera slowly tracking towards Yusuf and multiple POV shots of school peers focusing on Yusuf in awkward silence contain the scenes vibe yet it strikes such an impact emotionally feeling Yusuf's embarrassment. Whereas watching Yusuf with his Father in a simple static shot as they work and explore in the local woodlands shows his deep connection with nature by knowing the names and mannerisms of various plants, it is wonderful to witness the bond the pair have and to feel Yusuf's tranquillity. The techniques used to capture these moments are simple yet effective showing the brilliance of Bal.Bal contains strong visual elements not only in the minimal techniques used to capture Yusuf's story but in the compositions which are styled with outstanding detail. Yusuf sat alone in a barn facing the camera in mostly dark lighting to inhabit his depressing mood before the head of his Father's donkey appears from behind Yusuf to provide comic relief convey his mood in the same manner a later dream sequence. After his Father goes missing Yusuf begins to have haunting dreams, one of which is himself stood alone in the forest with the visuals being one of a greyish palette before dead bees drop into his hand as a foreboding of his Father's death.In a way it is hard to describe Bal as a film because its much more. Bal is a piece of visual art that transcends from its quiet storyline to present the atmosphere and emotions embedded in Yusuf's life as well as those around him with striking use of compositions and ingenuity. Bal is not a viewing experience for everyone, only those who appreciate the visual sophistication celluloid can offer will be moved by this film.

dominus1642 In order to make a film deep and engaging, it doesn't always require a philosophic brilliance in the idea or an alien avant-garde approach to it.specifically if its to be in the domain of realism like this drama does all the depth and beauty of the art depends on the simplicity and reality which the filmmaker invest in his work. its the third of Semih Kaplanoglu's Yousuf trilogy; the final one. and like the previous ones it pretty much relies on the same approach. The simple yet emotionally developing life of a kid is beautifully portrayed. Throughout the movie one finds himself passing through a subtle experience, a slow, deeply rich performance something which is more of the characteristics of European cinema.Besides the director has done good cinematography and a concise script that fits brilliantly with the nature and country side.I would recommend it to all those that hold cinema higher than the source of mere recreation. its simple yet powerful you will definitely enjoy it.

bulie19 after watching hundreds of grate classic Hollywood films, Italian and French unforgettable masterpieces , it's amazing that this specific Turkish movie made it to the top of my list. It is made accurately and neatly , you can see how specific was the directors planning. The story touches the viewer using less words and a more gestures.the connection to nature is very beautiful. the opportunity to get inside a Childs world is as always magical. actors don't even feel as actors , so that is also well done. I never heard of this director before , hope to see some more of his work in the future. I think this movie is intended for film lovers who watched European films before and are use to the slow timing and long cuts , for those who have not watched these before i recommend watching this one if you are trying to get started. waiting for more!

batistuta789 *** THIS REVIEW CONTAINS SPOILERS *** I must admit that I was a bit skeptical about this movie. It won the Golden Bear in Berlin, but, first, it's a German co-production (so, who knows...) and second, festival winners are not always the movies that bowl me over.After having seen it, I must say that I am very touched. The reviews about the movie always focus on the beautiful and calm storytelling and the awesome Anatolian landscapes. But in my view it's primarily a chamber play with a quite depressing story. The young boy Yussuf suffers from strong stuttering. The only person he opens to is his father, a beekeeper. Only with his father the boy can communicate, he whispers complete sentences and expresses his feelings. At the end of the movie, the son will realize that his father died in the woods, the last screen showing the child sleeping under a giant dark tree.The acting from the boy is superb. There are many heartwarming scenes, especially when the boy sees his mother crying and drinks a cup of milk (what he normally hates to do), looking hopefully at her afterward, as if his self-conquest could change anything about the cruel situation. In this scenes the movie really manages to take us into the child's world.What makes the movie a little irritating is not only the slow rhythm (that helps to create those real-life magic moments) and the very few dialogue, but also the lack of emotional gestures, especially between Yussuf and his mom. If the director of the film would have been let's say Michael Haneke, it would surely not be interpreted as a hymn to (natural) life, but as a sober analysis of failed communications.Finally, if you generally do not like slow and minimalistic movies, don't watch this one. It's breathtaking slowly, and very many and very long scenes will only show the boy looking around an empty room with big eyes. All in all, Honey is a naturalistic child drama offering enough space and time for free associations and deep feelings. It's surely recommendable to watch it in a cinema. Although it's overall great done, you might not stay awake until the end when lying on a soft couch at home.