Matialth Good concept, poorly executed.

Tacticalin An absolute waste of money

Megamind To all those who have watched it: I hope you enjoyed it as much as I do.

Siflutter It's easily one of the freshest, sharpest and most enjoyable films of this year.

CaptainBirdcat This film is the worst i've ever seen. I'm presuming anyone who grades this higher than a 2 is just a massive All Saints fan. I'm one of those weird people who usually likes bad films but this was a real chore to sit through. It's not just bad in one area either. The acting is awful. I do actually like all Saints music but i think the fact that they never tried their hands at films again indicates that they probably realised how bad they were. The story line is S***e as well. Altogether i think had another director (not The Eurythmics Dave Stewart) had tried to get this made with another set of actresses than it never would have been given the green light. On 2nd thoughts go see this film because unless you've seen it you can't comprehend how bad it is. Just make sure you've got a decent Brit flick to watch straight after, just so it doesn't put you off British films for life.

sparkle-14 Despite the pathetic protestations of the Director and production company, this film was nothing more than a 'Spice World II'. Nothing wrong with that as Spice World had an ardent audience of pre-teens/ teens and made money. But no, Honest Productions seemed to think that 'Honest' was serious art for adults. Very misguided, but apparently they persuaded their distributors of same. Had the Director curbed his ego (and obvious desperation to be seen as a serious director), cut the violence and sex so that the REAL audience for this film: teen and pre-teen fans of the All Saints had access, this film might actually have found its true audience and made some money. Yet it seems only adults went to see movie, in hopes of getting a good look at the Appleton sisters' breasts. In casting three non-actors who obviously couldn't muster up the ironic edge to give a silly story any real comic value; attaching an aging pop star who clearly can't direct; and trying to sell this as 'serious art', the team behind this pic cut their own throats. Why didn't the distributors, who ought to know better, insist that this be edited to get a 15 certificate? That's even more idiotic than the film itself.

Chris_Docker Foreign critics have received this movie much better than British ones. Possibly because, although Dave Stewart has done a reasonable recreation of sixties swinging Hippiedom in London, it really isn't that interesting to home-grown audiences any more. The addition of three-quarters of a well-known girl band (All Saints) gives it even less charm (although one of the ladies concerned turns in quite a reasonable performance, as well as letting the camera linger longingly on her bosom. Nice to see ex-pop star Dave Stewart make a go of directing now his music career isn't what it used to be - he's done a reasonable job but he will hardly be hailed as a great director for this effort.

Ian Mc This must have looked great on paper... Imagine three beautiful sisters, in swinging-sixties London, who steal for a living. Get three pop stars (Nicole and Natalie Appleton, Melanie Blatt of the 'All Saints) as the cast and package with pop star turned director, Dave Stewart (of Eurythmics fame).It's the perfect pitch. OK - maybe not, but there will be a buzz and people will want to see it. But should they? In my opinion, probably not.From the outset, the film couldn't decide whether it wanted to be sixties a pastiche comedy, or a thriller edged movie.The plot was pedestrian and you were never really drawn to care about the characters. The script was peppered with sixties stereotypes, posh kids, tripping hippies and some decidedly one-dimensional mobsters. The cast seemed to struggle under the weight of the plot, some of the scenes were truly painful to watch - especially the comedy drug-dealer villain and the extended 'trip' sequence. Some of the emotional pay-offs were lame to say the least. Co-writers Clement and La Frenais (with Stewart) are capable of much, much more than this.All that said, there are a couple of good comedy moments, including a chase into Mornington Crescent Tube Station in a camper van. Sadly, these moments are few and far between.Nicole Appleton, as the oldest sister Gerry, seemed reasonably at home in her role. Sadly though, she was let down by a mock-cockney accent which seemed to have escaped from the Dick Van Dyke school of dialect coaching. Others were guilty of this too. Peter Facinelli, the American love interest was missable. Corin Redgrave brought a little dignity to the proceedings with his mob boss.Points must also go to one of the most obvious continuity errors I have ever seen... a full back tattoo that goes missing!With an 18 Certificate in the UK for the drug-taking, language and nudity the film was doubtless pitched at an adult audience. I feel that, unless all want to see is some pop star nudity, you will walk away disappointed. "Honest" is destined for the same bargain bin that you may pick 1997's 'Spiceworld' out of, and that's a shame as this had the potential to be far, far better. One to miss.