SnoReptilePlenty Memorable, crazy movie

Numerootno A story that's too fascinating to pass by...

Aiden Melton The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Cheryl A clunky actioner with a handful of cool moments.

hrkepler 'Highway Dragnet' is mediocre murder mystery where twist is uncovered before half the film is over. Rest of the movie we can enjoy by the numbers pursuit picked with cliché tension risers and occasional quirky characters for comic relief.Richard Conte stars as James Henry, a marine wrongfully accused for the murder of fashion model. He escapes from the police and while on the flee he helps out two women with car trouble - photographer Mrs. Cummings (probably Joan Bennet's worst performance of her career) and another fashion model Susan (Wanda Hendrix).It is really a second rate film-noir that some Roger Corman fans might look out for curiosity to see the film based on the screenplay that legendary 'King of the Bs' ever sold. He also served as associate producer just for an experience. There can be no better film school than is the experience working on a motion picture.

Spikeopath Highway Dragnet is directed by Nathan Juran and written by Herb Meadow, U.S.Anderson, Roger Corman and Jerome Odlum. It stars Richard Conte, Joan Bennett, Wanda Hendrix and Reed Hadley. Music is by Edward J. Kay and cinematography by John J. Martin.All I did was buy her a drink. One drink, and for 65 cents I bought a martini mixed with dynamite!Though indexed in some sources as film noir, this barely resonates as such. It is basically a man on the lam picture, where Conte is wrongly accused of murder and has to go on the run to escape police arrest. He hitches with two gals, who start to become wary of their newly acquired companion. So, we have cops trying to capture their target, with near misses and with Reed "The Voice" Hadley heading up the dragnet operation, whilst there's the mystery element of who is the killer hanging in the air. Cast are fine and the production is standard fare, the finale at least serves up an atmospheric locale, and there's some decent snatches of dialogue. But really it's average at best and not one to seek out as a matter of urgency. 5/10

silverscreen888 This is a very unusual and low-budget B/W adventure from producer Roger Corman, directed by skillful Nathan Juran; one whose creators do a neat variation on the old tale of people kidnapped by a fugitive heading to somewhere and needing their vehicle or themselves as hostages. I find the storyline is straightforward and classic noir. Scene:  a casino in Las Vegas, a marine just back from service Marine (Richard Conte), buys a drink for platinum blonde (Mary Beth Hughes), and somehow insults her; so they have a public quarrel but then reconcile the problem.  The following  day, he is taken in by the sheriff an named the prime suspect in the girl's demise; she has been strangled. Using his military skills, he overpowers the officers holding him and sets out on the "lam". Troopers are checking the highways for him, hence the title, and also the state border; So he helps and hitches a ride with with a two women who have had car trouble. One is wealthy fashion photographer from New York, Joan Bennett; her young assistant, Wanda Hendrix, is the other. After a while the two try to rid themselves of him, but he stays with them--finally having to use force to have his way. He heads for the town where he grew up, for a climax, finding it under the waters of the Salton Sea. The film ends happily for Conte, but not before Bennett's dog has been killed, and he has been doubted severely and tested to the limit.  The film is inexpensive-looking and has indifferent dialogue by  but the story line is good, clean and memorable. Roger Corman devised the original story; four others had hands in the screenplay. There is original music by Edward Kay and some decent but hardly outstanding technical work. In the cast along with the principals are stalwart Reed Hadley, Frank Jenks, Iris Adrian, Harry Harvey,Tom Hubbard (one of the writers) and others all showing to advantage. I first saw this film nearly fifty years ago; and it is still memorable and satisfying; with more money and better dialogue, I believe these actors and the director could have made a fine narrative even better.

bmacv In a Las Vegas casino, just-demobbed Marine (Richard Conte), buying a drink for a case-hardened platinum blonde (Mary Beth Hughes), inadvertently insults her; they have a public spat but kiss and make up, also publicly. Next day he's picked up by the sheriff as the prime suspect in her death by strangulation. He overpowers his captors and sets out on the lam.Since an all-points bulletin has troopers checking the highways and the state border, he takes up with a couple of women with car trouble. There's a high-profile fashion photographer from New york (the redoubtable Joan Bennett, who helped shape the noir cycle in two early Fritz Lang films); with her is her callow young assistant (Wanda Hendrix). Despite their attempts to ditch him, he sticks with them, ultimately by force, on his journey to the California desert, where he grew up.Highway Dragnet's title pretty much sums it up: It's a road-chase movie in the fast, flat 50s style, but with a good pulse and a perverse twist or two (alert viewers will pick up on a giveaway clue right after the dog becomes road kill). It also features the other kind of trouper in the person of Iris Adrian, doing what she did better than anybody else: the hash-slinger with a mouth on her.But the pedestrian, late-noir style undercuts what might have been the film's final showpiece: a final reckoning in Conte's old homestead, under knee-deep water from the floods of the Salton Sea. This strange metaphorical setting gets taken for granted; this was a time when the evocative imagery of earlier film noir had ceded primacy to the literalness of plot.