Evengyny Thanks for the memories!

Wordiezett So much average

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

a_chinn Quite good Australian film about Judy Davis as a back-up singer for an Elvis impersonator stopping off in a small town only to befriend a local teenage tomboy who ends up being the daughter she gave up as a baby after the father had died. Written and directed by Gillian Armstrong, this is a smart character driven drama with a complex performance by Davis. Her character could easily have been a simply villainous character who eventually seeks redemption, but Armstrong and Davis make her character more complex than that. She's not just someone who gave up a child, but who may have actually done it for good reason for herself and the child, though that also may have been self rationalizing. It's that non-black and white presentation of the situation that makes this film so interesting. Claudia Karvan as the teenage daughter also gives a strong performance and is an equally well drawn, well rounded character by Armstrong, who is more than just a character simply wanting to know why she was abandoned. On the downside, I think the film was populated by too many colorful supporting, who were certainly entertaining, but who took away from the primary story. There's also the main contrivance of the plot the entire film centers upon, but let's not go there. Despite these minor quibbles, "High Tide" is a terrifically smart and engaging character drama.

Michael Neumann Judy Davis stars as a backup singer to an Elvis Presley impersonator, who after being sacked by the imitation Man From Memphis rents a seaside trailer home by sheer chance right next door to the teenage daughter she abandoned as a baby. Once past that massive coincidence the story settles into a promising drama about a young girl's dawning awareness of her own identity, but the script reads too often like the unembellished daydreams of an adolescent orphan, wavering between sensitivity and self pity, and what should have been the emotional high points are smothered under some of the most portentous music in recent memory. In the end the scenario doesn't fully deliver on its potential, but scene for scene the film is certainly worth watching, and the characters are all rendered with sympathy, even in their less flattering moments. It may not represent a step forward in the careers of either Davis or director Gillian Armstrong, but it's nevertheless encouraging to still see movies being made Down Under that don't look like they've been produced by the Australian Tourist Council.

Steve Skafte There's a certain allure I've always found in discovering the great unknown film. These discoveries have nearly always been dramatic stories. In my experience, unknown sci-fi, action and horror are unknown for very, very good reasons. I found "High Tide" on video at a junk store, mixed in amongst countless dozens of tapes of varying quality. Of course, that's the only place I would find it, as it is still not on DVD.While I was watching Judy Davis (as Lillie) throughout the course of this film, I was certain I was watching a great undiscovered performance. I had previously seen Davis in several small parts - and one starring role in "A Passage to India". But, although she was great in that film, "High Tide" is a different animal entirely. Judy Davis' performance is stunning, I cannot say enough good things about it. She shares an amazing on-screen relationship with young Claudia Karvan (as Ally), this film's other great actress. There's a lot of drama and quiet humanity they share together, the details of which I won't reveal here (see it for yourself!).There's too much good in "High Tide" to cover in one review, but the film speaks well enough for itself. Laura Jones writes stunning dialogue, beautiful words for the mouths of real people. Gillian Armstrong directs her actors toward a growing, powerful honesty. She turns everyday things into powerful, human depictions. I felt so alive and changed by the story this film tells. It's a weightless and strong depiction of running and staying put. You're welcome to make a choice.

BUDDY-19 Yeah, it's a chick flick and it moves kinda slow, but it's actually pretty good - and I consider myself a manly man. You gotta love Judy Davis, no matter what she's in, and the girl who plays her daughter gives a natural, convincing performance.The scenery of the small, coastal summer spot is beautiful and plays well with the major theme of the movie. The unknown (at least unknown to me) actors and actresses lend a realism to the movie that draws you in and keeps your attention. Overall, I give it an 8/10. Go see it.