Evengyny Thanks for the memories!

Acensbart Excellent but underrated film

ShangLuda Admirable film.

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

merklekranz Obviously somebody thought they had a good idea for a film, where religious beliefs could get in the way of common sense, and "Hero's Island"is that film. Shot entirely in one location, Catalina Island, the story lacks excitement, and quite frankly is pretty boring. The only saving grace is seeing the great character actors in 1962, and what a wonderful cast it is. Rip Torn, Harry Dean Stanton, Neville Brand, James Mason, and Warren Oates. Kate Manx is the Bible thumping woman, who's religion rules her every decision. My thought is that it's just not worth wading through all the uninteresting scenes to finally arrive at the swashbuckling conclusion. For fans of the actors only, unless you need something guaranteed to be sleep inducing. - MERK

jespersc Is blacknorth right in his review; is this "probably the finest film of the 60's"? In retrospect, that was a golden age, and Stevens' film was close in time to, for example, Dr. Strangelove, Psycho, Chimes at Midnight, Viridiana, or Jules and Jim. Even so, I agree, Hero's Island is superlatively accomplished. I would like to comment on just one aspect of the film that has been ignored by others: its formal perfection. The story of settlers with legal right to an island, versus fishermen claiming squatter's right, is told with utmost clarity and effect, partly due to the logic of its dramatic construction that takes the form of a series of moves across a shoreline, back and forth, according to the phases of the struggle. In brief:--First, the settlers land on the island, unload their goods and raise a large cross to seal their ownership.--Then, a drunk fisherman kills the settler, who falls out into the water, only his feet on land. He is, however, properly buried in his own soil.--A pirate on a raft is washed ashore. Out of self-interest he helps chase the fishermen back to their boat.--The younger fisherman opposes continued fighting and is thrown overboard. The settlers bring him to land.--With money stolen from the settlers, the fishermen brings a brutal officer and bounty hunter from the mainland. With two soldiers, he takes up position on the beach. Here a sword fight eventually resolves the conflict. The fight carries on, from the sand into the water, and onto a boat; as the officer dies here, evil is exorcised from the island.--The pirate flees the scene in a boat, leaving the widow of the settler and one fisherman as the owners of the land. This elementary scheme may not be noticed by the viewer, but the optimal use of minimal means, nevertheless, contributes to the film's strong impact.

dbdumonteil Offbeat work which pits a pious family against a bench of violent weirdoes on an Island .The main problem for the virtuous ones is that they shall not kill or hurt anyone.In 1956,the Quakers in William Wyler's wonderful classic "Friendly persuasion " had the same problems.The best part is the first one,with the family's arrival,the father's death and the omnipresence of biblical references.But as soon as James Mason 's character shows himself a fierce pirate,but a big-hearted one,the plot peters out,and it's nothing but routine action movie.The mother is akin to Grace Kelly's character in Fred Zinneman's "high moon"(1952),and like her,she will have to do what she 's very loath to.The main characters have backgrounds that could have provided many other movies with a subject.All this does not hang together well and ,all in all, it remains a poor man's "friendly persuasion"

John Seal Here's an underappreciated gem from the early 60s. Apparently a labour of love for co-producers James Mason and Leslie Stevens (who also wrote and directed), Hero's Island details the scramble for survival in the newly settled colony of Carolina. It raises interesting issues of ownership and propriety without sacrificing an exciting and realistic story. The cast is simply outstanding, particularly Warren Oates and (Harry) Dean Stanton in one of his earliest roles. Neville Brand is second billed but actually has quite a small role; future Andy Sidaris 'star' Darby Hinton gets a bigger chunk of screen time as a settler's son. The Panavision photography is uniformly outstanding, and frequently ravishingly beautiful as lensed by Ted McCord (Sound of Music, East of Eden, and many others).