Hercules and the Captive Women

1963 "THE WEIRDEST! THE WILDEST! Half Woman! Half Stone!"
4.3| 1h41m| NR| en| More Info
Released: 14 April 1963 Released
Producted By: Comptoir Français du Film Production (CFFP)
Country: Italy
Budget: 0
Revenue: 0
Official Website:
Synopsis

King Androcles of Thebes commands a ship in search of a threat to Greece, predicted by an atmospheric oracle. Hercules is part of the crew, but the strongman falls overboard in a thick fog. Washed ashore, he saves a young Ismene from Proteus, an evil, shape-shifting creature. Ismene takes Hercules to Atlantis, where he discovers that her mother, Queen Antinea, has captured Androcles. Hercules schemes to rescue him and thwart Antinea's dream of world conquest.

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Reviews

Alicia I love this movie so much
SpuffyWeb Sadly Over-hyped
Pluskylang Great Film overall
Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Leofwine_draca An epic peplum adventure film. considered by many to be one of the best of its genre - it's certainly the one of the most beautifully-shot and well-made of them all, with colourful locations and crisp, gorgeous locations, plus interesting costume design and great sets. Made on an obviously bigger budget than most, this is a delightful film which is gorgeous to look at and should appeal to children and adults alike. While some of the special effects may seem cheesy to a modern crowd, they nonetheless contain an air of spectacle and magic that later, more complex special effects work couldn't hope to capture. The plot is predictable stuff involving an evil queen (as always) who rules over the lost city, but is enlivened with imaginative scenes like an army of identical men and an excellent scene where Hercules battles a shape-shifting god, Proteus.Reg Park, star of HERCULES IN THE HAUNTED WORLD, once again reprises the role of the legendary Hercules who is actually based on myth for a change, instead of just being another Italian musclemen. His Hercules is an exceptionally lazy brute who can hardly be bothered to take part in the action when it happens - a deeply flawed character who still manages to come through in the end. This gives his character an added dimension, making him more of an interesting lead. Although Park's acting skills are severely limited as always, he more than makes up for this with his impressive bulk.Initially the film is pretty slow, with lots of court intrigue following on from an excellent staged bar-room brawl with lots of props being smashed. However, when Hercules and his pals set sail to conquer an unknown foe, the fun really begins. He's accompanied by a not-too-irritating dwarf sidekick known as Timoteo, his weakling son and King Androcles, a mutual friend who is desperate for the strongman's help. When the crew of cut-throats attempt mutiny, Hercules singlehandedly pulls the boat back to shore! Just one of the many incredible feats of strength portrayed throughout the movie, which include the usual bar-bending, rock-throwing, and guard-fighting action, all well-done.Things start getting eerie when Androcles and Hercules are both swept overboard during a freak storm. Hercules wakes up floating on a raft in a sea of mist (very impressively done) and sees a vision of Androcles crying out for help. He discovers a weird red island and a girl melded into the rock face (a very weird, not 100% successful special effect). Holding her captive (hence the title) is Proteus, a shape-shifting god who assumes the form of a lizard man (cheesy but cool), burning flames, a huge snake, a lion and an eagle. Hercules must fight each incarnation in turn before ripping off the lizard man's horn, killing the God for good. He rescues a girl, an Italian stunner as usual, and discovers the lost island of Atlantis hidden behind a sea mist.Atlantis is ruled by the lovely-but-cruel Queen Antinea, who repeatedly attempts to kill her daughter due to a prophecy which says she will only die when her daughter is freed. Hercules meets Androcles but is stunned to discover the man has a whole new personality, and is convinced that he has been living in Atlantis for years! Meanwhile his shipwrecked fans hide out on the island and rescue the Queen's daughter from a certain death. Hercules is initially seduced by the Queen but breaks free from her spell and frees a pit of slaves on the island. A battle ensues which leaves the slaves massacred, and in a great pan we see the littered corpses strewn around the steps of the palace - a sudden, solemn and surprisingly affecting moment.Hercules and his son are taken prisoner in the palace and thrown into a memory-loss room but manage to escape by lifting the rapidly-lowering ceiling! Hercules battles with an army of super-strong identical soldiers (great scene) and escapes to a nearby mountain. He tears a rock from the roof, whereby a shaft of sunlight hits the evil man-changing rock of death and causes the dormant volcano to erupt. Hercules and his friends escape by ship as the city is destroyed behind them, buried under tons of rubble.I love the way they throw every cliché in the book (and a few surprises) into this film. For example the guard who has failed in his job and who is thrown into an acid pit, turning into a skeleton! Or Antinea's attempt to drug Hercules who is so obviously keeping the liquid in his mouth. There's an expected dance-sequence, a man who kills by swinging rocks, and some weird distorted computer sound effects thrown into the brew for good measure. The supporting cast is excellent, with Luciano Marin and Ettore Manni as strong supporting leads, the friends of Hercules; Fay Spain as the wicked, self-obsessed queen, and the beautiful Laura Efrikian as the queen's unlucky daughter. Mario Petri turns up in a small role as an Atlantan priest who helps Hercules on his quest.HERCULES AND THE CAPTIVE WOMEN is a film packed with spectacle, like the wild scene where Hercules decimates the Queen's guard by propelling a burning chariot into their midst! Or the excellent moment where he fights the magic shape-shifter. There's also the surprising plot twist where you expect an exciting battle scene to occur but the film instead cuts to the dark vision of a bloody massacre - not what you are expecting at all. Sure, the film is cheesy with copious, poorly-inserted stock footage of a volcano eruption popping up at the climax, but its all in good spirit. One of the highlights of the genre and a must-see slice of spectacular Italian exploitation.
Aaron1375 Once again Hercules is back to do what he does in nearly every movie! This time Hercules is played by Reg Park, who just is not quite as good in the role as Steve Reeves was. He looks okay, but something about him is just off. This is the fifth film in the series following Hercules, Hercules Unchained, Goliath and the Dragon and Hercules vs the Hydra. The two films before this one featured two other guys in the role of Hercules; however, Reg Park would make one more Hercules film besides this one. There are a whole lot of Hercules films that were released during this time and there would be several more films after this one as well. I only saw the first and second film before this one so I do now that the first and second film do follow each other; however, I am not sure how this one follows the previous two films. Hercules has a son at this point, but due to the very confusing way this film opened up I literally did not realize it was his son until the thing was nearly over when they were helping people out of the pit. Of course, the fact the opening of this movie was so confusing may point out that it did follow the previous film and that one would of had to seen it to understand what the heck is going on! Hercules Unchained was a bit confusing too, until I watched the original Hercules film.The story is very cluttered, especially at the beginning. All I know is that there is a brawl in a bar and Hercules and his buddies go riding and there is something with the sun before they are in a throne room where a man who is king or something declares that he is going to try and thwart some sort of threat against Greece. Hercules trashes his throne and then they are off on an adventure where Hercules ends up on a piece of driftwood before fighting a monster that turns into several monsters and saves a girl who takes him to Atlantis where he is drinking with another evil queen. Thankfully, he seems to have learned his lesson and does not drink the tainted wine and he has to save the people from a rock that a leper guy lectures Hercules about before being vaporized and there is kind of a volcanic finish as Hercules does not get a really cool battle to end this one.This made for a good episode of Mystery Science Theater 3000, though watching this Hercules films, they all kind of do things the same way. They riffed three true Hercules films during the shows initial run as they did this one and the first two Hercules films. They also riffed Hercules Against the Moon Men, but that was not a true Hercules film, believe it or not. It was part of a series called the Maciste series, though my guess is kind of an Italian version of Hercules. There were 17 or so Hercules films and several more of the Maciste films and there were others that featured a large muscular guy that was a Hercules type hero. Suffice to say, there was a whole lot of Hercules type films back in the day! They made for some good material for the gang of MST3K.So, this film was just not quite as good as the first two films. Both of those films seemed a bit better quality than this one. Reg Park just did not seem as good in the role of Hercules as Reeves did, but not placing the blame squarely on his broad shoulders. No, the plot was kind of a mess, but as I said that may be due to the fact one needs to watch this series of film in the order presented. Still, a lot of what they were doing in Atlantis was perplexing and it had nothing to do with the strange opening that may or may not have required additional viewing. Also, if you are going to have Hercules in your film, he should figure more in the end of the film rather than just moving a rock or two. He should be involved in a battle, in this film the best battle of the flick was when he fought Proteus at nearly the beginning of the film.
MartinHafer In the late 1950s and through the 1960s, an odd sort of film became very popular--Italian strong-man tales set during the classical period. The characters were usually named Hercules, Maciste, Ursus or Samson--and often, due to HORRIBLE dubbing, the same movie might be dubbed so poorly that in one version he's Samson and in another he's Hercules. It seems that the names weren't really that important, nor was the dubbing. What was important is that, at the time, it was cheap to make films in Italy and with some less than expert dubbing, you could sell the film to many different markets...and people, surprisingly, came to see the films even though most of them are pretty terrible. If you see this particular one, you might think it's among the worst--it isn't. In fact, it's pretty typical of the crappy strong-man films.Like so many of these films, a foreign guy stars as the strong dude. However, Reg Park hails from the UK and South Africa--most of these men were Americans in these films. I assume back in those days, Italian men must have been pretty wimpy, because they didn't just use Italian leading men for these roles! Most of the leads were body builders in real life (Park had been Mr. Universe--though I doubt if other planets sent representatives to the competition).As for the plot, this one involves an insane and power-mad queen (also a pretty typical plot--it's the third film like this I've seen and I've only seen about 8 or 10 of the films). And, like the others, she had designs on taking over the entire world and serves an evil god. However, Hercules and his buddy Androcles don't know this--all they know is that they are on a rather pathetic expedition (with practically no men--just a rag-tag group that includes a midget and Herc's son who is a stowaway). The journey is prompted after some soothsayer announces that there is a threat from an army overseas. And, of course this takes our friends to the evil queen--who rules in Atlantis!! The evil queen has three goals. First, to kill her own daughter and anyone else if the mood strikes--including her own henchmen (good henchman are hard to come by--this seems very wasteful). Second, to take over the world. Third, to see if what's inside Hercules' tunic is of Olympian proportions!! It's a pretty standard cliché that the evil queens ALWAYS want a piece of the Herc-meister! Hercules' goal is to find his friend Androcles. Once he does, oddly, Andy doesn't recognize him and even tries to kill him. I'd much prefer if he'd tried to kill the midget. I am NOT anti-midget, but this guy (like the dumb satyr or 'goat boy' from the awful Hercules cartoons of the same era) was just annoying--mostly because his dubbed voice was so dreadful. Eventually, after LOTS of fighting, the city of Atlantis is destroyed by an exploding volcano--and THAT'S how the lost city apparently became lost.Overall, the dubbing was by far the worst part of the film. However, the costumes, sets and action were all pretty lame. In particular, I loved the lameness (or is it 'lamitude'?) of the reptile man who attacked Herc on the first island he came to in the movie. It's so dumb you can't help but laugh. My score of 3 is probably way too generous...but compared to many others in the genre, believe me, it could be MUCH worse (such as "Maciste Vs. the Moon Men"). Perhaps it's good for a laugh, but make sure not to watch too many of these films--your brain probably can't take THAT much!
Woodyanders Brave and mighty Hercules (a fine and affable performance by the brawny Reg Park) and his eager, but naive buddy Androcles (the solid Ettore Manni) journey across the ocean to the fabled city of Atlantis in order to stop evil Queen Antinea (nicely played with lip-smacking wicked aplomb by the ravishing Fay Spain) from taking over the world with her army of clone soldiers. Director Vittorio Cottafavi, who also co-wrote the eventful and imaginative script with Sandro Continenza, relates the story at a constant steady pace, maintains a serious tone throughout, and stages the exciting action scenes with rip-roaring gusto (the customary rough'n'ready swordfights are especially thrilling). Better still, this film was obviously made with a pretty substantial budget; there's a breathtaking sense of lavish spectacle to the sets and costumes which in turn makes this picture a truly sumptuous visual feast. Carlo Carlini's glorious widescreen cinematography, shot in bright eye-popping color, makes deft use of a frequently moving camera and offers a wealth of striking shots. The suitably sweeping and majestic score by Gino Marinuzzi, Jr. and Armando Trovajoli likewise hits the rousing spot. The earnest and appealing acting from a sound cast rates as another significant asset: Park portrays Hercules with winning good humor and admirable sincerity, Laura Efrikian makes for an extremely fair damsel in distress as Antinea's sweet fetching daughter Ismene, and Salvatore Furnari almost steals the whole show with his delightfully hearty turn as excitable dwarf Timoteo. The fiery mondo destructo conclusion totally rocks; ditto Hercules' battle with a lethal sorcerer who transforms into a hideous humanoid lizard beast. An immensely fun fantasy romp.