Have Sword, Will Travel

1969
7| 1h41m| en| More Info
Released: 25 December 1969 Released
Producted By: Shaw Brothers
Country: Hong Kong
Budget: 0
Revenue: 0
Official Website:
Synopsis

Ying Ke-Feng, head of Peerless Manor, is an expert swordsman whose escort business transports 200,000 taels of silver to the capital each year. This year, however, he is afflicted with an infirmity that renders him unable to use his sword.

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Reviews

Lovesusti The Worst Film Ever
Steineded How sad is this?
Platicsco Good story, Not enough for a whole film
Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.
Leofwine_draca HAVE SWORD WILL TRAVEL is one of the earliest Shaw Brothers films featuring the classic 'iron triangle' of youthful stars David Chiang and Ti Lung alongside Shaw's best director, Chang Cheh. Be warned, this is more of a character piece than an action movie, given that the only real action is at the opening and the climax, but for once the non-action bits are just as engaging as the swordplay.Ti Lung and Ching Li play a betrothed couple who become involved in protecting an upstanding lord's valuables. Unfortunately the lord has been left weak and a ruthless bandit leader, played by studio regular Ku Feng, has designs on the shipment. He sets up an ambush, at which point the wandering swordsman hero David Chiang comes into play. What follows is beautifully-shot and involving, with Lung playing a pretty unpleasant character while Li holds things together through her charm. Chiang is typically excellent throughout. The lavish, lengthy climax offers all the bloodshed, fine choreography, and heroism you've been waiting for.
MartinHafer Not surprisingly due to the title, this Shaw Brothers film features TONS of magnificent swordplay. In fact, it's among the best of the genre when it comes to the choreography in the fight scenes--it's top notch. And, while I am not a huge fan of 'wire-fu' (making characters fly about in impossible ways using invisible wires and lifts), these were also handled well. The only shortcoming is a typical one--as the plot is a bit simple and the characters a bit one-dimensional...or at least most of them.Master Ying Ke-Feng is an incredible swordsman--so incredible that he's entrusted with the job of transporting silver. However, what his enemies don't yet know is that he is ill and cannot do the job. So, he has his two best students, Siang (who is a bit of an idiot) and Piau Piau lead the procession. Not surprisingly, there are a group of baddies (the Flying Tiger gang) who plan on intercepting the shipment. The balance could be shifted one way or the other if an amazing swordsman, Lo (David Chiang), joins either side. As for the baddies, they are quite eager to procure his services. But Lo is a terrific guy--and seems very captivated by the beautiful Piau Piau. What will happen in the end? Yup...a giant free-for-all battle between good and evil! Throughout most of the movie, Siang behaves stupidly--distrusting and mistreating poor 'ol Lo at every turn. This became a bit tiresome after a while, but the initial one-upsmanship scene between them (involving candles and chopsticks) is a classic--and a lot of fun to watch. Perhaps this is because Siang is also in love with Piau Piau and is worried Lo might put the moves on her. All I know is that it's hard not to like Lo--and pretty easy to dislike Siang--even if he is playing for the good guys. Overall, the film works exceptionally well because Lo is a cool character (with some depth) and the fight scenes are done so well. This one packs a few surprises at the end as well--making it a must-see for lovers of the genre.
poe426 Before Ti Lung and David Chiang and Chang Cheh gave us DUEL OF THE IRON FIST, there was HAVE SWORD, WILL TRAVEL. We're introduced to Lung as he attempts to woo the lady Li. He's interrupted by some pesky members of the Flying Tiger Clan, but he casually dispatches them as he puts OTHER moves on Ms. Li. Chiang, meanwhile, is accosted when he tries to enter a seven-story pagoda to rest for the night: it's inhabited by members of- surprise- The Flying Tiger Clan, and they don't want him around. He, too, proves too much for the gang but moves on of his own accord. Lung and Chiang bump into each other and have a brief but inconclusive encounter... during which Chiang and Li lock eyes and, well... The trio effectively becomes a triangle at that point. Later, when Chiang arrives at Lung's Invincible Village still looking for a place to bed down for the night, Lung attempts to impress Chiang by turning a chopstick into a PAIR of chopsticks with one stroke of his sword. Chiang, rising to the challenge, splits a chopstick into THREE separate chopsticks with a single thrust... Needless to say, these guys are GOOD swordsmen. In Akira Kurosawa's THE HIDDEN FORTRESS, a hidden fortune is transported by the surviving princess of a fallen House and her bodyguard (Toshiro Mifune). Here, the shipment is to be watched over by Lung and Chiang (who volunteers, after putting two and two together and being threatened with death, though his volunteering has nothing whatsoever to do with fear of Death). In an interesting sequence, Chiang has a vision of his own death and its aftermath (which happens to come true). Although many of Chang Cheh's movies end abruptly, HAVE SWORD, WILL TRAVEL allows for a longer and more poignant resolution. There's a GAME OF DEATH type of ascension to the top of the pagoda and the often slow motion Finale prefigures the ending of DUEL OF THE IRON FIST (with Chiang, at one point, sporting more arrows than a pin-cushion). Just one of the many reasons why I think Easterns are better than Westerns.
arisaema Highly entertaining swordplay picture from Chang Cheh, scripted by I Kuang. David Chiang and Ti Lung are both well-cast. For once, the love story part even adds something -- stay tuned for one of the best oh-so-THAT'S-what-you-two-are-up-to flashes ever committed to film. Great action repays a couple of viewings.