Cubussoli Very very predictable, including the post credit scene !!!

Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.

ma-cortes Bemusing Spaghetti Western with Sartana as tough and stranger protagonist . Sartana is a fundamental archetype in Spaghetti genre as well as James Bond in spy-genre . Sartana ( Gianni Garco or John Garco ) is a freelance gunman who at the initiation of the film works as bounty killer . He's an efficient gunslinger acting as judge , jury , and executioner . Sartana arrives in a small town called Indian Creek . He settles a dispute between a band who killed a prospector . Garco also acts as protector of a young heir ( Daniela Giordano) , nephew of the murdered prospector . It follows the seemingly endless adventures of Sartana in search of a cache of gold buried in a mine . Sartana confronts an ambitious banker (Antonio Vilar ) and a Chinese Gambling House owner ( George Wang ) who is always telling Confucio aphorisms .The first movie on Sartana as avenger hero is by Frank Kramer (Gianfranco Parolini) interpreted by John Garco , besides it was starred by Klaus Kinski and William Berger . As always , the mythic personage appears elegant and dressed in black and with a killer look . After being continued by Alfonso Balcazar ( Sartana non perdona or Sonora ). Miles Deem directed two Sartanas which are considered as awful . Anthony Ascott(Giuliano Carmineo) realized several movies with George Hilton who replaces to Garco . Hilton plays more natural and roguish than Garco who was cold and peculiar . Garco starred various Sartanas with Carmineo as ¨¨Sartana the gravedigger'(69) , ¨Light the fuse Sartana is coming¨(71), among others. The movie has the typical Spaghetti characters , as the violent facing , greedy antiheroes, bloody and spectacular showdowns, quick zooms , extreme baddies, and musical score with Ennio Morricone influence , it's composed and conducted by Bruno Nicolai, his usual collaborator who creates a fine and atmospheric score . In the picture there are the habituals Western's secondary cast played by the customary plethora of Italian and Spanish actors as the androgynous Franco Ressell, Luis Induni, Robert Dellácqua , Rick Boyd and the Chinese resident in Italy George Wang and ordinary old man Franco Pesce playing his role as gravedigger . Furthermore, two Eurotrash goddesses, the babes named Helga Line and Daniela Giordano . The picture is well set in Elios Film Studios and Cinecitta, Rome and finely photographed by Stelvio Massi . The movie is regular but professionally crafted by Anthony Scott or Giuliano Carmineo and is pretty entertaining . A cult Spaghetti , essential for the genre lovers.

Woodyanders Smooth and wily gunslinger Sartana (superbly played by Gianni Garko) arrives in the small town of Indian Creek to take care of various bad folks who all want to get their greedy hands on a seemingly worthless chunk of land. Director Giuliano Carnimeo, working from a clever and engrossing script by Roberto Gianviti and Giovanni Simonelli, relates the enjoyable story at a steady pace, stages the frequently shoot-outs with rip-roaring brio (moreover, we also get a rousing rough'n'ready brawl), and further spices things up with a sharp sense of spot-on sarcastic humor (there's a deliciously ironic twist at the very end that's good for a laugh). The villains are a perfectly despicable bunch of treacherous back-stabbing vultures: Antonio Villar as shifty banker Ronald Hoffman, George Wang as shrewd casino owner Lee Tse Tung, the ravishing Helga Line as snoopy barmaid Mary, Luis Induni as the gruff, crooked sheriff, Ivan Staccioli as equally corrupt deputy Blackie, and Franco Ressel as the slippery Samuel Piggott. The lovely Daniela Giordano is solid and appealing as the smart and sweet Abigail Benson. Franco Pesce supplies amusing comic relief as a jolly undertaker. Bruno Nicolai's twangy and harmonic score hits the stirring spot. Stelvio Massi's crisp and lively widescreen cinematography gives an impressively rich and vast look. While more playful and less hard-edged than other movies in this series, it's nonetheless loads of fun just the same.

bensonmum2 Sartana blows into town just after a local prospector, Joe Benson, has been murdered. Suddenly, there seems to be no shortage of buyers for the old man's land that most describe as nothing more than a pile of worthless sand. The two men who seem to want the land the most are the local crooked banker and the Chinese gambling parlor owner. But why? With Sartan's help, Benson's niece and heir plays the two potential buyers against each other looking to get the most for the land. Will she succeed? The only thing that's certain is that Sartana's going to do whatever he cam to make sure he comes out ahead.Certainly not what I would call a top of the line Spaghetti Western, Have a Good Funeral, My Friend . . . Sartana Will Pay (let's shorten that to Have a Good Funeral for the rest of this comment) is still an enjoyable enough installment in the Sartana series. Gianni Garko is back as Sartana. He's excellent in the role and provides the character with just the right amount of mystery to throw doubt on his motivations. Even among the super human feats of other SW heroes, Sartana's abilities with a gun, a deck of cards, or being in the right place at the right time are unmatched. The supporting cast features a number of familiar faces – Helga Line and Franco Ressel being chief among them. But I was most impressed with Daniela Giordano and George Wang - the latter seemingly enjoying himself as much as anyone. Giuliano Carnimeo's direction is more workmanlike than artistic, though he does provide a visual flourish or two as Have a Good Funeral progresses. The plot has enough twists and turns to keep things interesting. And even thought the man behind the killings is easy to spot for anyone who's seen enough of these movies, it's still fun to watch Sartana figure things out. Finally, Bruno Nicolai's score is definitely a high point of the film, even if it is eerily reminiscent of some of his other work. Overall, not a bad example of what I'm going to call a lesser SW. Trust me, you could do a whole lot worse.

Samoan Bob This entertaining installment in the 'Sartana' series suffers from some bad pacing and not nearly enough action to sustain my ADD-addled brain. However, the action it does have is wonderfully realized...including an expertly handled horse chase where the bad guys all find their way to their graves (you'll see what I mean). The plot has to do with a land dispute between Sartana, some lady and a Chinese saloon owner...but who gives a sh!t? Unfortunately, the director thinks we do because he spends an unholy amount of time on plot when we just want to see Sartana shoot people. The Chinese dude's constant quoting of Confucius gets old fast (and is it me or do most Chinese people in Spaghettis quote Confucius?). Slightly recommended.