Lovesusti The Worst Film Ever

Protraph Lack of good storyline.

Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.

Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.

MartinHafer This is the sort of movie I usually would not watch. I got the DVD because it had two films by the famed Italian director, Mario Bava--a man usually associated with horror films. To my complete surprise, it turned out to be a soft-core porno film!! I was surprised but decided to keep watching because it looked for all the world like a cheapo sexed up version of Akira Kurosawa's "Roshomon". Like "Roshomon", you see some events through three different eyes. Each time you think you are seeing exactly what occurred but the truth is still something entirely different. One account, the lady's, is of her being held prisoner and attacked by a pervert. In his version, he's attacked by a nympho who won't take 'no' for an answer! And, in a strange version, the pervo doorman explains his version which he saw with binoculars--and it involves homosexuality and drugs! In a bizarre finale, some creepy guy in a lab coat and armed with Rorschach-style ink blots explains the truth--that not much of anything happened that evening after all! So is the film worth seeing? Well, it's not entirely without charm and has some clever touches. However, the direction (despite Bava's reputation) is terrible as is some of the acting--and as a result, the film is a bit cheesy. However, compared to a more modern film, its nudity is pretty tame---though I probably wouldn't recommend you buy this for your mother-in-law! Kind of cute, kind of cheesy...and a film that won't be mistaken for "Roshomon" despite its similarities!!

Bjorn (ODDBear) A great looking couple share an evening of dancing and groping. But just what happened isn't exactly certain as she has one version of the evening's happenings, he has another and the pervy concierge has yet another tale to tell. And finally there's "the truth" which is explained away be some shrink. Or is it the truth? Well, this could have been a disaster of a film. Luckily it isn't as Mario Bava, one of Italy's finest visual directors, imbues the film with enough striking imagery, beautiful set design and fluent camera work to keep viewers interested. It's not particularly funny but it has a strange kind of charm to it. But hey, if you're a nut about light sex farces you may find it great.One thing's for sure; the leading lady (Daniela Giordano, a former miss Italy) is one of the most striking eye candy ever to grace the screen. She also delivers a spirited performance and American Brett Halsey is also quite lively.Give this a spin on a slow night.

The_Void Master director Mario Bava is best known for his horror films, and that's hardly surprising as films such as Blood and Black Lace and Black Sabbath certainly represent the best of his oeuvre - but he also made a few films outside of the horror genre, and Four Times That Night is surely one of the best. I can't say I'm a big fan of sex comedies, as while I enjoy seeing sex in movies; I tend to prefer it with a little more sleaze than what films like this tend to offer. However, by taking his central plot theme from the Akira Kurosawa masterpiece 'Rashomon', Bava has made a sex comedy that is interesting for the way it pans out, rather than because of the sex theme. The plot follows Gianni and Tina; a man and a woman that meet in a park. They end up going on a date together, but it ends mysteriously when Tina returns home with a ripped dress and Gianni is sporting a nasty looking scratch on his forehead. Both Tina and Gianni give their version of what happened on that night, and the story is given a third angle from Gianni's doorman.It's clear that this film is never going to be as deep or as fascinating as Kurosawa's masterpiece, but as a slice of light entertainment; it works fine. Bava is famous for his use of lighting and technique in order to create atmosphere for his horror films, although this movie doesn't allow him to do that. That being said, Bava's fingerprints are all over the film; as the garish use of colour features prominently, and the seventies style is what helps to elevate the film above the usual level of a gentle sex themed comedy. The film benefits from the presence of Daniela Giordano; the sexy female lead whom Bava makes best use of at all opportunities. She is joined by Fulci muse Brett Halsey, as well as Dick Randall; a man more famous for his producing credits. Bava attempts to give the film some substance by way of a psychologist explaining how different people view the same events from different perspectives...but I find it hard to believe that three people could view the same event in such wildly differing ways. One slight criticism of the film is that it's not very funny...but it's fun enough, and worth seeing.

bensonmum2 Four Times that Night is the story of what happened during Tina and John's first date. According to Tina, John tried to rape her and she barely escaped with her innocence intact. According to John, Tina was an insatiable wild woman he couldn't get away from. According to John's voyeuristic doorman, while John was in the bedroom having "homosexual sex", Tina was having her own lesbian encounter. So, just what did happen? Mario Bava wasn't afraid to try different genres. He directed Gothic horrors (Black Sunday), gialli (Blood and Black Lace), sword & sandal movies (Hercules in the Haunted World), westerns (Roy Colt and Winchester Jack), spy movies (Danger Diabolik), science fiction (Planet of the Vampires), and so on. But Four Times that Night is his only "sex comedy". Bava called it his "blue movie". While it may have represented a departure for Bava, you can clearly see his trademark style all over the movie. Everything from the bright, rich colors to the camera zooms screams Bava.While I enjoyed the movie, it's far from being my favorite thing that Bava ever made. It is interesting to see how different people's perceptions are given the same set of events. In the fourth segment of the film, we get to see what really happened. And, as is often the case, reality can't match the sensationalism that our imaginations can dream up. Much of my enjoyment in the movie comes from the casting of John and Tina. Bret Halsey and Daniela Giordano are simply perfect in their roles. They are very believable even in the most absurd situations.