Half-Life

2008 "Can your imagination save your life?"
5.4| 1h46m| en| More Info
Released: 19 January 2008 Released
Producted By: Fade to Blue Films
Country:
Budget: 0
Revenue: 0
Official Website: http://www.halflifemovie.com/
Synopsis

As troubling signs of global cataclysms accelerate, a brother and sister react to their father's desertion and the powerful presence of their mother's new boyfriend.

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Reviews

Moustroll Good movie but grossly overrated
Stellead Don't listen to the Hype. It's awful
Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.
Joey_D "Half-Life," Jennifer Phang's first feature film is an impressive debut. A blend of family drama, magic realism and sexual exploration. Set in the rolling hills of Northern California suburbia, "Half-Life" centers around the lives of Saura Wu (Julia Nickson), a mother of two struggling to keep herself together, her teenage daughter Pam (Sanoe Lake), her 10 year old son Timothy (Alexander Agate) and her live-in boyfriend of five weeks Wendell (Ben Redgrave).We learn that the family patriarch abandoned the trio some time ago. The aftereffects still resonate and are played out in Saura's hurried relationship with the much younger Wendell, Pam's crush on her gay friend Scott (Leonardo Nam) and Timothy's frequent escapes to an alternate reality. The latter provides the film's fantastic animated sequences courtesy of artists Matt Pugnetti, Catherine Tate and Ryan Schiewe, to name a few, which are sure to be compared to Richard Linklater's 2001 "lucid dream" "Waking Life." The performances in "Half-Life" are strong and evoke the sense of isolation the characters feel, none more so than young Agate's turn as the imaginative Timothy. Kudos to Phang for educing such a solid performance. Nickson and Lake are also note-perfect as the mother/daughter duo who are more alike than they realize, as they both battle to keep their lives in what little order they have left.The rest of the cast is rounded out nicely by James Eckhouse and Susan Ruttan as the voluntarily ignorant parents of the attention seeking Scott and Lee Marks as Scott's unassuming boyfriend Jonah."Half-Life" moves at a methodical pace reminiscent of Shyamalan at his best. Michael S. Patterson's beautiful score expertly complements, as well as haunts, the piece lending it a quiet calm amidst a canvas awash in turmoil. Cinematographer Aasulv Austad wonderfully captures the grace and charm and contrasting hustle and bustle of the East Bay Area.Hearkening back to Paul Thomas Anderson's "Magnolia" and the works of the late Robert Altman, Phang possesses a touch for creating relatable characters intertwined in multiple story lines. She's definitely one to keep an eye on. "Half-Life" is a stunning beginning to what looks to be a promising career.
HomelessMan Caught it at South-By-Southwest and it stood out to me as the true gem of the festival. So much of the programming I caught there didn't interest me. Although the films were solidly enjoyable, they ultimately seemed quite mundane and wholly 'uncinematic' - each one blended into the others. This stood far above the rest.I find this film highly engaging emotionally but also very interesting formally. It's a wonderfully crafted film. It has what's needed to be pleasing, but never forgets its true ambition as a cinematic work. Incredible first film that stands out in the modern indie film spectrum ... I give it eight of ten because you have to leave room for Bergman :)
Rafael Olavarrieta It's pretty well described as "pre-apocalyptic drama" (though I'm not sure "drama" is the right word… it does have pretty hilarious moments too.), where a family finds themselves in a world sunk in environmental chaos, while still trying to cope with their own problems. The focus, of course, is not in the setting, but the particular ordeals that the incredibly diverse family have to face: a stressed out mother, Saura, a jaded daughter, Pam, and a reclusive younger son with strange paranormal powers, Tim. Also surrounding the family is Saura's manipulative boyfriend Wendell and Pam's recently outed best friend Scott, for whom she happens to hold deeper feelings than mere friendship. And fully closing the circle there's Tim's teacher and Scott's lover. Oh, and did I forget to mention that Scott's parents are zealous Christians?The movie manages to blend in live-action scenes with beautifully hand-drawn surreal animated scenes to represent the main characters' fantasy world, giving it a really unique and original feel. I was even told by the filmmakers that they spent three years on the animation alone, so basically most of it was hand drawn frame by frame!As you can see, there are A LOT of stories to be told, and Jennifer Phang's script does it wonderfully, not leaving a single detail out. The script is beautiful, even poetic, with the characters and their motivations tangible in every scene. But the movie is not just drama; like when Scott is talking to his father about 'reasserting things'. Scott's reply is just PRICELESS: "reassert what, my rectum?". And with some very laugh out loud moments like that one, the movie takes on an even more realistic feel.One thing I really enjoyed was the music: it just felt RIGHT for every scene and it was beautifully written.If you're looking for a beautifully told -and on top of everything VERY HUMAN- story, Half- Life may just do it. I thoroughly enjoyed it!
saintmorrowind And before anyone asks, my dislike for it had nothing to do with it being titled Half-Life.This movie was absolutely boring, minute for minute. I was in the premiere screening and everyone around me looked supremely bored and impatient. The movie had terrible pacing, which was only rivaled by much of the acting being simply not very good. Not everyone was a terrible actor, of course. Alexander Agate and Leonardo Nam were both excellent. However, Lee Marks and Ben Redgrave were absolutely atrocious. Most of the other actors? Mediocre at best.Generally, the movie was somewhat unwatchable, and I find it scary that a film like this would make it into Sundance. There's nothing to watch here, no subplots worth mentioning, and nothing wraps up practically well. With the way the music would swell unnaturally at times, I expected the movie to end, and then it kept going. This happened probably 5 times.Oh, and also? The movie looked completely average. Good colors, nothing over or under exposed, but absolutely nothing about it felt inspiring.