Stometer Save your money for something good and enjoyable

Aiden Melton The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

bkoganbing The events leading up to the Gunfight At Comanche Creek find Audie Murphy working as an undercover detective who has infiltrated an outlaw gang led by DeForest Kelley. The film has a plot not dissimilar to that of the great urban noir drama A Street With No Name.Kelley has a unique recruiting method to supplement the hard core of his gang for jobs. He just breaks wanted criminals out of jail gets the use of their service and then kills them for the reward which has gone up in value like a stock in the bull market. One undercover detective has already been killed for the reward on his head so Audie has to watch himself from all angles.Before he got his signature role as Dr. Leonard McCoy of the star ship Enterprise, DeForest Kelley did a lot of western roles where he was mostly a really nasty villain. If he hadn't signed for Star Trek, Kelley might well have kept in this career path.Murphy himself was getting older and could no longer be cast as callow western youths as he was early in his career. After failing with a television series Whispering Smith, as so many of his fellow players did, Murphy kept doing westerns of varying quality until the end of the Sixties and the end of the B westerns which played the bottom half of double bills.Not at all saying however that some of his westerns weren't good. Gunfight At Comanche Creek was done very well for low budget studio Allied Artists and goes at a real nice pace and maintains suspense throughout. Audie has to rely a lot on his wits to keep from being discovered. The gunfight at the end of the film is well worth waiting for.

Spikeopath Gunfight at Comanche Creek is directed by Frank McDonald and written by Edward Bernds. It stars Audie Murphy, Ben Cooper, Colleen Miller, DeForest Kelley and Jan Merlin. A Panavision/De Luxe Color production with cinematography by Joseph Biroc and music by Marlin Skiles. Murphy stars as an agent for the National Detective Agency who goes undercover to find the outlaw gang that has been breaking convicts out of jail to help them to commit more crimes. The resulting crimes cause the bounties upon the fugitives' heads to rise, thus the outlaws then kill the convicts and claim the rewards.Apparently a remake of 1957 film The Last of the Badmen, Gunfight at Comanche Creek is a suspenseful and entertaining blend of detective shenanigans with Western staples. It's an interesting role for Murphy, playing Bob Gifford (AKA: Judd Tanner) as a fearless ladies man having to just use his wits instead of guns just to survive the undercover operation. It's not exactly what you would call a high energy action movie, since we don't really get the pulse raised until the finale, but there's enough twists and intelligence in the plotting to keep the story intriguing.Negatives? There's a continuous narration by an uncredited Reed Hadley which is most intrusive. Instead of letting us be involved fully with the unfolding story, the makers felt the need to have Reed fill us in on what is happening at every turn in the plot! Clearly they were going for a hard-boiled detective angle, but it's misplaced. While Miller is saddled with one of those token female roles. But the support cast do what is required to make the film work, Murphy delivers a good one for his fans and Biroc's colour photography is very easy on the eye. 7/10

classicsoncall The setting is Comanche Creek, Colorado, 1875; a band of outlaws headed by Amos Troop (DeForest Kelley) breaks an unsuspecting jailbird out of the town lockup and kills the deputy. The gang then uses the outlaw as a front man for their other robberies. As the reward money on the bad guy escalates, the gang then shoots him and turns him in for the reward, all nice and legal like. Only trouble is, this time the victim was a member of the National Detective Agency gone undercover, and a close friend of Bob Gifford (Audie Murphy). Now the job of infiltrating the gang goes to "Gif", who insinuates himself into Comanche Creek society as a free spending high roller, as the agency creates a back story and wanted poster for "Judd Tanner".The earlier Murphy Westerns usually cast him in the baby face role of a good guy; in 1959's "No Name on the Bullet", Murphy's character John Gant was a hired assassin, and even then his youngish countenance didn't seem to match his character. Here the older Murphy pulls off the outlaw gimmick a bit better, with wits quick enough to match the ever changing dynamics of his masquerade. When the cover is blown on the agency plant, Tanner maintains his cool, only revealing his identity to gang member Bill Carter, who's anxious to leave the outlaw life behind.With a lesser known supporting cast, the gunfight of the title eventually sets things right and settles the score against the bad guys, who have been masterminded by the sheriff of Comanche Creek, Marshal Shearer (John Hubbard).DeForest Kelley is so closely identified with his Star Trek role as Dr. Leonard "Bones" McCoy, it's easy to forget that he appeared in a fair share of Westerns, beginning with a 1949 Lone Ranger appearance. He also turned up in episodes of "Gunsmoke", "Trackdown", "Rawhide" and a host of others."Gunfight at Comanche Creek" winds up being a fairly intriguing Western, made so by the plot twists that keep Murphy's character on his toes. I found the background narrative a bit annoying though, as the story played itself out well enough without the commentary (by uncredited narrator Reed Hadley). Otherwise it's a generally worthwhile hour and a half of Audie Murphy entertainment.Update - 7/22/2007 - Apparently, this movie was a remake of the 1957 film, "Last Of The Badmen", with Audie Murphy reprising the role of George Montgomery. Both movies were released by Allied Artists, even though the writers credited for each film are different. Check it out!

Brian Camp GUNFIGHT AT COMANCHE CREEK (1964), done for Allied Artists, was part of Audie Murphy's last, frenzied wave of quickie westerns before his virtual retirement after 1966. It's a low-budget production shot on Hollywood backlots and nearby California locations, but within those parameters it actually boasts a well-written script by Edward Bernds, competent direction by B-movie vet Frank McDonald, and crisp photography by Joseph Biroc, a trio of professionals who were old hands at this kind of thing. It's also got a solid cast of familiar players who clearly know how to put on a good show for western fans.Murphy stars as a Pinkerton-type detective who goes undercover to infiltrate a gang which specializes in a unique brand of caper. They bust known criminals out of jail, use them as front men in robberies until the price on their heads goes up, and then kill them and turn them in for the reward. When Murphy's partner is betrayed by someone who is secretly the brains behind the gang, Murphy is put in a particularly dicey situation--unarmed, unaided, and suspected of being the undercover agent that he is. While some of the plot turns will be predictable to western buffs, the script generates enough suspenseful situations to keep viewers glued, despite the fact that there really isn't a whole lot of action until the title shootout which comes at the very end.Murphy is more relaxed than usual here, playing someone older, more experienced and more confident than the young, tormented loner he usually played. He's even something of a womanizer, a character touch not often applied to his roles. The star generally thrived when faced with formidable bad guys and he's got a colorful rogues' gallery to contend with here, including DeForest Kelley ("Star Trek") as the head of the gang and Adam Williams (NORTH BY NORTHWEST) and Mort Mills (TOUCH OF EVIL, PSYCHO) as convincingly snarling heavies. Also on hand are Ben Cooper (JOHNNY GUITAR) as a reluctant gang member, Colleen Miller as a lady saloon keeper, John Hubbard as the wily town marshal, Jan Merlin as Murphy's partner, old-timer Eddie Quillan as a hotel clerk, and the venerable Tom Browne Henry as the head of the detective agency. Future soap star Susan Seaforth has a brief turn in the requisite role of the rancher's love-starved daughter. Reed Hadley recites the abundant narration as if this were an episode of his old "Racket Squad" TV series. Such a strategy gives the unmistakable feel of a crime drama to the proceedings.