AnhartLinkin This story has more twists and turns than a second-rate soap opera.

Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Jenni Devyn Worth seeing just to witness how winsome it is.

dougdoepke Spirited young teacher leaves uptight girl's school for fame and fortune in Hollywood.I tuned in to catch the legendary Marion Davies, WR Hearst's (Citizen Kane) favorite squeeze, and was generally impressed even though the movie is unexceptional. She's got some natural charisma, and can dance and act as well as most musical performers. So this is not a case of a rich Daddy Warbucks making a silk purse out of a no-talent.The movie itself is expensively produced with a couple impressive dance numbers (e.g. the massed train station), plus a youthful Crosby crooning at his most tuneful. But except for the torchy Temptation, the selections themselves are pretty forgettable. Nonetheless, the many behind-the-scenes look at movie sets remains fascinating. At the same time, macho director Walsh and noir producer Wanger may seem odd choices for the production end of a musical, but this is still early in their respective careers. Speaking of directors, Ned Sparks who plays the raspy director in the movie appears to have swallowed a lemon and followed it up with a load of sandpaper, providing much of the comedy relief, along with a young Patsy Kelly. But funnier than anyone without even trying is D'Orsay's cartoonish French siren. For cultural historians, there's the guy mimicking radio personalities of the day, making an informative and entertaining novelty act. But I can't help noticing a couple of Davies', shall we say, unusual costumes—one is so fancy, it looks like the crinoline is swallowing her, while the other resembles a big furry snow cone minus the snow. Good thing the rest of her wardrobe is 30's conventional.All in all, it's a good glimpse back in time, even if the musical end lacks staying power.

Django6924 I think this could have been a contender except for the black & white photography, the silly costumes, the lack of nudity and graphic violence, and no CGI..........just think of all the computer-generated scarecrows you could have in the "Making Hay" number!I'm curious why people apply current canons of taste to movies (or music) from the 20s and 30s so they can put them down as being inferior to what we have now. I'm almost (but not quite) ashamed to admit I enjoyed this film. Marion Davies, a wonderful comic talent in "The Patsy" and "Show People" is mostly delightful to watch here, proving in her Fifi D'Orsay impersonation that her gift at mimicry wasn't just visual. Even her dancing is fun--she's not Eleanor Powell (who is?), but at least she can dance a routine in a single take and not require an editor to build a performance out of 40 frame clips. She is also intensely likable--even when performing in Blackfeet I was charmed by her. Crosby, of course, held the patent on this kind of easy charm and likability, and I can't think of another musical of this period where I felt cheated when some of the songs ended too soon--the title song, "Beautiful Girl" and especially "Temptation." In addition to showcasing his iconic baritone, this film gives some of the earliest glimpses of the excellent dramatic actor who would appear in films later in his career.D'Orsay, Ned Sparks, Stu Erwin and the Radio Rascals all provide moments of fun, even if the cumulative effect is sometimes too much of a good thing. If you are willing to meet the film halfway, I think you will find it a well-spent hour and a half.

thekatsmeow11 I just happened to catch this movie on TCM. It's a musical starring Marion Davies as an unhappy school teacher who follows Bing off to Hollywood. Don't expect a work of art when you see this movie, as it was clearly made to showcase the still up-and-coming Bing's voice, and to try and resurrect Davies' wilting career. The acting is slightly above abysmal, and the film, though just short of 80 minutes long, is littered with some incredibly pointless musical numbers. Also, Fifi D'Orsay's "french" accent is so hideously exaggerated, I was surprised to learn she's actually french Canadian! Though the movie is hardly a dramatic work of art, watching it is like stepping back in time to the 1930s. Keep watch at Davies' outfits throughout the movie, it's like looking in a fashion magazine from the time. There's a short scene involving a radio personality, and the final dance number is quite a spectacle. I also want to mention the extremely racist scene where Davies is painted up to be a black woman. Imagine them trying to pull something like that today! While the rewatchability is probably quite low on this movie, it's a fun way to pass time. If you're like me and you love the fashion and culture of the 1930's, you'll probably love this movie. And hey, can anyone every say no to Bing?

bkoganbing One of the other reviewers said that this film was essentially about stalking. I had never thought of it in those terms, but it's true.Marion Davies is a love starved French teacher at a girl's boarding school who's spare hours are taken up with the radio crooning of Bing Crosby. She follows the object of her affection out to Hollywood and in Hollywood cliché style gets her big break in the movies.First if you're willing to accept the beautiful Marion Davies with this crowd of old spinsters at the boarding school then the rest of the plot simply follows. Second for Bing Crosby fans one has to remember that this is NOT a Crosby picture. He's the leading man in a Marion Davies film. Everyone is familiar with William Randolph Hearst and the Svengali like influence he had on her career. Marion's making a musical so you go out and buy the hottest singer currently as her leading man. And that, boys and girls, is the story of Bing's first film away from Paramount.You also hire a topflight director in Raoul Walsh to keep things at a brisk pace. And you give Marion a good supporting cast that includes Fifi D'Orsay, Ned Sparks, Stu Erwin, and Patsy Kelly. Mix 'em together and you got Going Hollywood.It's not a bad mix. Crosby had a lot of songs in this film. The big hit was Temptation, but there were other good ones from Nacio Herb Brown and Arthur Freed. One thing however, since this was not Paramount and MGM was known for the great production numbers in their films, Bing got some great numbers. I'm surprised frankly that Hearst allowed Crosby a huge number like the title tune, set in Grand Central Station, without Davies in it. Davies does join him in a dream sequence where she sings a couple of lines of We'll Make Hay While The Sun Shines with Marion and Bing dressed as a pair of Grand Wood rustics. Another big production number that Paramount would never spend the money for.Davies had good if limited talents. Hearst however could only see her as a pure heroine. Since he discovered her in the Ziegfeld Follies, Davies's dancing should be no surprise. It's at least as good as Ruby Keeler's. She had a good gift for mimicry, her imitation of Fifi D'Orsay is a key point in the plot. One thing that would be considered in god-awful taste now is her donning black-face to get on Bing's movie set and imitating the dialect. It's funny though. Think about pictures like Play Misty For Me and The Fan made two generations later. Stalking was looked on entirely differently back in those more innocent days.