Linbeymusol Wonderful character development!

Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

JLRVancouver "Godzilla vs. Mothra" is a somewhat preachy kaiju movie in which Mothra, a friend to mankind (despite, as we are constantly reminded, our selfish and stupid behavior) faces off against Battra, a guardian of Earth who was created millennia ago in response to an attempt by our distant ancestors to control the weather. Godzilla, having been awakened by a meteorite crashing into the ocean shows up and the two giant bugs have to decide whether to join forces against a common enemy of both man and the Earth. Other than some superfluous "Indiana Jones"-style archeological adventures, the movie is essentially a bug-fight with Godzilla thrown in as an after-thought. I liked the original adult Mothra (1961, 1964) but I'm not a fan of her colourful new appearance (she looks like she's made of fuzzy pipe-cleaners and covered with dyed poodle fur) or her new 'laser beam' (?) abilities. Both larval forms and the adult Battra look pretty good, and the scenes where Mothra passes through her cocoon stage (wrapped in silk, leaning against the Japanese parliament buildings) was great (I was disappointed when Battra's corresponding morphological change was instantaneous). The Heisei-era Godzilla suit is still looks great and the 'fight' scenes are pretty well staged (for a monster that can take tank shells in the chest at close range, Godzilla sure hates having the tip of his tail bitten). As always, Akira Ifukube's score is great and brings back both Godzilla's iconic march and Mothra's beautiful theme (IMO, the best music in the franchise). The acting is pretty typical for a 90's Kaiju outing: fine in non-demanding roles, but the 'Cosmos', Mothra's little fairy-familiars are neither as sweet nor as melodic as the Peanuts (who originated the roles in "Mothra" (1961)). The dubbing in the version I watched (a Tristar DVD) was OK (although the greedy CEO of Murutomo has a silly, cartoonish voice). The environmental self-flagellation in the film is about as subtle as one would expect from a Godzilla film (even when compared to G. vs Hedorah) and comes across a bit self-righteous for a country that uses over 20 billion disposable wooden chopsticks a year, mostly made from imported wood. All-in-all, number 19 in the series is an OK outing but a step down from its antecedent, the gloriously silly "Godzilla vs. King Ghidorah". The Japanese seem to suffer from collective kaiju-amnesia (there is no reference to Mothra having visited the islands before) and show tremendous aplomb (no one seems particularly surprised when two gigantic moths show up).

The_Dinosaur As I have said with a previous review of a Godzilla film, you really can't rate this with the same standards of other films, why? Because it's Godzilla, it's not normal. Intention of the film, and did it accomplish it is how I grade these films.Having said that, this film wasn't the worst entry into the Godzilla franchise. It wasn't the best either. While, the special effects were had slightly improved on the last film, they are still far from revolutionary. They're not bad enough to spoil the film though. or the time, the special effects were not half bad.While this film improves in terms of plot holes (time travelers, with inconsistencies in the physics of time travel) it also goes a completely different direction. As I said, the last film was about time travel. This one was about fairies and other super natural phenomena. A fairly different direction. There is also a clear influence from the Indiana Jones films. Except, this isn't really as good as Indiana Jones vs Godzilla would be.The plot itself, while better, was very slow. Godzilla is already a established character, so you think it would be easy to have him show up and smash the place up. No. They had to introduce Mothra AND Battra first. Then have them hatch out of their eggs. Then have them go from larva to actual moths. I don't understand why Battra is called Battra. Looks more like a moth to me.So anyway, Mothra has to protect the earth, Battra has to do the same, but is more aggressive towards humans, because as we all know, we messed things up. Anyway, somewhere in- between, Godzilla, not wanting to disappoint to film goer by having his name on the film and not be in it (which I thought was the case when he took forever to show up) shows up and smashes the place up. With style, too. Godzilla isn't the good guy in this film, Mothra is, and Battra ends up being one. It still doesn't help the fact that I want to see Godzilla kill everything, including the good guys.Honestly though, this is one of the more touching Godzilla films. It's very slow, but worth checking out if you are a Godzilla fan.

Brandt Sponseller The film opens with the Japanese Indiana Jones pillaging some archaeological ruins. Just as he makes his way out of a perilously collapsing old temple, he's stopped by rifles pointed at his head. The armed men are from the government, and they're accompanied by his ex-wife. It seems that a strange meteor has crashed near a remote island, and he's been pegged to lead an expedition on the island. They encounter a strange egg, then they run into the Cosmos, two tiny fairy-like beings, who tell them that it's the egg of Mothra, who protects the earth. While taking the egg back to Japan, suddenly, Battra, another monster, shows up, as does Godzilla, in his first appearance of the film, and all hell begins to break loose, as is wont to happen in Godzilla films.That's a bit more detailed than I usually try to present premises (although that's just the first fifteen minutes or so of the film), but I want to give you of how exquisitely bizarre Godzilla vs. Mothra is and at the same time, give some clues as to why I've titled this review "Godzilla vs. Steven Spielberg!" There are all kinds of Spielberg references (occasionally rip-offs) and Spielberg-like touches to this film. But imagine Spielberg on acid, making a live-action adaptation of some wacky kid-oriented anime, with the addition of monsters that are going to rip each other to shreds with death rays emanating from their eyes and mouths and biting each others' necks off while alien-colored blood spews out. That might sound like an atrocious concatenation to some people, but it's heavenly to me, which is why this particular Godzilla film is a 10 out of 10 for me.It's worth noting that director Takao Okawara managed quite a few "poetic" touches in this film, including some beautiful cinematography, the wonderfully weird cocoon-building sequence, and the scene of Mothra flying out into space, trailing sparkly dust. What really works best here, though, is the bizarre combination of kid-oriented fantasy and the more adult-oriented, menacing tone of the typical Godzilla film. The design of Mothra in this film is the perfect example. It looks like somewhat of a cross between a butterfly, a Muppet, a teddy bear, an Ewok, and a Gremlin at their "cute" stage. Only it is a giant fighting monster capable of killing other giant fighting monsters, destroying downtown, or maybe even destroying the Earth. The effect isn't that far removed from the Sta-Puft Marshmallow man at the end of Ghostbusters. It's all wonderfully surreal.

DrLenera Coming after the terrific Godzilla Vs King Ghidorah,Godzilla Vs Mothra manages to be almost as good. Unlike the previous film,which revived a monster from the older series but structured a new plot around it,Godzilla Vs Mothra is a remake of both the 60s Godzilla Vs Mothra and the original film,Mothra,which introduced the huge moth. Some scenes from those films are copied and sometimes improved,such as the cater pillar Mothra's slide through Tokyo ,destroying everything more by accident than anything else,or the cocooning and hatching of the 'adult' Mothra,which here is a quite beautiful scene. The film provides as much destructive mayhem as the previous film,and visually is even more impressive to look at. The much more cuddly Mothra is a nice touch,while Battra is an awesome menace. Once again,the human characters keep the interest while we wait for the monsters to turn up. Finally,Akira Ikifube's score has the most beautiful piece of music heard in a Godzilla film,actually taken from the first Godzilla Vs Mothra,but sounding much better here.However,the film does have it's problems. The plot is confused,and Godzilla could have almost been removed from the script,he has so little to do with the story. The film rams home it's environmentalist message with all the subtlety of Godzilla,and it becomes a bit tiresome.Nonetheless,another fine Godzilla film,and even if,in the end,it's not quite as good as the original Godzilla Vs Mothra,it's as good an updating as one would have a right to expect.