Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack

2001 "The God of Destruction Godzilla lands in Japan!"
7| 1h45m| NR| en| More Info
Released: 15 December 2001 Released
Producted By: Toho Pictures
Country: Japan
Budget: 0
Revenue: 0
Official Website:
Synopsis

Godzilla has become a distant memory for Japan when the destruction of a US submarine raises alarms for Admiral Tachibana. His estranged daughter Yuri investigates the legend of the guardian monsters, who must rise to protect Japan against the vengeful spirits within Godzilla that seek to destroy both the nation and its people for the suffering they inflicted in the Pacific conflict.

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Reviews

Clevercell Very disappointing...
GamerTab That was an excellent one.
Smartorhypo Highly Overrated But Still Good
CrawlerChunky In truth, there is barely enough story here to make a film.
kevinxirau This film is now ten years old and it still retains its popularity. For this edition of its greatest movie series, Toho decided to take chances and do something quite different for the King of the Monsters and that chance basically paid off. The result was GMK.Plot: After about fifty years since Godzilla's rampage, a Japan where some have either forgotten or don't believe in the monster began having a series of mysterious events. A mystic old man warns that Godzilla, resurrected and possessed by souls lost during WW2, will once again go on a rampage, so he awakens the so-called Guardian Monsters: Baragon, Mothra, and King Ghidorah to combat the dinosaur.An interesting story, epic action scenes, and wonderful music are what keep this film going. However, some of the decisions made for this movie are my biggest problem. I didn't like how Anguirus and Varan, who were absent from a movie for SO long, got replaced by Ghidorah and Mothra, in the process making Ghidorah a good guy! What?! Mechagodzilla is one thing but Ghidorah?! The guardian monsters are smaller and weaker too (ex. Baragon doesn't have his fire breath in this movie!).Despite this, GMK is still a worthy addition to the series and worth a watch.
capcomsnk411 I am an avid Gojira and Kaiju fan for over 30 years now. I totally disagree with the other review that is posted for this film. "GMK", as it is known, is one of the best Gojira films in years thanks to the prolific director Shusuke Kaneko ("Gamera" 90's trilogy, the "Death Note" films, "Pyrokinesis"). What makes this film so special is Gojira's haunting hatred for mankind. His all-white eyes make this film even more sinister. Gojira purposely takes human life and has a deep-rooted grudge towards humanity. Look for a scene with a girl in the hospital looking out the window as Gojira approaches. The film has a modern day feel to it with the added elements of destruction and mankind's struggle to survive an "atomic age" type of disaster. The monster battles are fun to watch as well. Also in this film, Gojira has no interest in beating up the other monsters. It wants to kill them. One of the best Gojira films ever made.
winner55 The rap among Big-G. fans is that this is - as one reviewer put it - "the best of the best". And after reading about the historical-spiritual content of the plot, I really had high hopes for it.But I was disappointed. Because my hopes were so high, my disappointment may be clouding my judgment; but the problem is simple: at the beginning of the film, there's a great to-do made about Godzilla representing the souls of those slain in WWII, and also a subplot initiated, about Mothra, Ghidorah and Baragon being mythic protectors of Japan.But, ultimately, not much of this is used to tie up any of the narrative threads; and the issues get more confused as the film progresses and it becomes unclear whether the problem of the past is what actually happened, or whether it is simply that the government was dishonest about it.The issues do introduce the monsters and get them into battle. And then, at the end of each battle - especially the last - the mythic element is brought back into play to account for some highly impressive special effects. This is no doubt the most sophisticated special effects display we've seen in any Godzilla movie, and it is way better than the trashy cgi show of the American Godzilla rip-off of '98.I like the special effects, and it's always a pleasure to see the Big Green Guy (looking nastier in this movie than he ever has) knock down a few buildings and kick monster butt. I also appreciate the humor, e.g., the "Blair Witch" parody. The acting is very effective all around, and the direction is above par for the series. Still, really, this film has a tad less "spiritual" clout than "Godzilla vs. Mothra" - and I'm referring to the 1960s version (AKA "vs. the Thing"). Partly this is because the story seems to be struggling for a compromise: the stupidities of the past are counter-balanced with the social stupidities of the present - many of the victims of the monster mêlée suffer because they wander into the battle zone like tourists, unable to comprehend the destructive forces around them. The point is well taken; but it's unclear what the long range consequences of this might be. None of the loose ends are tied up - not even the meaning of Godzilla's ever-beating heart (which we know, from countless other films, is actually a nuclear reactor).And just as a side note, I REALLY object to Ghidorah being portrayed as a "good" monster - the beast is utterly brainless, that's what makes watching Big G. slap him around so much fun.I just feel that more effort was needed on the story, even if at the expense of the special effects.
CelluloidRehab Godzilla is killed and resurrected more times than everybody Sydney Bristow knows. Those that have appreciated this series have long accepted the "cheese". This movie is no exception. It gives us the cheese, without the formality of a pizza.The movie starts out with a briefing in which we are told of the formation of some "Godzilla" defense force in 1954. In the present, a sub disappears and New York is attacked. While searching for the missing sub they discover .... ATTACK OF THE GIANT BOLD LOUD TITLES and some glow-in-the-dark creature, but that's not important right now. There are some main human characters, but after all they are just a lady finger snack for Godzilla. Yuri (the commander's daughter) is filming a docu-drama (think of Leonard Nimoy's In Search Of) about Godzilla for some 2 bit news agency (think HardCopy). After some more pointless "story" elements, the monsters make their appearance. Godzilla shows up at 35+ minute mark and the fun ensues. The following is based on appearance and not frequency of conflicts. Round 1 : Godzilla vs Baragon (reddish, scaled quadrupedal groundhog with a long tail an a horn)Round 2 : Godzilla vs Mothra (giant moth)Round 3 : Godzilla vs Ghidora (3 golden headed dragon)That is the gist of the movie. There is some mumbo jumbo back story about Guardian Monsters (Ghidora, Baragon and others) protecting the motherland (mountains, rivers, trees,etc). Add to this movie a metamorphosis, some ineffectual human military response (mostly in the form on a new missile that is mix of a Patriot missile and a oil drill), a lot of screaming and yelling, dead extras, miniatures of all kinds with a heavy dose of carnage and you have a pretty enjoyable flick.