Perry Kate Very very predictable, including the post credit scene !!!

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Dana An old-fashioned movie made with new-fashioned finesse.

Michael_Elliott Girls on Probation (1938) ** 1/2 (out of 4) Extremely silly but highly entertaining crime picture from Warner is "B" movie from start to finish. A good girl (Jane Bryan) gets arrested after her bad girl friend (Sheila Bromley) steals a dress and blames her. The girl gets off due to a insurance inspector (Ronald Reagan) but a little while later is arrested for conspiracy to commit robbery with the same bad girl and her now boyfriend. Once again, innocent but in the wrong place, the girl gets put on probation but soon her past catches up with her as she's now about to marry Reagan's character and is afraid of what he'll think about having a girl on probation. It's amazing how much "story" gets packed into this 65-minute movie but there's quite a bit and it never slows down. I must admit that the movie kept me entertained from start to finish but the biggest reason as to why I can't give this a higher rating is because Bryan's character has got to be the dumbest in screen history. This is coming from someone who watches over a thousand movies a year but this is without question the dumbest character I've seen in any movie. Bryan's character gets herself into so much trouble and it's all because of her doing dumb things and of course all of this blame goes to screenwriter Crane Wilbur who also directed many shorts for Warner. With that said, the performances are all pretty good with Bryan turning in fine work but the picture certainly belongs to Bromley who is perfect as the bad girl. Reagan is fine in his supporting role and early on it's Susan Hayward playing his girlfriend. The ending is downright stupid and brought me to laughs but that's just part of the entertainment to this thing. Fans of "B" movies will certainly want to check it out. Others beware.

edwagreen Excellent film dealing with who you meet up. Jane Bryan innocently meets up with her friend, played in fine fashion, by Sheila Bromley. Bromley leads Bryan into 2 horrible escapades leading to jail for both these characters. Bromley, terrific here, is hard-boiled, vicious and will do anything to please her lover.After her first run in with the law, when she is cost wearing a dress that Bromley stole, Bryan meets up with future D.A. Ronald Reagan, whose young girlfriend turns out to be a very young SUSAN HAYWARD.Sig Ruman, as Bryan's father, sheds his comic image here in a totally believable performance as a stern father who will not believe his daughter is not up to no good.This is an exciting film with a great Hollywood ending.

ilprofessore-1 An interesting example of the fast-paced low-budget melodramas the Warner Bros. "B" picture unit run by producer Bryan Foy churned out by the dozens back in the thirties, this film features the pre-presidential Ronny Reagan as a do-good handsome DA who falls for and protects the very likable Jane Bryan. (In later years Bryan's millionaire husband was to become one of the future president's kitchen cabinet.) Reagan played many dreamboat roles like this one in his Warner Bros. contract days and rarely got a chance to show that he possessed real dramatic talent. At the beginning of the film, the 21 one year old Susan Hayward, at the start of her long career, has a small but very noticeable role. Not only was she remarkably beautiful but she could act! Fans of the great German comic actor, Sig Rumann, ("To Be or Not to Be") will enjoy his transformation from Jane's stern Teutonic father to the proud future father-in-law of Reagan.

CMUltra Poor Connie Heath (Jane Bryan) can't catch a break. Her father is stern and unforgiving. He doesn't trust her going out or any of her friends. It turns out his mistrust in one friend, Hilda Engstrom, is well founded.Hilda talks Connie into lying to her father and going to a dance he has forbidden. She "loans" Connie a dress she has stolen from the cleaners where they work. Connie gets into trouble but manages to avoid jail time. Her father does boot her out of the house, however.Connie goes to the city and runs into Hilda again. Hilda is sitting in a idling car… outside a bank. Connie decides this is the time to give Hilda a piece of her mind and hops in the car to do so! About this time, Hilda's partner comes running out of the bank, guns blazing. Rather than hopping out of the car, Connie sits there with a puzzled look. She's apparently bewildered by all this. During the high speed police chase Connie gathers her wits and takes the gun. The robbers pull over and the cops find Connie holding the gun.Afraid of her father finding out, Connie decides it's better to go to prison than explain the events. A case worker takes an interest and investigates on her own. She convinces Connie to tell the truth and gets her out on probation.Working for and falling in love with DA Dillon (sounds groovy) Connie thinks her life is back on track. But Hilda returns to try and stir things up again, still talking. Somehow, amid all the nonstop talking of their own, Connie had failed to mention to Dillon that she was fresh out of jail and on probation for the bank robbery.Sound movies had just turned a decade old but the novelty had clearly not worn off. Everything remained dialogue-driven. These people talk and talk… and then talk. No scene is set through visuals, no emotions are described through facial expression. Each and every element is articulated through exposition.The cast is fun and never shuts up. Jane Bryan is cheery despite her character's many setbacks. And she talks about all of it. Sheila Bromley is equally verbose as the diabolical Hilda. Ronald Reagan orates unceasingly as the love interest, Dillon.This type of rapid-fire dialog was a staple of movies during this era and "Girls on Probation" is a jewel of an example. Highly recommended for a look at a typical by-the-numbers production of the 30s.