Ghost Writer

2007 "Deadline has a new meaning."
4.6| 1h31m| en| More Info
Released: 09 March 2007 Released
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Budget: 0
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Official Website: http://www.sufferingmanscharity.com/
Synopsis

John Vandermark (Cumming) has taken in a struggling writer, Sebastian St. Germain (Boreanaz), who overstays his welcome. When John discovers that Sebastian has simply been using him, he turns the tables on his young tenant in an effort to make him work off his rent debt. When Sebastian dies accidentally in the process, John tries to make it up to him by helping him get his book published posthumously. When the book is published, John can't help but take credit for the work of genius... and Sebastian comes back to haunt him.

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Reviews

Grimerlana Plenty to Like, Plenty to Dislike
Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Lucia Ayala It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
mtringali-2 There is only one reason to see this film - David BOREANAZ! The plot seems typically reasonable, but writing or directing over the top should not impede a good play or movie. There is no need to act as though everyone is without morals or merit. A well-executed comedy should be able to reach everyone without using one expletive word. Seinfeld's comedy was always outrageous, but within the acceptable guidelines, and this is the kind of comedic writing that many new artists never understand. Without vulgarity or graphic violence, most writers have no idea how to entertain people anymore. David is always wonderful in whatever he does. He has timing, looks, charm, and savoir faire. Cummings, go back to Creative writing class 101 and this time, pay attention.
aussiefilmlover Saw this at the SF LGBT film festival and while Alan Cumming is wonderful and truly talented actor, he seems to be best with a director other than himself. This is a truly over the top movie and performance and it is entertaining but I felt there wasn't enough build up and character development before the insane behavior begins. Also the ending seemed tacked on and not really well connected to the main part of the film. the interaction between David and Alan are wonderful and the highlight of the film.Henry Thomas was a surprise in this scene and Karen Black stole her scene. I wish there had been more restraint in the editing, the performances and the script. It made me want to see Alan Cumming as a lead in film with a different director.
sftiger This movie is pure grand guignol with obvious references to "Whatever Happened to Baby Jane" and "Sunset Boulevard." If you enjoy shrill, histrionic, over the top, morbid, nasty, vicious humor you'll love Alan Cumming's directorial debut.Purely on the technical merits, this film would deserve no more than 7 out of ten stars, maybe even a mere 4, but it has the madness, the idiosyncratic verve to become a camp cult classic. Cumming's performance is a bit of PeeWee Herman as Norma Desmond, but when you think he's pulled out all the stops, Karen Black takes it to the next level, and then.... well, it just gets madder and madder.While it is clearly not for everyone, "Suffering Man's Charity" is an absolute treat for the right -- or perhaps a very wrong -- mindset.
memfree This film needed some combination of the following : a separate director that was NOT starring in the film, sympathetic characters, multi-dimensional characters, less overacting, a bigger budget, more people involved in the creation, and/or FILM source with good image quality. Any of the listed items could be overcome in different circumstances, but here they are all piled on.I appreciate that the main character was meant to be someone who acts out his own life in overblown, dramatic excess. I appreciate that this character is intentionally not a likable person. Such things are valid and interesting choices to try, but they are challenges that require a LOT of feedback and careful planning to make a film that works. That seemed absent.Instead, what we have here is a piece which leaves the impression that the actor (and director), Alan Cumming, does not know how to tone it down.We only see one side of each character, and none seem to progress or change in any meaningful way. And no, changing address or circumstance does not count -- the characters never seem to learn anything.All the audience gets is nasty people who never get better as they do things we can not care much about, and doing them in a somewhat absurdist way. Yes, there are some amusing scenarios, but all the negatives overwhelm occasional positives.

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