Stellead Don't listen to the Hype. It's awful

Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.

Suman Roberson It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

Freeman This film is so real. It treats its characters with so much care and sensitivity.

The Movie Diorama Whilst the original had philosophical depth and an easier narrative to follow, this instalment of the Ghost in the Shell property removes all of that and focuses on the action. Major and her squad of cyborg terminators must find out who is behind the prime minister's assassination, the only problem is, it was a computer virus, so it could be anyone. Sounds intriguing yes? Well half of it was interesting. I loved the technology used in this future, especially the virtual reality crime scene recreations. The world is thick with futuristic cityscapes and small details that obviously has had care and thought put into it. The action scenes were exciting. The animation was fluid, I mean I'm no anime expert by any means, but it's definitely one of the best looking anime feature films I've seen. The story itself, although hard to follow, was fine. Corrupt government officials and shadowy organisations, its heavy going. That's my problem. It's so heavy that I struggled to keep up with who was who and what was what. A minimal amount of character development, Major's squad members have little to no introductions that I honestly did not who they were. I couldn't tell you any of their names except Batou. Seemed like an odd choice to have the audience automatically presume who they are, then I did some research. This film is a continuation of the Arise story arc. I haven't seen the Arise chapters yet and the bluray does not tell you that this is an instalment in that series. So no wonder I had no idea what the heck was happening. How is anyone supposed to know this without having to research it beforehand? That's just misleading information. So whilst this film is visually arresting and action packed, it's too heavy for its own good that it left me completely unengaged. Lesson learnt: research a film before buying.

Stephen Abell Though this sequel prequel is better than the first sequel, Ghost In The Shell - Innocence, it still doesn't match up to the original, Ghost In The Shell.What the screenwriters John Burgmeier, Clint Bickham, and Tow Ubukata, give the audience is the story of Major Motoko Kusanagi and her perfect machine of paid mercenaries. I like the idea that she sees her team as a well-oiled machine, each person represents a working part of the machine and every part (man) is required to make her perfect machine. Since she is a cyborg, I could quite easily see her making this simile. It's the story of how they were recruited into Section 9.The story is stronger than the last as the Disney influence is no longer there and the philosophical issues are once again interwoven throughout the story, which helps to give it strength and carry the viewer along. However, there are not as many twists in the tale.Also, the CGI is used to much better ability, as it's mixed in with the traditional animation style to help build better effects and ambiance. I particularly liked the scene near the beginning where a child is running through a flowery archway... The flowers are so bright and vivid it's very dreamlike.There is so much right with this animation that I cannot pick any faults, except it's just not as hard-hitting as the original... or as stylised.If you've watched the original then I'd say forget watching Innocence and opt to watch this one instead. It's soo much better and has a similar taste, tone, and mood to the first. These two together what a treat, not just for the eyes but for the mind also.

Adam Lewis LaValley "Ghost in the Shell" is well-known for its philosophical pondering, and elegantly brutal combat scenes. Ghost in the Shell: Arise takes things a step down, but none the less executes a beautiful story of the origins of Section 9. A lot has changed in terms of style and character, but that does not bother me one bit considering Ghost in the Shell is a world where bodies can be easily constructed or swapped for one's personal satisfaction. I really like the Major's younger appearance! Although the short series does not dive into philosophy as much as Stand Alone Complex, it's still there. The series did make me think, just not as much. However, Mamoru Oshii seemed not to have been involved in this project (he's the director who gifted the vision of the two movies, and was an adviser for SAC).FUNimation did spectacular with the voice acting. The four episodes of "Arise" was worth watching on my part!If you're interested in watching the new movie, best to watch "Arise" first.

quincytheodore Ghost in the Shell is one of the most enduring and beloved anime franchises, also widely known for inspiration for the Matrix. It's also one of the most reworked franchises, with many iterations and alternate versions, which aren't entirely accessible for some viewers. If one can pass this hindrance, the literal New Movie possesses high quality sci-fi with excellent artworks and voice acting.Plot is a continuation from the most recent Arise: Alternative Architecture TV animation, which is television version of Arise four movies. If all of these etymologies confuse you, it's all right, this series is known for its complexity. Arise itself is a new rework, thus the artwork might not look like old version, especially the slimmer protagonist Motoko Kusanagi.While this is not so out-of-the-world like many previous iterations, it's not easily available for newcomers, even for fans who didn't watch the Arise version. It's skimped on many narratives and character introductions. It certainly doesn't have "previously on" segments, so this can feel alienating, especially when the movie has many specific jargon and terms associated with the plot.Fortunately, the sheer production is brilliant enough to compensate for the inaccessibility. The world Motoko lives on is very splendidly done, it's also the world with prejudice, not for skin color but for the prosthetic parts one wears inside. Motoko is born fully augmented, making her a special operative. The same technologies are also used on different aspects like stealth, warfare, and even communication with virtual private chat, so the characters might seem speaking telepathically.The visual is very aesthetically and thematically pleasing. It's a futuristic setting, but not so far off that it becomes unidentifiable. There are tons of cultural and urban scenery, some of which look utterly gorgeous, even those in brief scenes. Bits of graphical details scatter on the vista, as nifty foundations for intriguingly futuristic world.Aside for the immense amount of details, action is also fluid and inclusion of 3D effect looks admirably fitting. Voice actors do wonderful jobs here, especially the veteran Maaya Sakamoto who delivers wide range of emotions, there are subtle variations even with the stoic character.For fans, this is a nice continuation of new series with polished execution. For newcomers, it's almost akin to watching The Matrix straight on its second movie, rather overwhelming but can be still pleasing due to its sheer production.