SoTrumpBelieve Must See Movie...

Forumrxes Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

Brainsbell The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.

Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

den-86397 This movie had a weird feel to it - I loved it - the 80's feel and music, the lovable Lewis - several of the reviewers got the plot wrong - it was fast paced - didn't leave you bored in places, waiting for the movie to pick up again. I felt the acting was quite good - the lead actors were just plain old kids, they had ambition, wanted to make their dream of movie-making come true, and had to figure out how to finance it. The ghost was an additional problem suddenly thrown into the mix - I loved the sets - the gadgets -

Woodyanders Cash strapped actor Warren McCloud (a likable portrayal by Jason Lively) and his struggling filmmaker buddy Fred (the equally engaging Tim McDaniel) find themselves in possession of a pawn ticket left to Warren by his grandfather. Said pawn ticket sends the duo on a wild ghost chase through Hollywood. Moreover, Warren and Fred are assisted by the wizened little old man ghost of the grandfather's Brit-accented butler Lewis. Director/co-writer Roland Emmerich relates the entertainingly goofy story at a steady pace and maintains an amiable lightweight tone throughout. The ever-adorable Jill Whitlow perks things up considerably with her cute and radiant turn as spunky actress Laurie. Paul Gleason does well as mean jerk studio head Stan Gordon and Leonard Lansink contributes a funny turn as Gordon's bumbling flunky Karl. Popping up in nifty bits are Chuck "Porky" Mitchell as huffy diner owner Mr. Rosenbaum and veteran character actor Larry Pennell as a booze-sodden bum. Karl Walter Lindenlaub's slick cinematography gives this picture a nice glossy look. The bouncy soundtrack and the groovy-bumpin' score by Joel Wachbrit and Hubert Bartholomae keep things bubbling along. Moreover, there's a good-natured easy'n'breezy quality to this movie that's impossible to either resist or dislike. The special effects are pretty cool as well. A pleasant diversion.

Shawn Watson It's weird how the writer/director of such exciting blockbusters such as ID4 and The Patriot could create such a strange film. I'll try my hardest to recount the plot. Two ultra-cheap filmmakers (art reflects life) have a great idea for a movie and rope in an unwilling but attractive starlet and make up a Muppet-like monster based on the photographs of a long-dead grandfather's butler. A rival studio producer wants to blow up the grandfather's house as the climax to his big budget movie so the butler's ghost comes back to possess the Muppet doll to lead them to hidden billions in the cellar.It's not a bad film, by no means, it's quite cringe-worthy in places but inconsistently entertaining. There are no big name stars or SFX but that is made up for with bizarre plotting and storyline. This film is more in the style of Roland Emmerich in his Making Contact/Moon 44 days. But if he had the budget he gets these days who knows what this film might have ended up as. I give it 6/10 for weirdness, plot and defying convention.

DM-19 This film is BAD. All the ingredients that add up to make a good film are lacking here, the script - terrible, the acting? - worse. And if you can find a worse director doing (financially) well in Hollywood, I applaud you.