Lucybespro It is a performances centric movie

Tedfoldol everything you have heard about this movie is true.

Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Kinley This movie feels like it was made purely to piss off people who want good shows

valis1949 FUNNY HA HA is a meandering, whimsical look at Echo Boomers. Adult Life hasn't taken hold, direction seems clear, yet where is the forward momentum? I doubt very seriously if people within this age group would identify with this representation. I think that the film works better for people who are much younger, or decades and decades older. Teenagers might envy the leisure time and absence of adult responsibility depicted in the film, and older folks might view it through the lens of rosy nostalgia. The film has a very Independent look, and is not without a certain elemental charm. However, it is certainly not a definitive statement, but maybe that was the point.

Roland E. Zwick First time filmmaker Andrew Bujalski's extremely low-budget feature "Funny Ha Ha" has many of the hallmarks of an early John Cassavetes film: grainy camera-work, minimalist storytelling, and naturalistic, ad lib performances. Bujalski's cast of characters is made up entirely of white urban youth in their early to mid 20's - that awkward period in life after an individual has finished college yet before he has moved on to building his own career and family. Given what appears to be their first real taste of freedom and independence, the characters do little but sit around, get drunk, and talk about their romantic relationships, but Bujalski observes all this without hysteria and judgment, thereby lending the film the aura of real life being caught on film. The focal point is an attractive young woman named Marnie (Kate Dollenmayer) who drinks a bit too much, seems vaguely directionless and lacking in energy, and is somewhat inexperienced in the ways of love, but who, nevertheless, seems reasonably well grounded and knows her own limits as a person. "Funny Ha Ha," despite its occasional raggedness and self-indulgence, is blessedly free of contrivance and melodramatics. These may not be the most goal-oriented or socially-conscious youth we've ever encountered in the movies, but neither are they the most troubled or self-destructive. They seem like pretty ordinary kids living in the moment and only vaguely aware that there's a world outside of themselves that they are destined to become a part of in the very near future.The beauty of the dialogue rests in its ability to capture with uncanny accuracy the way people in the real world actually speak. The characters interact in ways that are genuine and believable, and life just seems to be unfolding as we watch it on screen. This is due in small measure to the fine performances from a cast of virtual unknowns who know how to appear relaxed, honest and natural in front of the camera. With its improvisational and off-the-cuff film-making style and its abrupt, the-camera-just-ran-out-of-film ending, "Funny Ha Ha" makes us feel as if we are eavesdropping on the daily lives of a handful of relative strangers. Lucky for us, they turn out to be people in whom we can see something of ourselves reflected, and with whom we enjoy spending our time.

kolyanbogie Looking like a documentary, this movie captures well life at the age of the characters, that I remember when I was that age: direction-less and insecure. The problem is, a glimpse into people's personal lives aren't necessarily interesting, and I wanted more to happen or for the story to be more interesting. I also wondered why characters we saw a lot of in the beginning of the movie, simply disappeared with no explanation. Alex's unexpected marriage was never explained, nor did Marnie seem to try to find out how this marriage came about. In keeping with the theme of a segment of someone's life snipped out randomly and put on film, the ending provided no resolution to anything, but I felt it could have been less abrupt and arbitrary.

teddyryan I'm not a big fan of the low-budget talkies. The shoe string budget films by Linklater and Kevin Smith that have 20 somethings discussing philosophy or working dead end jobs, and are filmed with static 16mm cameras usually kill me. As a result, I was not looking forward to FUNNY HA HA when it came in through NetFlix. Nonetheless, I have to say Andy threw me for quite a loop - this movie got me. I actually didn't find the Casavettes style that irritating. But, I think that's because of casting. Kate Dollenmayer is wonderful - she has a face that you can look at for hours. And the other non-pro players do a wonderful job. Andy's improv style works extremely well, and keeps one's interest. Kudos, brother. This one stands out. Ha.