Front Page Woman

1935 "A woman reporter tries to prove she's just as good as any man, but runs into trouble along the way."
6.5| 1h22m| NR| en| More Info
Released: 20 July 1935 Released
Producted By: Warner Bros. Pictures
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Budget: 0
Revenue: 0
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Synopsis

Ace reporter Curt Devlin and fellow reporter Ellen Garfield love one another, but Curt believes women are "bum newspapermen". When a murder investigation ensues, the two compete every step of the way, determined to not be scooped by the other.

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Reviews

Diagonaldi Very well executed
Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.
Fairaher The film makes a home in your brain and the only cure is to see it again.
Staci Frederick Blistering performances.
Kittyman "Front Page Woman" (1935) uses the same feminist "rivals in business; partners in love" motif that "Traveling Saleslady" (1935) does. However, "Woman" is a murder mystery involving reporters; "Saleslady" is a comedy involving salespersons. Still, it's interesting to compare the two.Both films have great supporting performances, excellent pacing, and flawless plots. Playing masters of their fields, both leading men (George Brent) and (William Gargan) perform well. Indeed, a surprisingly animated Brent does, for him, an absolutely charming job. (Perhaps the mutual sexual attraction he and Davis had was the spark behind it.) Where the films differ, however, is in their leading ladies' performances, and in their romantic resolutions.Bette Davis, like Joan Blondell, keeps claiming she is her rival's equal. But clearly, unlike Blondell, she is not. She doesn't have Brent's creative mind, his street smarts, his social skills, or his stomach for the job (she faints, for example, at the execution she demanded to attend). When he offers her help, she turns him down, and when, out of revenge, he sets traps for her, she falls into them.The film's end, however, does offer redemption. Not only does Davis solve the mystery, and get her job back--she also gets her man. Brent, in a rare feminist resolution for its time, tells her how much he respects what she has done, and seems willing to have her continue working after marriage. (One wonders how much the steel-willed Davis influenced this outcome?) Whether she chooses to, however, is more ambiguous. While Blondell, in stark contrast, blithely tosses away a terrific sales career to placate her "oinky" husband to be.
bkoganbing With Bette Davis doing a role that Glenda Farrell or Joan Blondell was used to doing and George Brent standing in for James Cagney or Pat O'Brien, Front Page Woman is about a sob sister columnist wanting to prove she's as good at investigative reporting as the man she loves. Brent's a good guy all right, but he certainly believes that woman's place is in the home or writing a woman's column about same.The chance comes when both are sent by their rival papers to cover a fire. The fire it turns out was only a ruse to cover the stabbing of a bigshot played by Huntley Gordon. As the investigation, arrest, and trial proceed, Davis and Brent go on scooping spree to show the other up who is the better reporter. That kind of fun can certainly put a strain on a relationship and the two of them, Brent more so, play fast and loose with the criminal justice system to get that scoop over the other. In the end the crime revolves around a love triangle with Gordon, mystery lady Wini Shaw, and polo player Gordon Westcott.Contrary to rumor Bette Davis could play comedy though it was not her strong suit. Her material is slight, but she does her best to rise above a role she's miscast in. Her devoted fans will certainly not turn away from Front Page Woman.
MartinHafer Bette Davis plays a plucky female reporter who just got the chance to do lead stories--those traditionally done exclusively by men. A rival reporter, George Brent, is in love with her but also has little respect for her "trying to make it in a man's world"--so naturally she refuses to marry a man who doesn't respect her. In the midst of their arguments, Brent proposes a contest to see which can get the biggest scoop during a murder investigation and the subsequent trial. Now this all could have been very predictable or sexist, but somehow both pitfalls were avoided.Sure, this isn't the deepest or best film that Bette Davis made in her long and distinguished career, but for the mid-1930s it's pretty good stuff. Although Warner Brothers employed one of the finest actresses of all time in the form of Miss Davis, up until the late 30s, they bounced her around from bad to mediocre to top of the line films and back again! So inconsistent were these roles that even after being Oscar nominated (OF HUMAN BONDAGE) and receiving the Oscar (DANGEROUS), Miss Davis STILL bounced around the studio in predictable programmers, B-movies AND A-films as well. As a result, she walked out of her contract (briefly).Despite all this, FRONT PAGE WOMAN was a good film for her career--as it was quite enjoyable, gave her a chance to appear with her favorite leading man (George Brent) and gave her a decent (though not always believable) leading role. The film is a typical battle of the sexes film which weren't especially uncommon during Hollywood's Golden Age and like many of these films (such as PAT AND MIKE and WOMAN OF THE YEAR), it was a lot of fun. Plus, the chemistry between Davis and Brent was wonderful and I wish their films together got more attention--they are always enjoyable even when the writing isn't up to snuff (as in a few of their films together).
whpratt1 Greatly enjoyed this Betty Davis film which I had never viewed and found Davis at her very best in appearance and in a very light hearted role she portrayed as Ellen Garfield. I believe Davis was around 27 years of age when she appeared in this film and she was very charming and had a good supporting actor, George Brent, (Curt Devlin) who was a star reporter for his newspaper and was in competition with Ellen Garfield to get the big scoop or headline stopper for their respective newspapers. This couple were also love birds who had intentions to get married only under certain terms they agreed upon together, a sort of contest that would lead to some very important big steps in their lives. Veteran actor Roscoe Karns, (Toots O'Grady) was the photographer for Curt Devlin and gave a great supporting comical role through out the entire picture. This is a very enjoyable 1935 Classic film and I believe that Davis and Brent both gave outstanding performances. Enjoy.