Colibel Terrible acting, screenplay and direction.

AniInterview Sorry, this movie sucks

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Dana An old-fashioned movie made with new-fashioned finesse.

Spikeopath Fixed bayonets! is directed by Sam Fuller and Fuller writes the screenplay which is based around a novel by John Brophy. It stars Richard Basehart, Gene Evans, Michael O'Shea, Richard Hylton, Craig Hill and Skip Homeier. Music is by Roy Webb and cinematography by Lucien Ballard.The Korean War, and a platoon of GIs are tasked with diverting the enemy to allow the command units time to regroup and prepare for a counter attack."Somebody's got to get left behind, get their bayonets wet. It's tough picking out an outfit, but it's got to be picked"Samuel Fuller was a real life infantryman combat veteran of WWII, so any time he chose to direct a war film it was time to sit up and take notice, Fixed bayonets! finds him in prime form. All his great traits are here, how things are so understated yet so potent, how his characters are stripped to a very real human form, there's no fuss, filler or pointless flab here. Every line of dialogue and the various combat scenarios positively beg our utmost attention, so as to get some sort of feel as to just what it must have been like in war.Plot revolves around 48 men holding a rearguard action so as to give 15,000 others a break. The odds aren't really in their favour, because not only do they have to face the oncoming enemy and all their numbers, but they have to battle the terrain, for they are up in the snowy mountains, the harsh coldness a fitting accompaniment to the psychological pangs at work in the platoon. The main narrative thread is based around Basehart's Cpl. Denno, who has trouble shooting an enemy soldier, which is not great since there's a very real chance he may soon have to take command. Ouch! The pressure of impending command...Combat action scenes are thrilling, artillery warfare in the snow constructed with skillful thought. While this wouldn't be a Fuller film without some edge of seat drama, with the stand out here a breath holding sequence of events in a minefield. Tech guys come up trumps, the sound mix is bang on (a haunting cacophony of Asian bugles really rattles the head), Ballard's black and white photography is crisp and captures the pending peril vibe suitably, and Webb's musical compositions are unobtrusive and rightly keeping focus on the human drama.A lesson in being simple yet so potently effective, Fuller on blob. 8/10

MartinHafer This film is about a small group of soldiers who are given the unenviable task of slowing down the oncoming Korean/Chinese army in order to allow the rest of the army to bid a hasty retreat. It is assumed that few, if any, of these brave men will survive and it's all a matter of digging in and waiting for the inevitable.Writer/Director Sam Fuller was the first to make a Korean War film when he made STEEL HELMET. This film was made with a minuscule budget, yet was a terrific war film due to his excellent touch--along with acting of wonderful roguish actors, such as Gene Evans. Well, only months after creating this film, Fuller is back with FIXED BAYONETS! and in many, many ways the film is highly reminiscent of the earlier film. Both featured a small group of brave American soldiers who have become separated from the rest of the army. As a result, they are forced to make a brave stand against the odds. And, like STEEL HELMET, you see little bits and pieces about each man--often just before they are killed. Of the two films, I definitely preferred STEEL HELMET because it managed to do so much with the tiniest budget and because it seemed more original. FIXED BAYONETS! was almost like a retooling of the original format.FIXED BAYONETS! had a larger budget and cast than the previous film, though it still was a very economically made film--mostly due the use of character actors instead of big-name stars. Once again, the exceptional Evans was on hand to play, what else, a battle-hardened and wise non commissioned officer. Richard Basehart, a wonderful actor, played co-lead with Evans and that was a good thing, as he was as capable as any actor in Hollywood but was still relatively unknown (i.e., cheap). Look closely, and you might spot James Dean in a small role and there are many other exceptional actors that give the film lots of color and gritty realism. Because of all these factors, FIXED BAYONETS! is still a very good film and Fuller is really in his element with these war films--probably because he lived the life himself during WWII. No major surprises--just a realistic, simple and effective war film.

chaos-rampant Fixed Bayonets completes director Samuel Fuller's one-two of 1951 movies about the Korean War, the other being the equally (maybe even slightly better) gritty and gripping The Steel Helmet. For those unfamiliar with Fuller's style, let's just say it is as far removed as possible from what Hollywood passes for war movies the past 20 years. No sentimentality and schmaltz here, just a straight-forward and fine-tuned soldier movie, from the boys, for the boys.Fuller, a war veteran himself, takes a no-frills, realistic approach. With a tight script that weaves themes of courage and confronting one's fears into superb suspense and action scenes that have stood the test of time admirably, Fixed Bayonets does exactly what it says on the cover. The miniature work is decent enough and the studio backlot that passes for the Korean mountains completes the illusion without distractions. It's still a low-budget b-movie but it's holding well at the seams. The acting is all-around solid with Gene Evans once again stealing the show as the gruffy, no-nonsense Sgt. Rock.Having worked as a journalist for New York newspapers in his younger years, Fuller understands the importance of story above all. Sure, he's not exactly the epitome of subtle - the inner monologues for example should have been avoided altogether. But I'm willing to ignore that because his movies have a sense of urgency and conviction that is hard to find: he's a man with a story to tell, he grabs you by the shoulder and says "this is how it happened, now watch this". And "this" is not about the politics or dramatization of war but war itself, men killing other men in some snowy hills in the middle of nowhere.

ma-cortes This Korean war(1951-1953) drama is the fare of American GIs in Korea early 1951 and stands as one of the best warlike film . A band of Chinese troops follows a soldiers group posing as a regiment. Then, they take refuge into a cave stronghold but the group is besieged. They simply do their best to survive a terrifying situation. But the superiors are murdered and the corporal Demmo takes command.The film is dedicated to the queen of battles-the United States Infantry. The producers give grateful thanks to the Department of the Army for its encouragement , advice and active cooperation in the preparation and production of this picture. The film is based on true events, a Chinese communist offensive formed by 350.000 soldiers who vanquished 8º Army commanded by Ridgway and withdraw across southern. Posteriorly, American Army and UN multi-national troops undergo a contra-offensive and retrieve lost territory until 38 parallel.This is a conventional story bolstered considerably by director Fuller's flair for warlike drama and action. Dark and thoughtful and hurriedly made, the movie gains strength as it goes on, and shows a tremendous grasp of the tale as an unit. Excellent performance by male leads, boasting and most restrained acting by Richard Basehart as the corporal taking the command responsibility. Top-notch Gene Evans as brave sergeant and excellent secondaries, Craig Hill, Skip Homeier, Michael O'Shea and appearance an uncredited James Dean. Samuel Fuller's most fluid and strongest film-making lies in his war pictures from ¨Steel helmet,Fixed bayonets, Merril's marauders, Hell and high water, and specially : Big red one¨ all are tremendously exciting and stirring. Rating : Better than average. Well worth watching.