Five Minarets in New York

2010 "The past will impact the future."
5.7| 1h59m| R| en| More Info
Released: 17 November 2010 Released
Producted By: IM Global
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://www.newyorktabesminare.com/
Synopsis

Two Turkish anti-terrorist agents are sent to New York City on a mission to find and bring back the dangerous Islamic leader codenamed "Dajjal", believed to be hiding in there. Working with the FBI and NYPD, the agents orchestrate the arrest of Hadji Gumus, a well-respected Muslim scholar and family man who years before fled to the United States after being released from a Turkish prison, where he served time for murder. This tale love, friendship, peace and prejudices, takes us on a journey seeking to answer the question of whether innocence or guilt even matters to one who lusts for vengeance.

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Reviews

VeteranLight I don't have all the words right now but this film is a work of art.
MoPoshy Absolutely brilliant
Borserie it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.
Logan By the time the dramatic fireworks start popping off, each one feels earned.
Sayasam If you want a movie with only firefights, explosions, building crashes and war, this is not the right movie.I concede it was what I thought by seeing the poster.But this is not that.This movie isn't an action movie at all.There IS some firefights and explosion, but very few.This movie is a dramatical story, of a terrorist leader chased all over NYC and Turkey.It's a very beautiful story with lot of suspense and thrill.But then again, definitely not a total action movie.
GUENOT PHILIPPE I consider it an offbeat movie. Is it more Turkish or American?It begins like a big budget American blockbuster, very well made, with amazing action packed sequences. Filmed in 2.35, I actually believed it was a genuine US movie. But it appears that this feature is not like an American one. Most of leads are Turkish actors, and the message of this splendid and very interesting film makes you think after watching it. It's an intelligent piece of work, very clever indeed. I thought of films like SHOOT ON SIGHT or another film starring Samuel Jackson, shot a couple of years ago - I don't remember the title - and that also made you think about terrorism, USA under attack fear, as it was fifty years ago with the red menace. Not necessarily idiot schemes, with the good American authorities vs the "ugly" Arabs. The movie I am talking about shows us a second part which looks like a real Turkish feature. No more American trace in it.I repeat, very offbeat, and so good to watch.
Lloyd Bayer Also known as "New York'ta Bes Minare", don't be fooled by the inclusion of Hollywood stars in this movie. I was, and this is my moral obligation to warn fellow movie buffs. Danny Glover of "Lethal Weapon" fame, Robert Patrick (Terminator 2 Judgment Day) and Gina Gershon (Showgirls, Face/Off) are well cast but don't really add the extra oomph this film so desperately needs.Initially set in Istanbul, Turkey, the film starts well with a dirty bomb assassination followed by an action sequence copy-pasted straight off the final act in "The Kingdom". I wonder if Peter Berg has considered a lawsuit on copy rights infringement. Cut to the skyscrapers on New York and dogmatic FBI Special Agent David Becker (Patrick) storms into the residence of Hadji Gümüs (Haluk Bilginer) and arrests him on the suspicion of aiding terrorism. Hysterical, Hadji's wife Maria (Gershon) contacts close friend and confidant Marcus (Glover), a Muslim convert, to help them get to the bottom of what appears to be a mistaken identity through false racial profiling. Meanwhile, Turkish police officers Firat (Mahsun Kirmizigül) and Acar (Mustafa Sandal) are dispatched to New York to safely extradite Hadji to be tried back in Turkey. On the way to the airport, the police escort is ambushed and Hadji is rescued by Marcus and other members of his community. Protected by Marcus, Hadji allows Firat and Acar a fair interrogation, resulting in the Turkish officers believing in his innocence. However, when they get back Istanbul, an old agenda resurfaces, questioning Hadji's reluctance in returning to his native country.Having also directed the film and scripted the story, Kirmizigül can be credited with a noble effort in fighting back against racial profiling and unjust prosecution of Muslims in the United States and the West. No doubt, ever since the ill-fated September 11th attacks on New York, film makers have exploited the notion that Islam is associated with terrorism. In his narration, it is clear that Kirmizigül tries to dispel this perception. Bollywood films like "My Name is Khan" and "Shoot on Sight" more than drove that message home. However, somewhere in between, Kirmizigül appears to fumble around with his own ideas while embedding the script with a lot of propaganda, both for Muslims and against terrorism. At this point, Kirmizigül reaches a fork in the road and forgets his ultimate destination. During all this message heavy mess, the script takes its toll on the actors who appear to be cardboard cut-outs in an amateur play. It is almost as if they can't be bothered with what one man is trying to say to the world. As such, Danny Glover and Gina Gershon underplay their roles where they appear to be doing what they are told to do, as opposed to getting into the flesh and blood of their characters. Robert Patrick is convincing but his role is the easiest as a hardened yet stereotypical FBI agent who shoots first and asks questions later. Patrick's Becker even pronounces Gümüs as "Gomez" despite being told by Maria that it is pronounced "Gomush". Again, one of Kirmizigül's little messages to state that Americans are naïve over anything non-American. The only stand-out is Haluk Bilginer as Hadji. His experience in Hollywood films aside, Bilgner renders an excellent portrayal of injustice to Muslims and is the only actor to really carry the weight of his character.From a production front, this film boasts a US$ 12 million budget with a box-office return just short of double that amount. Impressive as it may seem for the Turkish film industry, I don't think its anything worth writing home about. In comparison to Hollywood standards (also considering Hollywood stars are involved with filming locations in New York), the overall look and feel of this movie has a B movie experience to it. My biggest disappointment is in the cinematography. Almost as if experimenting with a newly gifted camera, principal photography is a disaster. This maybe considered artistic for some, but low lit scenes are underexposed while daylight scenes are overexposed with hues of green, blue and orange in many scenes. Where do you get off with a stunt like that, especially in contemporary cinema? For Kirmizigül, including the Hollywood actors, this is surely a noble gesture in attempting to bridge the gap and heal racial wounds. What it is surely not is a film to be taken seriously.As a definitive alternative, I highly recommend the multi-Oscar nominated "House of Sand and Fog", starring Ben Kingsley and Jennifer Connelly.
kivancdikmen I am at awe to see couple of bad reviews on here. The only thing I can think of it is that the bad reviews come from the followers of the biggest cancer in Turkey who is Fettullah or maybe some other ethnic rebellious thinkers. Bottom line is that this movie gives a great depiction of everything. The power of using Islam for good, and that people in the end are victims of being uneducated. Movie was fantastic in every way. The actors, the filming - everything. It is a must see. Haluk Bilginer gave an amazing performance. Mahsun Kirmizigul despite me having previous negative thoughts against him and quite frankly not thinking too highly of him was a pleasant surprise. Mustafa Sandal despite being a terrible singer turned out to be a decent actor. Danny Glover and Gina of course were at 5 star performances again.