Five Loose Women

1974 "Their Virgin Skin Violated in a Hell-Hole of Lost Souls!"
4.6| 1h36m| en| More Info
Released: 13 July 1974 Released
Producted By: Apostolof Film Productions
Country:
Budget: 0
Revenue: 0
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Synopsis

Five inmates break out of a remote minimum security prison for women. Four are hardened convicts, the fifth was wrongfully convicted. As the authorities chase them down, the cons terrorize or kill anyone who gets in their way.

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Apostolof Film Productions

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Trailers & Images

  • Top Credited Cast
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  • Crew
Rene Bond as Toni
Donna Young as Sheila

Reviews

Raetsonwe Redundant and unnecessary.
VeteranLight I don't have all the words right now but this film is a work of art.
Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.
Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
Woodyanders A quintet of desperate ladies go on the lam after escaping from a prison work farm. The cops naturally give chase while the gals embark on a wild crime and killing spree. Director Stephen C. Apostolof not only keeps the delightfully down'n'dirty story zipping along at a constant brisk pace and maintains a blithely lurid tone throughout, but also delivers several scorching hot soft-core sex scenes and oodles of tasty gratuitous female nudity. The leave-no-sleazy-stone-unturned script by Apostolof and Edward D. Wood Jr. certainly gives viewers their grubby money's worth: We've got the fugitives stealing filthy threads from a commune of low-rent dippy hippies, two babes rape a hapless male motorist, and there's even a lively brawl with a ferocious biker gang. Moreover, it's acted with gusto by a game cast of exploitation cinema regulars: Tallie Cochrane as vicious predatory lesbian Kat, Rene Bond as raucous racist white trash tramp Toni, Maggie Lanier as sweet innocent Dee, Jabie Abercrombie as the sassy Paula, and Donna Young as brash trustee inmate Sheila. Wood Jr. plays both a sheriff in hot pursuit and doddery old airstrip caretaker Pops. The robust combo jazz and funk score hits the get-down groovy spot. The vibrant color cinematography rates as another nice asset. A total scuzzy blast.
sean4554 No one will mistake "Fugitive Girls" (the most common title for this film) for great cinema. The ultra-low budget, editing errors and continuity blunders alone guarantee that. But taken for what it is - a 1974 exploitation quickie, a drive-in nudie flick about female criminals - this movie really works. With the legendary Edward D. Wood Jr. contributing one of his finest screenplays and also acting in two different roles, the film won't disappear. "Fugitive Girls" is good entertainment! The acting ranges from passable to good, the dialogue ranges from classic Woodian nonsense to decent, the music often works very well, and technically...well, this aspect doesn't usually manage to impress. Director Stephen Apostolof deserves credit, certainly, for the superb pacing and for bringing out the best in actresses Tallie Cochrane, the '70's adult superstar Rene Bond (now supposedly deceased) and the strangely overlooked but genuinely charismatic Margie Lanier.Rarely do these no-budget grindhouse flicks deliver like this one does, and not because of overt sex or violence; "Fugitive Girls" succeeds on it's own quirky charm and likability. Don't get me wrong, I'm not saying this is a *good* movie, but a great one for it's genre. Despite all of this, "Fugitive Girls" rarely receives extended mention in Ed Wood discussions, probably because it's such an oddity. It isn't family friendly like, say, "Plan 9 From Outer Space", doesn't feature any of his most famous players from his earlier period (like Criswell in "Orgy Of The Dead"), and this film barely qualifies as softcore, much less hardcore (such as "Necromania"). You get the idea. "Fugitive Girls" is top-shelf exploitation and recommended viewing for Wood cultists, Rene Bond fans, B-cinema specialists and grindhouse followers alike.(10 stars for genre excellence, not general brilliance)
Michael_Elliott Fugitive Girls (1974) ** (out of 4) Director Stephen and screenwriter Edward D. Wood, Jr. teamed up several times throughout their careers with their best known film being Orgy of the Dead, which gets my vote for the worst film ever made but this film here isn't too bad. A sweet, innocent girl is sent to prison for a crime she didn't do but once in she's soon being forced to break out with her four cellmates. Soon the five women are on the run trying to avoid the police while searching for some money one of the women hid. This is pretty much your typical drive-in, sexploitation junk but it helps wonders due to the off the wall screenplay by Wood. The dialogue here is incredibly silly and offers some great laughs including some funny sequences where the racist woman gets into it with the black one. All five characters are the same we've seen in countless films like this as we have the sweet girl, the racist one, the tough black chic, the butch and the slut. While the characters are all unoriginal I must give Wood credit for really mixing up the screenplay and throwing all sorts of craziness into the mix. We get several fights, a scene where two of the women rape a man, hippies, bikers and a weird gas station owner played by Wood. All of the acting is rather poor but it does provide more laughs. There's also plenty of nudity on display but the DVD version is the theatrical cut, which is missing some nudity and extended sex scenes. Apparently a XXX version was also released in some theaters. This is certainly a poorly made film but if you're a fan of the WIP genre then you should get a few laughs out of this.
m-c-balas Two alternate titles for "Five Loose Women" are "Fugitive Girls" and "Hot on the Trail" (which was the title I viewed it under).This film was written by Ed Wood at the end of his career, and near the end of his life, when he was basically a down-on-his-luck drunk just trying to afford his rent. He has a minor part in the film where he looks rather beaten down and haggard...I don't think too much make-up was required to achieve that look.Rene Bond did a great job and looked great, as usual. A.C. Stephens did his usual Ed Wood style of directing. Don't know if it was intentional, but it's hard to tell them apart when it comes to things like lighting and how the actors deliver their parts.