Phonearl
Good start, but then it gets ruined
Erica Derrick
By the time the dramatic fireworks start popping off, each one feels earned.
Rosie Searle
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Michael Neumann
Very little in the previous career of director Paul Mazursky gave any hint of the depth and complexity of this comedy drama, adapted from an Isaac Bashevis Singer story about the misadventures of a Jewish refugee (Ron Silver) in New York City shortly after World War Two. Silver has a few problems most men wouldn't mind sharing, including a wife who is more a devoted servant and a mistress as passionate as she is temperamental, but the cozy arrangement is complicated by the unexpected return of his first wife, long thought dead, to act as a ghostly conscience and councilor for her bewildered husband. The film is so well made, with such attention to period flavor and detail, that it seems mean to point out its few nagging shortcomings: the haphazard structure, with too many sudden, incompatible changes in mood, and the equally inconsistent characters (it's never made clear, for example, why all three women are so devoted to this particular nobody). Too bad some of the effort that went into the production didn't first go into the script, but it's still an unusually rich experience, with an added dimension of depth from the specters of the Holocaust still haunting each character.
Helmholz
I bought this movie (DVD release) after looking for other films by Paul Mazursky after being enchanted by An Unmarried Woman (and finding out there's reportedly a DVD release for that on January 10th) and after reading xavrush89's comments.I didn't know what to expect going into this movie, I usually try to find out enough to get interested but not enough to know what's going on. It worked, in this case.Ron Silver plays a Polish Jew living in Coney Island after the Holocaust. It is 4 years after the end of WWII and he works as a writer and has a wife whom he wed because she protected him from the Nazis. Meanwhile, he's enjoying the company of another woman during 'business trips' when he finds out personally that his original wife thought to have been killed by Nazis is alive and in New York!! It sounds so absurd that you might think this movie is a comedy, but it's not. There are funny moments, but throughout this movie you will become wrapped up in the very serious moral dilemma of a man married to two women while he's in love with another and the conflicting emotions that all of the characters feel and experience.The acting is top notch and every character is played by each respective actor remarkably. Everything they say and do is believable and realistic. Not to mention the excellent environments, although things look a little shiny and new.One of my complaints involves the audio levels. At times it is extremely difficult to hear what the characters are saying, much less understand them with their (excellent) accents. There's dialogue that passed me by even after going back to listen to it twice at times.Another complaint is the video restoration isn't all that great, but it keeps that '1989 look' and it's better than the ultra-crisp visuals of movies today.But I don't have much to complain about as far as the actual movie goes, and that's a good thing. Entirely fascinating and skillfully produced and directed, it's one of those movies that was extremely interesting but hard to enjoy due to the nature of the struggles of the characters. Nonetheless it's a great film that you should see at least once.
xavrush89
When comedian Alan King passed away last year, I thought of his sweet performance in this should-be classic. One would not expect comedy to come from a story about Holocaust survivors, but this film takes the quirks of human behavior in the wake of tragedy and puts them on display, warts and all. I haven't read Nobel Prize winner Isaac Bashevis Singer's novel, but I can't imagine him not being pleased with Paul Mazursky's winning adaptation. Poor Ron Silver though, he finally gets a lead role, and almost every scene of his is stolen by one of his three outstanding female co-stars.Lena Olin has the showiest part as a fiery concentration camp survivor. Full of passion, bitterness, and paranoia all at the same time, she puts sex back into an era normally depicted as colorless and empty. I don't want to say too much about Anjelica Huston's role for fear of spoiling the intrigue each revelation about her character brings. She pulls off several humorous moments as well. But the real revelation is Margaret Sophie Stein. As Silver's wife whom he married out of gratitude, she is not as naive as she seems, and her performance anchors the film.This movie snuck in under the wire at the tail end of the 'eighties, and seemed to have gotten lost in the shuffle of high caliber end-of-the-year movies all seeking Oscar consideration. Some feel that its Best Picture nomination was stolen by Dead Poets Society. I am one of those people. But keep in mind that this was the year that Do the Right Thing was ignored in favor of more sentimental fare like Field of Dreams. Olin and Huston were nominated for their roles, but they lost to Brenda Fricker's tour de force performance as Christy Brown's mother in My Left Foot.It bothers me that this film doesn't have more votes. Rent it, people!!! (Or better yet, buy a copy. When you see it, you'll want to.) You'll love the characters, and it's a great film to watch after you've seen something like Life is Beautiful. It is an unusual tale, but one I am glad someone thought to tell.
pbalos
It's one of those stories that may be better in print or would have more impact on the stage, however this works suprisingly well on film. The superb acting allows it to be both effective as a drama and comedy.For those familiar with NYC in the late 40's, the setting is most believable.It's far from boring, but one must adapt to the slow pace of the movie, which in fact, proves to be an asset.All 'n all; well done. 7/10
