Emanuelle Around the World

1980 "Emanuelle's back to take you places you've never been before!"
4.8| 1h42m| NC-17| en| More Info
Released: 14 October 1980 Released
Producted By: Embassy Productions
Country: Italy
Budget: 0
Revenue: 0
Official Website:
Synopsis

Intrepid photojournalist Emanuelle arrives in San Francisco, where she briefly meets up with fellow journalist -- and fellow feminist -- Cora Norman, before being whisked off to India to investigate a guru con artist.

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Reviews

Console best movie i've ever seen.
Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.
Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.
Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.
Woodyanders Intrepid and sexually voracious photojournalist Emanuelle (the insanely luscious and captivating Laura Gemser) takes on a dangerous assignment concerning violence against women in various male-dominated societies. During her investigation Emanuelle uncovers a sordid underworld that includes a white slavery ring, prostitution, a bogus Indian sex cult, bondage, lesbianism, degenerate American politicians, vicious rapists, and even a little bestiality. Director Joe D'Amato, working from a scrupulously kinky and depraved script by Maria Pia Fusco and Gianfranco Clerici, delivers oodles of tasty female nudity and scorching hot soft-core sex set pieces while relating the blithely trashy story at a snappy pace and maintaining a suitably seamy tone throughout. This picture further benefits from a sturdy cast of reliable Italian exploitation cinema regulars: Voluptuous blonde bombshell Karin Schubert as Emanuelle's gutsy reporter rival Cora Norman, Ivan Rassimov as the dashing and helpful Dr. Malcolm Robertson, George Eastman as smarmy and lecherous charlatan Guru Shanti, and the fetching Brigitte Petronio as the perky'n'pretty Mary. Legendary porn stud Paul Thomas pops up in a quick bit as a randy truck driver. The exotic globe-trotting locations add an extra tart'n'tangy flavor. Nico Fidenco's funky throbbing score does the get-down groovy pulsating trick. D'Amato's glossy cinematography provides a pleasing polished sheen. Well worth seeing for Emanuelle fans.
Rapeman Emanuelle Around the World is Joe D'Amato's fourth Emanuelle outing starring insatiable Euro-slut Laura Gemser.In this one Emanuelle is sent to India to do a story on a Guru who has supposedly discovered the ultimate climax, although once there Emanuelle is disappointed to find him to be a money-hungry con-artist. So, unsatisfied with her Guru story, she joins forces with her reporter pal Cora Norman who is doing a story on violence against woman.Cora has been tracking a white slavery operation and Emanuelle is keen to help her uncover the people behind it. The pair go to France and Hong Kong along the way taking down smaller slavery rings until they eventually end up in the Middle East where they uncover the heart of the operation and successfully close it down.Emanuelle Around the World was made the same year as Emanuelle in America and it shows. The brutal snuff-oriented plot of Emanuelle in America is traded in for a slightly less brutal white slave plot here that offers plenty of excuses for wanton sex and violence.Being a Joe D'Amato film centred around an anti-violence against women plot, you just know you're gonna see some gratuitous violence against women! We have gang-rape, (non-graphic) forced bestiality, blowjob at gunpoint, murder, and a beauty queen being degraded by some US Senators then raped by a group of vagrants. Sadly the version reviewed here is the softcore edit, the XXX cut has around 15 extra minutes of hardcore action and longer, more explicit bestiality scenes.All in all a nice sleazy effort from Mr. D'Amato, while not as vicious as Emanuelle in America or as gory as Emanuelle and the Last Cannibals, Emanuelle Around the World is definitely one of the top three Black Emanuelle films.
jdbmjf This film is amazing. Its the third film in Joe D'Amato's black Emanuelle series. Its not as violent as Emanuelle in America, but it comes pretty close. Emanuelle played by the hot Laura Gemser arrives in India to find out about George Eastman who plays an Indian Guru, who knows the prolong orgasm, after seeing thats its all fake, she soon has sex with him and leaves. She then heads to America and meets up with Cora Norman and both of them go on the trail of a woman smuggling ring...Its got an all star cast. Laura Gemser, George Eastman, and Joe D'Amato has a cameo! Its got a score by Nico Fidenco and the script was written by Giannfranco Clerci, who wrote house on the edge of the park, Nazi love camp 27 and blazing magnums. Its the Italian gone with the wind! Its quiet violent, there are six rapes, hardcore sex, ugly old woman sex, lesbianism, banana's shoved up women, as well as dildo's in a kuma sautra acamedy. It also features too nasty scenes of two poor women having sex with a snake and a dog, that was pretty bad. The camera-work and soundtrack was excellent and the acting was decent, its a must see for fans of D'Amato, Black Emanuelle and Exploitation in general. If you like this check out Emanuelle's Revenge, Emanuelle in America and Porno Holocaust.
Katy-13 Emanuelle is now a newspaper reporter who travels around the world in search of a story about "violence to women". It starts off in San Francisco, where she meets a guru leader of a religious sex cult. We see the inside of a large church-like rotunda covered with colorful, "Indian" tapestries. The members of the cult are arranged in pairs, seated on pillows, all over the floor. It's sort of unclear, but it seems that this is one of the places where sex slaves are collected. Then suddenly, Emanuelle is off to Rome where she uncovers another sex slave operation, then Hong Kong, the Middle East, and finally New York. There are really five mini-plots associated with each of these places. It's almost episodic. In comparison with "Black Emanuelle", the movie seems less focused on the characters and more interested in illustrating the plot. It can be less engaging because of this. Still, it's probably one of the better in the series (much better than "Black E, White E/aka Emanuelle in Egypt") and full of cheap, exploitive thrills!