Dog Eat Dog!

1964 "Two killers, a deadly blonde and a million stolen dollars spell death on a lonely, lust-ridden island."
5.4| 1h24m| en| More Info
Released: 12 July 1966 Released
Producted By: Ernst Neubach-Film
Country: Liechtenstein
Budget: 0
Revenue: 0
Official Website:
Synopsis

Three thieves rip off a shipment of used money being sent back to the US. As they are escaping the robbery (after having taken a hostage), they wind up on an island in a hotel with an apparently crazed manager and a building full of demented residents.

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Ernst Neubach-Film

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Reviews

SoTrumpBelieve Must See Movie...
Matrixiole Simple and well acted, it has tension enough to knot the stomach.
Ava-Grace Willis Story: It's very simple but honestly that is fine.
Tobias Burrows It's easily one of the freshest, sharpest and most enjoyable films of this year.
melvelvit-1 While Darlene (Jayne Mansfield) writhes orgasmically on a bed of cash, her lover is pushing Corbett (Cameron Mitchell) over a cliff. All three have just stolen a million dollars bound for the States to be destroyed and a European manhunt has begun because they kill a guard. The manager of the hotel they're staying at and his lover, the hotel proprietress (Isa Miranda), find out and hatch a plan to murder the two and take the money for themselves right under the nose of the police. Darlene and her man soon hide out on a deserted Aegean island that once housed Europe's most famous bordello with the manager and his sister in hot pursuit. But Corbett isn't dead and the island isn't deserted: the deranged brothel owner and her manservant have come home for the old lady to die. The money goes missing, the cast go after it and it's dog-eat-dog as a killer picks them off one by one... Here's another link between the Film Noir and the Giallo. There's "giallo" written all over it although there's no color and the killings aren't exactly set pieces. The stark B&W photography and crime caper plot give the proceedings a noir "feel" and the denouement is the perfect blend of THE KILLING (1956) and Mario Bava's BAY OF BLOOD (1971). This den-of-thieves whodunit contains many future staples of the giallo genre: sunglasses, leather gloves, strange sibling relationships, nymphomania, greed and death by various gruesome means including defenestration, garrote, gun, knife, fire, water and painting. DOG EAT DOG also pays tribute to at least two dark films of the Golden Age: the mad madame and her bald manservant living in the abandoned villa hark back to SUNSET BLVD and one murder mirrors THE PICTURE OF DORIAN GRAY. This film is more than highly recommended; it's important in the evolution of the "Golden Age Of The Giallo" and there's more than enough noir to satisfy those desiring the dark. The bitterly cynical world-view outdoes even Monogram's DECOY in its ending and, like that film, there isn't one incorruptible character in the whole motley crew. The lusty Mansfield spends much of the time in various states of undress while crying out for clean panties, exclaiming "Crackers!" a lot, and spouting wisdom like "I've got a pash for the cash." There's even a knock-down, drag-out cat-fight between Jayne and the hotel manager's sister (Dody Heath). International actress Isa Miranda had a small but pivotal part in Mario Bava's masterpiece: BAY OF BLOOD and DOG EAT DOG was long rumored to have been directed by schlockmeister Albert Zugsmith but this is incorrect. The project was begun by Zugsmith & Co. two years earlier but was abandoned before filming began; it was later resumed by a German/European conglomerate. Based on the novel by Robert Bloomfield.See it ASAP!
bensonmum2 IMDb's short plot synopsis is written better than anything I can come up with – "Three thieves rip off a shipment of used money being sent back to the US. As they are escaping the robbery (after having taken a hostage), they wind up on an island in a hotel with an apparently crazed manager and a building full of demented residents." If you're a fan of over-the-top, campy, Euro-heist films, Dog Eat Dog has got it all. Let's see – mix the iconic Jayne Mansfield, genre favorite Cameron Mitchell, $1,000,000 in stolen cash, a mysterious killer, a (supposedly) deserted island, and a jazzy score and you've got Dog Eat Dog. It may not be what some critics and others would call a "good" movie, but if you like this sort of stuff, it's a winner. These are some of the most eccentric characters I've run across. Jayne Mansfield plays Darlene, the negligee wearing female member of the gang of thieves. She has an annoying habit of beginning each sentence with the expression "Crackers!" I'm not sure why or what it means, but it's a hoot. She's also a complete nymphomaniac. Cameron Mitchell is the real tough guy of the group. He receives a head wound early on and refuses to wipe the blood and dirt off the side of his face for the entire movie – even though the film takes place of a couple of days time. Then there's the crazy old woman who owns the only house on the island. A nuttier old coot I don't think I've seen. You could spend considerable time just trying to figure her out. And that's just for starters. You've also got the hyena laughing third robber, the bald German butler, the hotel manger out for himself, or the hotel manager's virginal sister. It's this bizarre cast of characters each out for themselves that makes Dog Eat Dog so much fun.
boinnng I've just seen this! It was oddly compelling. My partner gave up on it in the first half hour, but I just HAD to see it all of the way through! As others have said, it's about three thieves on the run after stealing money that was to be sent back to the USA for destruction. What a strange yet wonderful film. It was obviously made towards the end of Jayne's career, as her star was falling...but she acts as if she was still on the A-List! But it's bottom of the barrel-ness makes it (and her performance) all the more interesting!The movie starts off slowly, but once the thieves make an open sea break for it (with hostage in tow) and end up on a kooky island estate run by a demented older woman, things really shift gears and it becomes very (unintentionally) avant garde! In this movie you get a way-past-her-prime Jayne doing her own thing (she truly seems to be in her own world while chaos reigns around her), an older woman with a few screws loose, a mysterious killer offing everyone one by one, Cameron Mitchell who never takes the time to wash off the blood and grime that is all over his face, a balding, monocled butler who looks like he's from a 2nd rate (3rd rate?) touring company of "SUNSET BOULEVARD", and did I mention Jayne? See Jayne dance! See Jayne in a cat fight! See Jayne roll around in her undies on a bed full of money! See Jayne in constant heat! See a hefty Jayne run wild on a strange island in nothing but a feather trimmed negligee, a black eye, and extremely bad hair! Just so strange! WOW! I got this movie on a cheapy double bill (the mind-numbingly awful "SHE DEMONS" is the second feature) DVD. I sought it out just for "DOG EAT DOG", and I was NOT let down (the DVD was ultra cheap anyway...). I just wish someone out there would RESTORE this movie. It's wild and I think it could develop a cult following! NOT for everyone--but take a chance!
P Adkins This movie was okay. I saw it about a year ago real late at night. I only watched it because "THE JAYNE MANSFIELD" was in it. She is so beautiful. The kind of person you just want to have sit in front of you and stare at all day to study each feature. The movie lacked interest though. If you are a Jayne fan, see it. If you are looking for a good movie to watch, don't see it. 1-10 (4) Jayne 1-10 (10) Z.