Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Maleeha Vincent It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

ma-cortes ¨Django dares Sartana¨ was well directed by Pasquale Squitieri as William Redford . Passable Western concerning about a bank robbing , then Steve (Alvar) is suspected to have committed the hold-up . After that , a bloody vengeance takes place , as Steve is hanged by the enraged townspeople . Meantime , Djanjo (Tony Kendall) takes the law on his own hands against the killers who murdered his brother , this one was a bank clerk and while making love with a prostitute (Tania Alvarado) , he is subsequently kidnapped , mistreated and hung to take a loot . Acceptable Spaghetti dealing with usual theme : a relentless revenge . It deals with Djanjo (Tony Kendall) who seeks vengeance when his sibling is lynched and hanged ; as he carries out a cruel slaughter , and he thinks of Sartana (Giorge Ardisson) is real culprit , then it occurs the predictable battle of wits . Shortly after , Djanjo find out the true executioner of the grisly killing is a nasty band , as he joins Sartana and both of whom kill anyone they meet for blind vendetta . As Djanjo pulls off his vengeance by means of a cruel manner . He is relentless in his vendetta , deadly in his violence . The conflict is simple , one between avenger Djanjo , helped by Sartana, against relentless murderers and never hesitating to kill. It's an exciting Vengeance western with breathtaking showdown between the protagonists Tony Kendall/Ardisson against the ominous enemies . Both of them are fine, they ravage the screen , kill , betray , hit and run , and they execute massacre and atrocity , they proceed a single-handedly revenge , and kills each enemy involved on their way ; and ultimately takes places the final showdown . This thrilling western contains a story full of violence , good dramatic pace and slick direction though packs some flaws . Enjoyable Spaghetti Western ; it follows the Sergio Leone wake , including close-up , zooms , choreographic duels and no being proceeded in American style . The film packs action , shootouts , drama , high body-count and it's fast moving and quite entertaining . It's a moving western with attractive outdoors and breathtaking confrontation among heartless protagonists , and their nasty nemesis and slimy , menacing underlings . Decent action sequences with rousing crossfire and spectacularly bloody shootouts at the end . Charismatic performance for the whole casting . The notorious Spaghetti actors , Tony Kendall and Giorgio Ardisson , are good in their usual tough as well as silent roles . There appears habitual secondaries in Italian Western , here in their ordinary roles as a villains and in cruelly baddies characters , such as : RickBoyd , Fortunato Arena and Tania Alvarado . The musician Piero Umiliani composes an attractive soundtrack , well conducted , this turns out to be one of the most memorable parts of the movie , as it's plenty of enjoyable sounds and haunting musical background and with agreeable leitmotif , including catching songs and ballads stunningly sung . Nice cinematography , including good sets, filmed on locations in Rome, Lazio, Italy and Elios studios . The motion picture was compellingly directed by Pasquale Squitieri , under pseudonym William Redford , though contains some gaps and flaws. Pasquale was longtime companion of actress Claudia Cardinale , who usually played his films , and father of Claudia their daughter . He is a writer and director, especially known for Atto Di Dolore (1990), Russicum (1988) and Mussolini's lover (1984). He also made another Western titled ¨La vendetta è un Piatto Che Si serve Freddo" or "Vengeance Is a Dish Served Cold" (USA title) (1971) . He wrote/ directed a lot of movies dealing with Italian Mafia such as 1988 Russicum , 1985 "Il Pentito" or "The Repenter , 1978 L'arma , 1978 Corleone , 1977 Il Prefetto di Ferro , 1975 El Ambicioso or "The Climber" , 1974 I Guappi , 1972 Camorra ; many of them starred by his wife Claudia Cardinale and notorious Spaghetti actor Giuliano Gemma

facundo_kuka96 A strange euro-western (a non-Ennio Morricone Spaghetti likes to say), but very well directed, with a good deal. Sure, this film has a very low budget and it shows in many scenes.IMPORTANT! If you like Django and Sartanen not see this film, none of the two characters bear some resemblance to the originals by Sergio Corbucci and the real creator of Sartana, which has never remember his name.Inside everything is normal, but it is rare for anyone you like.Well, this criticism is never going to end.But if you want to enjoy a good Italian westerns, watch this film.

lorenellroy The title of this movie is somewhat misleading, for while the eponymous duo do briefly clash ,for they most part they work together against their mutual enemies ,the bad guys.Django (Tony Kendall) has a brother ,Steve ,who is employed by a frontier bank and has a reputation as a womaniser.He is set up on a false charge of bank robbery ,caught while entertaining a lady of the night and summarily hung without trial despite the best endeavours of the local Sheriff to save him from the lynch mob.His alleged partner in the crime was Sartana-who is equally guiltless of the deed .Django descends on the town but turns away without wreaking vengeance and sets out after Sartana .After a brief but intense fist fight they are made aware of the truth .The criminal was the banker himself(Jose Torres) ,and to compound his villainy he took his own niece captive as a hostage should the need arise .Django and Sartana combine forces to exact revenge and rescue the girl There are some touches of the well nigh obligatory sadism associated with the Spaghetti Western but for the most part this a traditional Western well enough executed without being outstanding .

junk-monkey First up I'm no great connoisseur of Spaghetti westerns, preferring instead the unintentional hilarity and weirdness of Italian Science Fiction and Horror movies but, from time to time, I settle back to wallow in the operatic lunacy that a good spaghetti western has to offer.This is not a good Spaghetti western. A good spaghetti western is weird, hard, brutal and at the same time stylishly, overblown and decadent - in a word 'operatic'. This is not an operatic movie. It is choppy and incoherent. All the ingredients are there but so badly mixed, and slopped about with little regard to any continuity (never a strong point in Italian cinema to start with) it is hard to understand what is going on at times. How for instance did the two Mexican(ish) guys fighting with knives in the final sequence get from the top of the building to the grassy ground outside? And it was only after the movie had finished that I realised that our bad girl was supposed to have been trampled by the horses in the stables. I had no idea what was going on. She just falls over and screams and thrashes about for no apparent reason - watch out for good girl's "acting" when she sees the body. It is a classic piece of "hold the side of your head and scream" direction. I suspect they glued headphones onto her under all that hair and played crap music at her to get her to hold her head like that.Most of the screen time seems to consist of shots of utmost pointlessness that are pale copies of people like Sergio Leone. When Leone held a shot forever you watched it. It was important. It heightened the action. Increased the tension. whatever the situation, it did it's job. It was significant. In this movie it is easy to get the impression that the sustained shots are there merely to pad out the movie to an acceptable length.