Dotsthavesp I wanted to but couldn't!

RipDelight This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Art Vandelay What happened to Debbie Reynold's face? I didn't think it would be possible to make Debbie Reynolds look scary but I was wrong. Did she have plastic surgery the day before this film started shooting? Or did this production hire the makeup man from the Batman TV show? And her hairline. I've seen aging sportscasters with hair plugs that looked more realistic. This is such a painful try-hard movie with zero realistic scenes. The bowling alley where Jason Robards sidles up to Dick Van Dyke? I would have called the lawyer and got a restraining order. By the time we're let in on why he's so persistent we've cringed out way to premature wrinkles. Credit where it's due, however -- Jean Simmons was a fine lady. She is so far above this dreck it's alarming. I felt embarrassed for all involved.

funkyfry On the whole, this is not a great film, and it seems in a lot of ways like a feature length sitcom episode, esp. with Van Dyke doing essentially his stock character. Debbie Reynolds was done no favors by the wardrobe, hair and makeup departments, as I've never seen her less attractive at this point in her career. The film didn't spend enough time establishing her character either, to the point that I found myself rooting for Van Dyke to hook up with Jean Simmons' character. Jason Robards plays a very strange and kind of funny divorcée who is desperately trying to marry off his ex-wife (Simmons) in order to free himself to marry his (very pregnant) ditzy girlfriend from Bakersfield.The settings and music are quite typical and induce nostalgia even in those who did not live in that time and place. There are some really amusing gags that come and go, such as the son who keeps a scorecard of his parents' argument, and the beginning conceit with the conductor on the hilltop who seems, like a god, to be orchestrating all the arguments in the suburban valley below.These smart bits of humor don't really make the film flow any better or make it any more of a complete experience. By the time Van Johnson shows up, we're thinking there are so many interesting side characters that we don't really care anymore what happens to the original couple played by Van Dyke and Reynolds.

fung0 It's amazing how preconceptions can affect a movie's popularity. Multiple reviewers seem to feel Divorce American Style should be "funnier," because they've apparently decided it's a comedy. (And one of a particular type, presumably.) Unfortunately, this isn't a film that fits into any such predefined mold. It's a dark satire, dealing with the insane approach to divorce current at the time of its making (especially in California). And it succeeds splendidly on that level.No, we're not expected to guffaw as we watch Dick Van Dyke being first railroaded into divorce, then reduced to poverty by punitive alimony payments. We're expected to shake our heads and smile wryly at the folly of the times. And to walk out just a little more determined to push for true equality of the sexes, and a truly rational legal framework for their relations.We're not there yet, but things have moved forward so unimaginably far that today's viewers may not understand the attitudes in this film. To put it in context, compare it to The Dick Van Dyke Show. Divorce was utterly unthinkable in the cozy world of Rob and Laura Petrie. Yet here, just a few years later, we see Van Dyke and Reynolds playing essentially the same Rob and Laura roles, and not only admitting the possibility of divorce, but tackling some of its uglier ramifications. It was a huge leap forward, for Van Dyke, for Hollywood, and for society as a whole.Of course, on a dramatic level, Divorce American Style still has a lot of that old-time Dick Van Dyke Show sensibility. But it's sharper than many similar films of the time (courtesy of Norman Lear, no doubt), and benefits from some great performances (especially by Dick Van Dyke, Debbie Reynolds and Jason Robards). The conditions it dissects may no longer exist, but that doesn't have to spoil our enjoyment.

Critic-50 Divorce-American Style, a surprisingly intelligent effort from writers Kaufman and Lear and TV power-house director Bud Yorkin, was first in series of witty, satirical releases that included "Bob & Carol & Ted & Alice" and "Lovers and Other Strangers". This way-paving comedy featured the delightfully flustered pairing of Dick Van Dyke and Debbie Reynolds as a successful 'Married With Children' duo who, after years of supporting each another, simply tire. despite it's (minor) shortcomings, the sharp dialogue certainly justifies the screenplay oscar nod. Nice work. ***1/2 out of ****