Console best movie i've ever seen.

BoardChiri Bad Acting and worse Bad Screenplay

Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

kamruzzamansatu This movie learnt me how to fall in love with someone & how to help a girl in train. When i will be father & my child see this movie. I know he/she will say papa this is a so romantic movie i have ever seen.

spaceofanas Execution & story telling is good but the intent itself sucks.A man who stalks a girl can never be called love.And, leaving a marriage for a creep is a sign of dumbness and idiocy.Bollywood really needs to redefine the concept of real love. This movie has brainwashed an entire decade of generation.

MartinHafer In Indian films, there are several plots which are practically clichés because they occur so regularly. The most common, it seems, are the two lovers who fall in love but one or both of them are already pledged by their parents to marry another. Because of this, the plot to "Dilwale Dulhania Le Jayenge" is anything but original. However, this familiarity is something the Indian audiences love and pay to see. After all, almost ten years AFTER this movie debuted it was STILL playing in some theaters--such is the love of this sort of film in its native land. Since I am not Indian but love Indian films, I took the plot in stride and see this as a film that can be good but cannot be great simply because of the plot. It's a big case of 'been there/done that' as I watched...though the film is enjoyable and has its moments.When the film begins, Raj (Shah Rukh Khan) is supposed to be graduating from college but isn't because he's a bit of an irresponsible but likable rascal. As for his soon to be lady love, Simran (Kajol) is quite the opposite--very responsible and dependable. However, when they both go on vacations through Europe from their homes in the UK, you KNOW that soon they'll get together but the journey will, of course, be a rocky one. Because the movie is over three hours long, you know they cannot quickly fall for each other--and Raj's devil-may-care ways naturally rub Simran the wrong way...and they battle each other but always end up coming back to each other in the end. And you KNOW they are now in love because they take time to do musical interludes where they both talk about their love for each other. But, given the formula, the cannot get together...at least not yet. Simran is supposed to get married to a man her father chose for her and she's supposed to head to India to marry once this vacation is complete.As I already mentioned a couple times, this film is very predictable and formulaic. But, it works better than it should because Shah Rukh Khan is very good as a likable sort of jerk. This is a tough balancing act because I've seen other Indian films with nearly identical plots where the guy is insufferable and easy to hate. Here, Khan manages to pull it off well. So did I love the film? No. I liked it and think it's worth seeing. The ending was particularly nice. But I don't, for the life of me, understand why it has as strong an appeal as it did in India. But what do I know?! At least I liked and enjoyed it.

harun0123 this is the best movie i ever see.as DDLJ, is a 1995 Indian romantic drama film. It was written and directed by debutante director Aditya Chopra, produced by his father Yash Chopra, and stars Shah Rukh Khan and Kajol. The film tells the story of a young couple who fall in love on a European vacation, and relates how the boy tries to win over the girl's parents so that she can marry him rather than the boy that her father has chosen for her. It was filmed in India, London, and Switzerland.The story also aims to capture the struggle between traditional family values and the modern value of individualism.[22] Though Raj and Simran want to be together regardless of her father's plans for her, Raj tries to win over the father rather than simply eloping. In this and other Indian stories, family values are ultimately considered more important than the romantic plot. Individual desires have to take a back seat to moral values and rules of conduct.[23] The film implies that "Indianness" can be defined by the importance of family life: whether at home or abroad, it is the Indian family system that is recognised as the social institution that most defines being Indian.[8]