Plantiana Yawn. Poorly Filmed Snooze Fest.

Redwarmin This movie is the proof that the world is becoming a sick and dumb place

Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

FlorianSchirner First things, I find this one of the best movies about the great story of Alexandre Dumas, and luckily it sticks quite true. Quite, but not totally. I understand minor changes like Porthos not being the shallow, large framed guy described in the book (I always will love Depardieu from Man in the iron mask in this role) or d'Artagnan witnessing the hanging of Mylady de Winter, even the "with a rowboat across the channel" thing, but.....WHY ON EARTH DID THEY HAVE TO PUT DEMONS IN IT?I think Mylady de Winter would be as interesting and rewarding role to get? Why does she suddenly have to have Superpowers? This is the only real issue I have with this movie.The rest of the movie is splendid. Except for Porthos, who's actor does a fine job after all, all the cast is close enough to the book as possible. Especially Elbaz plays d'Artagnan with that vibe and risk-loving panache he appears to have in the book. This is one of the few movies which does not alter or skip the musketeers' dealings with Buckingham, in fact it sticks to the novel with the sole exception mentioned above.As to the ongoing discussion of Beart being too old: a) She looks gorgeous as ever. b) Mylady de Winter is described in the book as a Lady in her late thirties...so why the fuzz. After all, she married athos at age 20, got hanged after a year, became the Cardinal's (a great Karyo) top spy in the meantime, married Winter's brother, killed him ....you see she was quite busy all the time.So I can sum up: A great rendition of the musketeers' legend with just a bitter pinch of story liberty.8/10

sairisse "The 4 Musketeers" is a terrible movie. Three painful hours of utter crap. Milady is a ninja and made a pact with the Devil, who gave her magic powers. These powers consist of Sci-Fi level special effects, and zooming in on her eyes a lot. Oh, and D'Artagnan has a magic white hawk, who follows him around and saves the day. I think that's what gave him the power to row across the English channel within the space of only a few hours. And have I mentioned the really bad dubbing from the original French? (There was no option to watch it in French with English subtitles). Anyway, what I really wanted to say was, Stay away from this movie... it's three hours of your life that you'll never get back.

Rui Miguel Duarte Much better than Hollywood versions. Excellent timing. No time wasted on accessory adventures or hiper-detailed beginnings and clumsy and too keep with budget. This film spends viewer time on what's important. Sign of the times, perhaps, lots of «kung fu» and «buffy the vampire slayer».. Some people like to re-invent the wheel.. but the book is all adventure anyway and we can't blame Dumas for not having thought of everything, can we?! The taste of the 21st century spectator is as much reflected in this film as that of the 19th reader is satisfied in the book. To the dread of the purist, this movie may in fact remain true to the original; certainly not in «form», but in «logic». All in all a good movie and among best of the several (though not all) of «Les Trois Mousquetaires» that I have seen so far. The «garde robe» is exquisite and it's historic accuracy (or at least the look of it) marks the different to Hollywood amateurism in these more serious aspects of show-business. If they colored the story, these people at least new what they were filming about. Last, but not least, the cast: Awesome babes! I mean.. I'd buy that soul if I could afford it. :-)Rui Duarte

peopeomoxmox When reading the novels by Alexandre Dumas as a twelve year old kid, the impression I got from The Three Musketeers was completely different from what I had seen on the movies. Where the books had been quite dark, the white screen presented comedies and "jolly old chap" sentiments, the only exception being the Richard Lester excellent versions of 1973/74 (although made with love and humor, it was not even close to being reduced to a "d'Artagnan and the Merry Olde Musketeers" level...). With this new French movies (two parts, just like Lester's) I can really recognize the Dumas spirit. I can not say that this version is superior in terms of corresponding better with the books from a word-by-word perspective, but the over all impression certainly is. Some people might disapprove with Emanuelle Béart's interpretation of Milady, but I think this is where the Dumas' feeling really shines through... Béart makes Milady not only evil, but diabolic.