Listonixio Fresh and Exciting

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

ActuallyGlimmer The best films of this genre always show a path and provide a takeaway for being a better person.

Justina The film never slows down or bores, plunging from one harrowing sequence to the next.

Amy Adler Jolene (Heather Graham) operates a night club in NYC and lives with her husband, Carl (Luke Wilson), a photographer. After about 500 days of marriage, Jolene comes home to find a note from Carl that he needs "some space" ....and a bouquet of daisies, her favorite flower. Jo promptly puts the daisies in the blender and presses the button. Soon after, she embarks on a journey to find Carl somewhere out west because, after all, she is "committed" to Carl. However, when she finally tracks him down in Texas, Jo camps out near his home, at first,, hoping to find clues to his decision to leave. She meets a gorgeous sculptor-neighbor (Goran, can't spell his name!) but Jo discourages his attraction to her. When she learns Carl may have a new girlfriend, she decides to consult a Mexican-American mystic (Alfonso Arau) for advice. Jo is committed but does that mean anything to Carl? This is a very imaginative, quite humorous look at the marriage vow. It's quirky script and offbeat style is downright infectious. Graham is just great as the jilted woman who is having a hard time letting go. Wilson does not give his best performance but is adequate as the mixed-up husband. The rest of the cast is quite nice, however, with Goran the gorgeous one wonderful as the sexy neighbor. The scenery, both in New York and in Texas, is very lovely and the costumes are fresh and fun. If you like romantic comedies AND independent films, this one is made to order for you. It walks to a different beat that is most attractive but still delivers in the ultimate happy ending category.

fedor8 "Committed", as in Heather Graham being COMMITTED to saving her husband/marriage, and then being COMMITTED to a psychiatric ward in failure to do so: what a clever, clever use of words.One of those meaningless wanna-be philosophical films in which narration is a series of oh-so wise observations that verge on poetry (90s chique club-poetry, better known as "chit-chique poetry"). Oh, it's so je-ne-sais-quoi... Written/directed (or "auteured") by a woman (Lisa Krueger, whoever the hell you are), this is a pointless, lethargically directed road-movie full of New Age spiritualistic nonsense and characters that are meant to be interesting but are merely seen-before or just plain dull. The Latinos in this movie, as part of the poor urban minority, are typically glorified in all their mysticism-obsessed primitivism as a "spiritually superior" people, which is the "highlight" of this film's political correctness.The whole affair is lifeless, and ceases to be so only when occasional good cast members appear (Kay Place, Baker, Wilson). On the other hand we have Casey Affleck, who is one of the very best examples of why nepotism is on par with first-degree murder as a crime. I have rarely seen a more apathetic "actor"; a skinny, ugly moron who goes through his lines in a sleepy manner, almost as if he were uttering them in a half-awake quasi-dream, plus that weak voice, one of the weakest male voices I've heard in my life. (He must have gone to the Tobey Maguire Lethargy School Of Acting.) To cast this idiot in ANYTHING speaks volumes about ANY movie, i.e. about ANY director or producer. Hence, Lisa Krueger is a talentless waste of space. We've also got that moron who had the lead role in the MST3K-spoofed "Werewolf"; I think his name is Goran Vishnjic, but I'm not sure. Check out his ridiculous accent and the dumb speech.

snowplumchic This movie could be likened to "comfort food" for the soul. Anyone who has ever tried and tried to save a relationship could relate to this movie. So many parts of it are so hilarious and so many parts are so heartbreakingly true. It's not perfect in its production or even its dialog, but the story is unique which is saying a lot for modern "romantic" comedies. Luke Wilson is bland at best, but Heather Graham does an exceptional job in my opinion. Give it a try - despite the trite looking DVD cover.The character of Joline brings a lot of issues up in our culture of self-service. She asks us if commitment is really for the other person or ourselves. Truly, it is ourselves. Following through on promises (anywhere from marriage to an errand for a friend) is a great feeling. Anymore, our word is nothing but a shapeshifting puff of smoke. Joline is like a wake-up call. We must be conscious of our words and commitments, they mean more than we think. At the same time, we must not commit to someone who is incapable of doing the same.

george.schmidt COMMITTED (2000) **1/2 Heather Graham, Casey Affleck, Luke Wilson, Goran Visnjic,Patricia Velasquez, Summer Phoenix, Clea Duvall, Kim Dickens, Alfonso Arau, Mary Kay Place.They say marriage is an institution and to paraphrase the retort to that one-liner, `And I'm much too young for an institution' (BA DUM DUM!) In filmmaker Lisa Krueger's sophomore effort she proves you don't have to be crazy to be married but it helps.Joline (the fetching Graham) is a concert promoter for a small venue in New York City whose 2 year marriage to budding photojournalist Carl (Wilson, in another variation of his corn-pone dudes) is facing a `crisis of faith' when Carl inexplicably deserts her while traveling on business leaving her to come to terms even when she throws a birthday party for him (`it's been 8 months since his last one' she states matter-of-factly) inviting all their good friends and her brother Jay (Affleck) who tries to help her with a postcard from Carl indicating he's more or less out west trying to get his thing together. Taking this as a cue to get her man back and salvage their relationship she rents a car and embarks to the desert landscapes of America enduring many hardships (including a drive by robbery attempt while fixing a flat tire with humorous results) and inspired sleuthing (she literally holds up the postcard with it's visage of a cactus trying to hone in exactly where Carl sent it from!)By a fluke of good luck Joline discovers her estranged spouse working in El Paso for the local paper but learns his dream of being a passionate artist has gone unexplored since he's still shooting stills of food. Pacing herself (and fooling herself in the process) to wait for the right moment to spring herself upon him she follows him back to his dusty new dwelling on a border town existence and sits in her car waiting in the heat.Along for the wait is Carl's next-door-neighbor, Neil, a hunky outspoken artist (played by `ER's resident sex symbol Visnjic) who immediately hits upon his newly found friend and possible sexual conquest. In no uncertain terms he sits next to her car in a fold out chair, sipping from a thermos and speaking his thoughts to her; specifically what he'd like to do with her. Joline doesn't seem entirely fazed by this but doesn't dissuade his charm. What works in this deceptively clever screwball comedy is the wide-eyed intensity of Graham, the latest independent film queen, who just seems to get bigger and better (she was a riot in last year's hysterical Steve Martin/Eddie Murphy Hollywood sendup `Bowfinger') whose determination to do anything to keep her marriage intact despite all odds against her is something of a small marvel in witnessing someone slowly sink into desperation and borderline madness for the one they love.Krueger, whose `Manny & Lo' from several years ago was the darling of The Sundance Film Festival, has some of Jonathan Demme's panache in depicting everyday characters in unlikely situations with the air of menace about them but allowing them to remiain intact even if it seems bleak.Also noteworthy are sexy newcomer Velasquez as Carmen, Carl's would-be new girlfiend, a Mexican waitress who fast becomes Joline's good friend, suggests a silkier version of Sandra Bullock, and director Arau (`Like Water For Chocolate') - making a rare acting appearance - as Carmen's mystical grandfather who guides the addled Joline not unlike a Zen Ben Obi-Wan Kenobi via a ritualistic guideline of luring her man back. And I especially liked one of the sexiest scenes I've seen in years when Visnjic tells Graham to close her eyes and unbeknownst to her lets his hand travel hover across the countours of her sexy outline while Glenn Campbell's classic `The Wichita Lineman' plays quietly from her blistering car; magical.The only problem with the film is there aren't that many gut-busting scenes but then again this isn't exactly supposed to be `The Naked Gun'. It only falters near its end when Joline finds herself literally the title of the film. Until then it's a nicely paced journey of self-discovery in realizing that what doesn't kill you only makes you stronger.