The Finest Hours

2016 "32 survivors, room for 12."
6.7| 1h57m| PG-13| en| More Info
Released: 29 January 2016 Released
Producted By: Walt Disney Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website: https://www.disneyplus.com/movies/the-finest-hours/4qRYVbzOHKwZ
Synopsis

The Coast Guard makes a daring rescue attempt off the coast of Cape Cod after a pair of oil tankers are destroyed during a blizzard in 1952.

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Reviews

Platicsco Good story, Not enough for a whole film
GazerRise Fantastic!
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
kitellis-98121 Forty minutes in, and I've stopped watching to write a review. That's a bad sign.So far, nothing much has happened. A bunch of B-list actors (and a couple of minor A-listers) have been shuffling around mumbling to each other. A couple of oil tankers have snapped in half - we only saw the aftermath of one, the other we've just heard about. Nothing exciting or dramatic has happened visually, unless you're impressed by computer-generated waves (but if you are, you should watch "The Perfect Storm" which is excellent and what this film wishes it was).Right now they're all shuffling around mumbling to each other about mounting a rescue. Astonishingly, there is absolutely zero sense of urgency about anything. None of the characters seems particularly invested in the outcome, and no one's pulse seems to have increased even slightly. They all just seem bored and depressed.This is a very strange film! A non-action action movie; a non-dramatic drama; and oh yes, there's even a non-romantic romance element in there too. I'll keep watching, just to see if anything of note manages to occur before the end, but if it does I'm sure it'll be entirely accidental. Weird.
eddiesterling-82248 Hey, I didn't realise this was a Disney movie until I read other reviews. That is a statement in itself. Thoroughly enjoyed this actioner, and I have no problem with factual errors as I tend to watch movies for entertainment. If I want to be educated I pick up a book ... or Kindle. OK some of the dialogue was a bit stilted, but it was great to watch a manly film for once. Fine effects and the sound was superb on my soundbar.
punisherversion1 The Finest Hours: Directed by Craig Gilliespie and written by Scott Silver, Paul Tamasy and Eric JohnsonThis is a based on a true story Disney film, one of the few rated PG-13. Almost none are ever released through the official Disney with the big castle channel with that rating intact. This was a fairly under the radar release. I remember a big standin located just outside of the arcade at my local theater. It looked fascinating from a disaster movie stand point. But this was a bit more than that. It does fit the mold of this type of movie to a T. This could turn a lot of people off but hear me out on this one. This one is different enough. It has the swelling music cues and you know how the arcs of the characters may turn out. Chris Pine is incredible in this movie. He transforms into this character completely. He still looks like Chris Pine but his speech, his body language and his demeanor feel completely Bernie Webber, a stauch rule following meek man. He believes in the system and the way of doing things. His character is the centerpiece of this movie along with Miriam played by actress Holliday Grainger. This is where the movie takes a different route. It is the way the movie opens that really changes how things are perceived when they head out to sea in this crazy storm to rescue the crew members of the Pendleton. The movie opens with a 20 minute scene where Chris Pine and Holliday Grainger meet for the first time. They just talk and reveal bits of themselves. The bar scene then reveals more. The dance hall scene after that reveals the true crux of their relationship. This is not to say that it's the only thing worth mentioning about this well made movie. The effects of the roiling sea and the split ship were incredible. They were so beautifully done that you believed every second of it. The crew on the ship also reveal their ingenuity in trying to stay alive long enough to rescued. This is a solid well made movie. It makes you believe in the situation and feel for the characters. It is beautifully shot and just a really good movie. I give this film a B.
krocheav This is somewhat of a modern milestone for a Hollywood-style movie. A gut-wrenching story based on a daring, factually based, historic sea rescue. The screenplay, written by Award nominated Scot Silver along with Eric Johnson & Paul Tamasy proves a strong point - that a powerful story can be told without resorting to the now 'trendy' course language - making it an all age spectacular. And, spectacular it is indeed. Based on Michael J.Tougias and co-author Casey Sherman's book of the same name, this exciting story literally dumps the viewer into a tiny Coast Guard rescue boat as it's being pounded by the most deadly seas of all.Even though the CGI folk have overdone certain effects - some of the angry ocean scenes are often so convincing they leave you wanting to grab a towel to dry off or even check your life jacket is handy! A strong hand picked stellar cast convince all the way, while Chris Pine and Casey Affleck put in hard working performances as the heroic Coast Guard pilot and the engineer of a stricken cargo giant - that's been torn in two by massive winds and seas. Cynical viewers who have been seduced by hard-edged 'modern' scripts - need to be reminded that love in the 1950's moved at a slower, more thoughtful pace than the soulless in-your-face situations we see in movies today.Photographically, The Finest Hours features stylish visuals by Spanish born D.O.P. Javier Aguirresarobe and the well-paced FX are all brought together with some neat direction by Australian Craig Gillespie - along with a Carter Burwell score. The atmospheric end title song 'Haul Away Joe' performed by Kodaline caps it off nicely (not to mention all those remarkable 50s cars!). All up it's refreshing, quite believable, high voltage entertainment, for those who want more than the comic book situations we get thrown at us all too often. This one definitely deserves more attention and is recommended for a good night's inspirational entertainment - that most audiences should enjoy.