Actuakers One of my all time favorites.

CrawlerChunky In truth, there is barely enough story here to make a film.

BeSummers Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

Casey Duggan It’s sentimental, ridiculously long and only occasionally funny

Liffey Finn I know I've seen a good film when it leaves me wanting more when it's over. That's "City Baby." I'd love to see more of Cloey and Paige. I had the pleasure of interviewing the actresses behind those characters, Cora Benesh and Jillian Leigh, and they could not have been any cooler or fun. I love a good indie film and this is definitely one. I want to have a beer with this movie (and Cora and Jillian). I would love to see them in another project together. Daniel Baldwin is great in his few scenes too. There's some good improv, music, and attitude to this film. So watch the movie and read the interview here! http://thedodgy.com/2014/04/25/city-babes/

demintri takaas I was completely engaged throughout this movie. It has a real sense of Cinematic quality and flow, which is what I want from a Narrative Feature. Unlike an episode of Girls where everyone is talking abrasively to render a shallow conclusion or to get in a bit of witticism that ironically sums up the Y generation. As for the mixed feelings about the main characters personality.... I think you either like a cookie cutter film that follows a semi flawed but likable protagonist and has an identifiable villain, or in the case of this movie, you want your characters real and unpredictable. If you like the bitter taste of "Greenberg" Noah Bambach better than the flighty whimsical "Frances Ha" then you will love this movie. Its good either way and one of my favorite Indies. Not a boring mess like the mumble core movement either.

jesse3 I know David Morgan and Cora Benesh. They are friends of mine. I rarely go to my friends screenings, because it is not healthy for our friendship 19 out of 20 times. (Not kidding about this) This was the one exception. This film is a small indie that is actually about something; it actually has a storyline that is both comic and poignant -- and it's well told by the writer/director, David Morgan. This film parades Portland talent like no other. The casting by the producers, including Timothy Whitcomb, was exceptional. I am a voting member of the Academy and am sent all the top films every year, so I watch films until I am blue in the face -- but this one worked. I have seen it twice now. No car chases, no slashing, no zombies or vampires, just astute minds at work. Take a look, if you like small indie films without name talent that soars high above the usual crap that is out there. If you aspire to make a good film with a small budget that is actually distributed, let this film be a source of support. It can be done.

patweiss66 It is really hard to like anyone in David Morgan's me generation debut film about absolutely nothing. With all the people dropping dead in Africa and Syria where do people come off making movies as meaningless as this one. The lead female part, played by a Portland model, can't carry a film, and the character of the stupid gay theater manager, played by City Baby producer Timothy Whitcomb, feels like someone dug up from the 1970's trying to be Nathan Lane. The camera work is competent, but it never rises above antenna television. Production design was okay too, but nothing to write home about. I love indie movies and watch a lot of them, but this one felt really out of touch. Honestly, I couldn't tell you what this is about.