NekoHomey Purely Joyful Movie!

Moustroll Good movie but grossly overrated

Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

metalrage666 Business man Miles Creighton, played by Michael Beck is cryonically, (not cryogenically - yes there's a difference), preserved for 10 years due to a medical transplant not being possible at the time of his death. One night his tube malfunctions and he is taken to hospital where his mother arranges for the procedure to be undertaken.The operation is a success and his mother is just happy to have her son back in her life and tries her best to continue life as normal and returns her son to the family company as CEO. To everyone else, Miles is just not normal and appears emotionally distant and ruthless with his decisions in the company and with people in general. The only one who dismisses this is his mother who brushes aside the nay-saying as simply a result of his long time in stasis and the impromptu revival. However it becomes clear that Miles has indeed changed and sparks the debate of whether a deceased person once revived is also revived with a soul. Miles becomes violent and sociopathic towards most people and only when he tries to kill the family priest by running him down with his car does the mother finally realise that what has been returned to her is not her loving son.Miles ends up being re-frozen in a large walk-in freezer and is then shot dead by his mother after he attacks a police officer revealing his demonic eyes to his mother just before he dies. The movie ends back at the cryonic facility with sirens sounding as more cryo-tubes start to malfunction.Chiller can be described as one of Wes Cravens' weaker efforts as this tries to go for a more atmospheric suspense over blood and gore. And as this was made for TV, the violence is quite low-key so even for 1985 it would be hard to consider this a horror movie and is instead more of a thriller. The quality of picture and sound is quite low, so in watching this you can be forgiven for thinking that this came out in the mid- seventies. Most of the cast performances in this are not the best but I felt that Michael Beck did a good job of portraying a soulless psycho where killing or hurting people isn't given a second thought. Chiller also came out at a time when cryonics was starting to regain interest in the early/mid eighties after the failures and legal scandals of the seventies, so the ethical, spiritual and moral implications were being discussed vigorously by religious, family and legal groups and whether cryonically frozen people should be brought back and this movie does briefly touch on that point. As yet a successful revival is still beyond the current technology levels so Chiller is pure fantasy and remains scientifically impossible. It's not the greatest movie by any means but if you manage to catch this on late night TV, then it's at least worth a look.

Scarecrow-88 A young man(Michael Beck)has been under cryogenic stasis for approximately ten years when his tube malfunctions. His mother Marion(Beatrice Straight)is dead-set on seeing her son revived from the dead and is persistent that surgeons try to re-animate him with far more modern procedures and medical technology than they had the previous ten years he was in his death sleep. They do succeed, but this comes with a price..he emerges without a soul, merely a cold-blooded human monster with his own carnal cravings in mind. He's a threat to everyone around him because Miles is no longer the young man people once knew. Marion can not be convinced because of her blind loyalty and love..that long ten-year wait for your son's life brought back to fulfill the lonely void can keep many a person from what's obviously right in front of you. Miles fires trustworthy exec, Clarence(Dick O'Neill) who has kept the Creighton business afloat over the years since the passing of Marion's husband. Miles claims he just doesn't need Clarence anymore even though he lacks mere months until retirement. Miles moves Leigh Kenyon(Laura Johnson)into a made-up position so that he can sexually abuse her while paying the woman handsomely. He also cuts off the business' charity ties to save finances..including Reverend Penny's(Paul Sorvino)church. Miles also lustfully gazes at cousin Stacey(Jill Schoelen)from his room as she swims. It's only a matter of time before Miles turns homicidal..but, it's the fact that he has no conscience or reason which makes him a deadly threat to anyone who stands in his way. Not even mother Marion can halt Miles from pursuing his carnal appetites.Interesting look at what could happen if you bring a loved one from the dead..Craven is obviously limited by the television medium. I'm sure if he directed this as a theatrical film, the violence would have certainly been more potent. Miles' reign of terror is still quite chilling because Beck is so menacing in the title role. When he smiles, pure evil shows in abundance. Craven gets some terrific supporting performances from an able cast, especially Straight(who I thought was marvelous, as the mother hell-bent on seeing her son alive even though the consequences are disastrous)and Paul Sorvino as the minister who is shaken spiritually by the return of someone from death. The best scene in the film could be when Miles informs Penny that there is nothing but darkness when you close your eyes in death. The "crisis of faith" angle is an interesting one even if this aspect doesn't get developed much. There's a real tense scene where Miles drags Penny's carcass down the road, holding a devious grin on his face. I don't think the film(probably because of time constraints among other things, and limited funds)gets enough time to fully realize the great premise it has, but I thought the film was fairly entertaining. It's always nice seeing Schoelen, even in a much limited role. This is Beck and Straight's show, however, playing polar opposites..his evil against her good intentions. That tragedy of a mother having to put a stop to her son's evil ways is the center of the film's success I think. Good little movie, but could've been great. There's a terrific special effects sequence from Stan Winston..as Beck returns from a coma, underneath his skin are "pressure bubbles" which pulsate. It's really a cool scene and quite unnerving.

sublime_twilight Considering the circumstances and process of cryogenics and the impact that religion and belief systems have on an individual's actions throughout his/her life, this movie is intelligent, poignant and frightening in a realistic manner when considering though factors. Indeed, in the horror genre, most things are fantastically unbelievable, so the keep is to be opened minded when entering this and most any realm of fantasy.I have loved this movie since I was a little girl. When I was about five or six years old in "85 or "86, this movie would come on TV quite a bit. It always came on really late at night. My mother and I loved it. I kind of thought that Miles looked like Robert Palmer. As I reflect on this movie, I feel that it along with Critters, Carrie and Christine (my fours C's or horror films), sparked the beginning of my love of the horror genre. I have searched for this movie for years. I had a hard time finding it, because I couldn't remember the name of it. Finally, I decided to do a search for "cryogenics,hell, mother, son, priest," and the movie came up number 4 in the search. Thanks IMDb!!!!!

Woodyanders Corporate executive Miles Creighton (a superbly unnerving performance by Michael Beck) gets revived after being cryogenically frozen for ten years. He comes back as a cold, amoral, unfeeling automaton who's only concerned about satisfying his own urges. He proves to be a ruthlessly cut-throat businessman and even develops incestuous longings for his sweet, comely, frightened cousin Stacey (winningly played by the always pretty and perky Jill Schoelen). Director Wes Craven, working from an interesting and provocative script by J. D. Feigelson, does an expert job of creating and sustaining a creepy and unsettling atmosphere. The solid and credible acting from a fine cast constitutes as another substantial asset: Beatrice Straight as Miles' loving, but scared mother, Paul Sorvino as a concerned priest, Dick O'Neill as Miles' loyal business partner, Laura Johnson as an ambitious advertising executive, Anne Seymour as Sorvino's elderly friend Ms. Bunch, and Alan Fudge and Craig Richard Nelson as honest, dedicated surgeons.Stan Winston's excellent make-up f/x, Frank Thackery's slick cinematography, Dana Kaproff's spooky'n'shivery synthesizer score, and a pertinent central message about how being truly human requires having a soul are all up to speed as well. A genuinely eerie and on the money effective made-for-TV horror movie.