Evengyny Thanks for the memories!

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Suman Roberson It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

Logan By the time the dramatic fireworks start popping off, each one feels earned.

badttboy The Good; Lead actor is cute. A refection of how homophobia is alive in the Caribbean and fueled by religious hypocrisy. The Bad; The lead actor is obviously not gay and uses that to show a character who has so many odd personal issues. But all of his issues are inconsistent, ironic and for that cause very unrealistic in his bi-polar behavior (one minute he is timid and the next he is outspoken). Film starts with a white boy who is not privileged (and expressively so), from school situation to housing and the next he has a car and money to get around a pay a tour guide. Really!!!!!!!!!!!!!!! The conclusion was a cop out that lacked creativity and imagination.I can understand a film being rushed for budget purposes, but time should be taken to rewrite and put a story together as a package before filming and not be a bunch of conflicting scenarios just to make a point. Did anyone bother to read and try to make sense of the whole script before committing to it?

Nek_bbew Okay,.. Not every film featuring a Gay person needs to have a Gay sex scene. Now that that's out of the way,....This is a great movie. It is not an entertaining stereotypical flick. This film is not just about a Gay couple.This addresses a country and it's people. It addresses people and relationships - all types.There are moments where everyone will relate,.. And some where you won't. It doesn't jerk at your heart,... It doesn't leave you all warm and fuzzy,... But it is a great story.For those that demand it follow some pitiful story line or match up to so something that it isn't ,... Shame on you. You take a movie and review it,.. I liked it,.. And would encourage others to see it. It might just open a new train of thought in your noggin,...and who knows,..broaden your mind.

TOM O'LEARY Originally a wonderful short movie called FLOAT, CHILDREN OF GOD is a moving, thought-provoking, funny and brilliantly poetic love story. Set in the idyllic world of the Bahamas, a blocker painter (Johnny Ferro) searches for inspiration for his painting but instead finds inspiration in the arms of another lost soul (Stephen Tyrone Williams). Director Kareem Mortimer has set this beautiful story in an island paradise. But the characters he has created keep finding ways to keep paradise from coming true for them. The acting in this movie is revelatory. All of he performances are top notch, especially those by Johnny Ferro, Stephen Tyrone Williams and Margaret Laurena Kemp. The camera especially loves the beautiful and sensuous Stephen Tyrone Williams. This movie is a work of art that should be seen by everyone. Bravo to all involved.

sandover I am not aware how strong is the state of repression and bigotry that governs or not Caribbean societies, but the director and writer of this film is a Bahamian; it is then a shame that the way he addresses these issues derives from a sitcom approach. This is enough to stall matters into a regressive political state.The boys share a nice dance, and dancing the way they do it, popping out of bed instead of doing the sex routine, and do "how they feel like", as one of the two admonishes, is something we do not come to expect from gay themed movies. This much is true. It is also true that the soundtrack is good, but it is like it does all the work that should be put into a more cinematic approach.The stories do not interconnect, they are left on the device of some sort of nebulous plea that should run by itself. And then, at the film's final spin, the script abandons its spine for an unabashed melodramatic, quasi-metaphysical last seal that brings the house down.We then gather lines spoken before that foreground that sentimentalized last installment that comes out of and into the blue. This is bad, and it is a pity because the two leads are good, though Jonny Ferro is better by far. And then the summer-drenched cinematography proves that colors only are God's children in this film, and humans fail to connect with them, unless it is at the moment of their death. This does not sing the blues, it is just irrelevant.