Changing Lanes

2002 "One wrong turn deserves another."
6.5| 1h38m| R| en| More Info
Released: 07 April 2002 Released
Producted By: Paramount
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A rush-hour fender-bender on New York City's crowded FDR Drive, under most circumstances, wouldn't set off a chain reaction that could decimate two people's lives. But on this day, at this time, a minor collision will turn two complete strangers into vicious adversaries. Their means of destroying each other might be different, but their goals, ultimately, will be the same: Each will systematically try to dismantle the other's life in a reckless effort to reclaim something he has lost.

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Reviews

Vashirdfel Simply A Masterpiece
Intcatinfo A Masterpiece!
Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.
Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.
Amityville15 A lawyer and a businessman are involved in a crash on a busy motorway in which the business man crashes his car so that it is out of use and the lawyer is in a rush so leaves him stranded on the motorway. What the lawyer doesn't know is that the business man was on his way to court to fight for his rights to see his children and stop them moving half way around the world. On the motorway the lawyer left the file that contains huge evidence for a court case. The two are engaged in a battle to get what they want.This film starred: Samuel L. Jackson, Ben Affleck & Toni Collette.Changing Lanes was released in 2002. In my opinion this is a decent film but had potential to be better. However in this film Ben Affleck was amazing in this film. He is one of the best actors in the film business. Samuel L. Jackson was good but I will remember this film for the acting performance from Ben Affleck. I do recommend this film because it has good actor performances and a good plot with decent execution.***/***** Could be worse.
jacabiya Anyone with knowledge of courts and the law will find the initial plot device absurd. If the original power of appointment was such an important and irreplaceable document, the firm partners should have had Atty. Gavin Banek go to court to file the document escorted with security guards. More realistically, they would have filed a motion with a certified copy of the document, and later file the original if necessary. That Gavin, knowing the document was irreplaceable nonetheless brings it out of the car to be inadvertently dropped is also quite silly. The other nonsense is that Gavin had to be on time at the hearing, or else, even after suffering the traffic accident. Having Gavin do other things on such a precarious day, like interview job candidates, makes no sense. That Gavin is one of the partners son-in-law further piles on the absurdity.Meanwhile, Doyle Gibson, while no lawyer, does some very stupid things of his own, like not cashing on the opportunity and picking up a computer in a bank and throwing it down to the floor (with no consequences). Later Gavin very tensely confronts the same officer, who seemingly not having learned his lesson, continues to behave like a jerk. I was expecting Gavin to throw down to the floor his newly installed computer too.Then we have Master Hacker, who can with just a name enter a man's banking and credit accounts and delete them all and declare him bankrupt, and later undo all these things, all in just minutes. He is a useful, convenient but totally unreal device. Why use him instead of hiring some goons to force Doyle to return the document, well, I guess the reason was that Gavin did not know any goons, only Master Hacker.Gavin gets panicky and activates the sprinklers in the office in order to access a file. Water flows in buckets for minutes while people are forced to evacuate and firemen rush in. Gavin returns later in the evening and the office seems OK, no signs of the deluge. Hell, even one of the interview boys is still around.Why then the 5 stars you may ask? The film seemed good intended. And contrary to others, I liked the denouement. A lot.
wandereramor Changing Lanes is fundamentally about two men who do bad things but are trying to do better. The main difference is that one is endorsed by society -- Ben Affleck's wall street banker -- and one isn't -- Samuel L. Jackson's alcoholic deadbeat dad. This difference in their social stations drives them into a conflict that causes both of them to revert to their worst impulses.As much as it offers ordinary revenge thrills, Changing Lanes is notable for recognizing the complexity and inequality of our social structure, which dominates even the most powerful of the characters in the film. Even the most obvious villains have reasons for their actions, and one can see how they're pushed into playing out their social roles. At the same time, it's not entirely deterministic -- there are right things to do, but they're difficult, usually involving hurting someone or giving up on some principle or another.Affleck acquits himself relatively well, although he's still Ben Affleck. Jackson is predictably great, as this is back when he still sometimes cared, and Amanda Peet is fantastic in a brief but memorable role as Affleck's amoral wife. Of course, the film is more than a bit melodramatic, with things escalating to a ridiculous extent over the course of one day, and the attempt at reforming Affleck's character towards the end feels a bit forced. It's still a mainstream Hollywood drama, and never really deviates from that style. But it's better than most such dramas, and is in the end a nice film that's been already forgotten as part of the ebb and flow of popular cinema. That forgetting is kind of justified -- it certainly won't go on anyone's best-ever list, resting as it does in the realm of the merely above-average -- but it's still worth a couple hours of your time.
srlf To me, this movie was a depiction of the tension between the needs of the ego of the immature person and the needs of a person to follow their bliss and serve more than the ego as one becomes a true adult. The scene in front of the painting where Gavin Banek describes the girl at the beach is a description of a person wrenched between the "house' they have spent their life building and the call TODAY to the life you were meant to live: "It's like you go to the beach. You go down to the water. It's a little cold. You're not sure you want to go in. There's a pretty girl standing next to you, and you know that if you just asked her your name, you would leave with her. Forget your life, whoever you came with, and leave the beach with her. And after that day, you remember. Not every day, every week… she comes back to you. It's the memory of another life you could have had. Today is that girl." Gavin (and Doyle?) finds the "edge" that everyone should find, where you find a way to use your talents in service of your calling. Unfortunately, usually first it involves the fall. Then, comes the lane change. I loved the acting and directing as well.