Carmencita

1894
5.7| 0h1m| NR| en| More Info
Released: 14 March 1894 Released
Producted By: Edison Studios
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Budget: 0
Revenue: 0
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Synopsis

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

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Cast

Carmencita

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Edison Studios

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Carmencita as Herself

Reviews

Lovesusti The Worst Film Ever
Phonearl Good start, but then it gets ruined
PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.
Casey Duggan It’s sentimental, ridiculously long and only occasionally funny
framptonhollis Objectively, there's nothing really WRONG with this film. It sets out to do something extremely simple, and it achieves that goal flawlessly, but that goal isn't really compelling unless one accounts for the film's age. It is said that this isn't only one of the first films ever made, but also one of the earliest films to feature a female "star" I suppose. I'm not sure how true this claim is, but it's not very hard for me to believe. The actress featured in this film is rather charming and dances in a vivid and exuberant manner, making this film be one of slight excitement thanks to the wild, cheerful movements made. It'definitely be really boring if it were an hour, but films of such a length were unheard of back in this day, so dwelling on such hypothetical situations is quite pointless. All in all, this is a pretty enjoyable way to spend less than a minute of your time and is recommended for fans of film in general as it is short and enjoyable enough to intrigue almost anyone.
kobe1413 "Carmencita" is a short video of a woman dancing. She is obviously a veteran performer, probably from Broadway. She does some pretty nice moves, especially from 1894, where simple spinning was enough to entertain the masses. When compared to scenes such as the "Imperial Japanese Dance" or the "Sioux Ghost Dance", Carmencita shows a little bit of flash.This was another collaboration between W.K.L. Dickson and William Heise. They recorded this short film for Edison Laboratories. They were constantly looking for subjects to shoot. They shot many different acts from the vaudeville scene, from dancers to gymnasts.
Boba_Fett1138 This film is part of the series of short Edison films featuring circus and vaudeville acts. Subject in this movie is the American dancer Carmencita. She was quite popular as a dancer at the time and a much asked painting subject for painters. She was also the first every woman to appear in front of the camera in an Edison film, which also makes her the first every woman to appear in an American shot movie. But that's about as historically interesting as this movie gets.The image quality isn't the greatest but the movements look at all times smooth and that's of course what was most important for Edison and Co. at the time. Camencita shows some twirling, with kicks and high arm movements. Her arms got out of the frame at times and the camera also didn't seemed to be steady. Perphaps it was standing on the same stage as Carmencita was dancing on, which caused the light camera shaking?Interesting for those wanting to check out the early Edison Manufacturing Company films, but it's nothing too great or significant. 6/10http://bobafett1138.blogspot.com/
Snow Leopard This is the first movie in what quickly became one of the most popular genres in the earliest years of motion pictures. Many of Edison's earliest Kinetoscope films featured popular dancers, the best known probably being Annabelle (Whitford) Moore. But "Carmencita" was the first such feature and, as best as anyone has been able to determine, the dancer herself also became the first woman to appear in an American-made movie.The dance routine itself is similar in style and quality to most of the other movies of its kind and era. The completely dark background makes "Carmencita" herself the full focus of attention. Her appeal is said to have been based as much on her energy and fervor as on her actual skill in dancing, and even with the limitations of 1890s cinematography, it's easy to tell that she is enthusiastic about what she is doing. Her stage routine was probably even livelier.It's not hard to guess why this kind of movie was so popular in its time. This and similar features could provide something worth seeing within the very limited running time of the earliest movies. Some of the later movies of popular dancers display more film-making experience, but "Carmencita" got the genre off to a lively start.