Captives

1994 "How far will you go for love?"
6.3| 1h40m| R| en| More Info
Released: 03 May 1994 Released
Producted By: Miramax
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

A beautiful young dentist working in a tough British prison starts to become attracted to a violent inmate after the break-up of her marriage, and embarks upon an illicit affair with him, with terrible consequences for all.

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Reviews

Beanbioca As Good As It Gets
ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.
Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
mgel Tim, you are the most magnetic, attractive, intense and passionate actor!! The lyrics of this song, HIGHER LOVE of Depeche Mode, is what I feel for you."I can taste more than feel This burning inside is so real I can almost lay my hands upon The warm glow that lingers on Moved, lifted higher Moved, my soul's on fire Moved, by a higher love I surrender all control To the desire that consumes me whole Leads me by the hand to infinity Lies in wait at the heart of me Moved, lifted higher Moved, my souls on fire Moved, by a higher love Heaven bound on the wings of love There's so much that you can rise above Moved, lifted higher Moved, moved, by a higher love By a higher love I surrender heart and soul Sacrificed to a higher goal Moved, moved by a higher love By a higher love" (M.Gore)M. Angeles Zaragoza (Spain)
bob the moo Rachel Clifford is a teacher in a dentistry school who starts doing a few days a week in a local prison while breaking up with her husband. It is in this delicate state that she meets prisoner Philip Chaney in the chair. When she meets him again it is in a supermarket – she is doing a shop while he is on day release to attend college. From this informal meeting they gain a natural, chatty air and, with neither really understanding why, they start to become close and meet up each time he gets out. However, in the vicious world of prison there are no real secrets and it is only a matter of time before other cons will see this as a chance to manipulate the situation to their advantage.Although this sounds like it has a terrible plot, it actually works pretty well for the majority of the film. The core relationship that drives the film is convincingly developed and it is only really in the later stages of the film that the need for a dramatic narrative sees things turning away from the small scale and become slightly less convincing. Of course by then I was into the characters and could forgive it but it still didn't sit that easily with me. Of course for some viewers even the relationship side won't work and I can understand why; some will see it as clunky and obvious but for me it worked and it did so for two reasons.The first reason is the acting. Ormond may have seemed to have dropped off the A-list that she was in during the mid-1990's but here she is great. Her character is just damaged and frail enough to be needy enough to fall in love in such a situation but not to the point where her love seems like a failing. It sounds simple but it isn't and yet Ormond manages to pull it off. Roth is always interesting and he is just as good here. He is dark, hurt, filled with regret and entirely unsure of how to exist in the two worlds (prison and love) at the same time. They go well together and make things a lot more natural than the plot summary would suggest. The second reason is Pope. Her direction is very good and makes the most out of what must have been a modest budget – only occasionally does it show that it was a BBC film. She never overdoes stuff to draw emotion from the audience and she lets the actors work well.Overall this was a good film but one that requires you to accept that you are watching a slow BBC drama rather than a Hollywood tearjerker. The story may not be totally convincing but it is not for the want of trying – Pope, Ormond and Roth combine to make this much better than it could have been. Worth seeing for slow development and engaging performances although I wonder how well it sells outside of a UK market more suited to this sort of slow burn stuff.
Theo Robertson Anyone remember Julia Ormond ? She was a British actress touted as the next big thing in Hollywood and starred in the female friendly movies LEGENDS OF THE FALL and SABRINA . CAPTIVES is another chick flick movie starring Ormond and to be honest I think it's her best starring roleOrmond plays Rachel Clifford a newly qualified dentist who sometimes works in a prison . After finishing work she does her shopping at a supermarket and bumps into one of the inmates called Philip Chaney who is nearing his release date . After striking up a connection ... Ah but that would be telling I found CAPTIVES a thoroughly engrossing drama for the most part . Yeah anything involving a romance between two mismatched people isn't usually my kind of movie and I doubt if it was produced for a target audience of 30 something blokes , but that's not to criticise it in anyway . The central plot of two people coming closer and closer together as seen here is convincing and the characters are well defined helped no doubt by the understated performances of Ormond and Roth . Alas it's not flawless The problem is about two thirds of the way through there's a plot twist as if the producers said to themselves " Hold on let's try and liven things up a bit so it'll appeal to streetwise wannabe gangsta boys " . The screenplay did not need livening up since everything was going so well . Yeah as the demographic breakdown on this site shows far more females enjoyed this than males but there's no way CAPTIVES can be described as soppy , it's set in a prison for goodness sake and the shock ending should have been the revelation of what Chaney was in jail for and how this affected the new relationship . Like the famous cult film SCUM this is another movie featuring the British penal system whose natural ending takes place two thirds of the way in and has a rather illogical final third tacked on in the hope of shocking the audience So that's the major problem with CAPTIVES and why it loses it's potential when it had fulfilled much of it earlier on . It was also produced by the BBC and unsurprisingly it has this made for TV feel instead of a cinematic sensation which may disappoint some people . I did enjoy watching it at the time but when I came to type this review I'd almost forgotten why mainly due to the ending , same as it appears everyone seems to have forgotten Julia Ormond
SweetNovember I have only seen this film once, and I must say I was a bit disappointed, but I do need watch it again once more to make sure. The accent made it a bit hard to hear clearly at all times, but the acting was absolutely great on Tim Roth and Julia Ormond's behalf. I feel the story could have been better, the beginning had me waiting for more. The romance was beautiful and it was refreshing to see Tim in a lover's role, he was lovely. The scenes that have together are passionate and tantalizing. They tease the audience wonderfully. Although it twisted a little to my dislike later, (I may change my mind after a second viewing) I enjoy the performance between these two actors immensely. I have to mention I am a big fan of Tim Roth too. :) Any other fans wanna chat, email sometime! All I can say for this film is I believe it has a lot more potential and they could have rocked it better.

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