Calling Bulldog Drummond

1951 "Scotland Yard Crime Crusher Battles Walkie-Talkie Gangsters!"
6.2| 1h20m| NR| en| More Info
Released: 14 December 1951 Released
Producted By: Metro-Goldwyn-Mayer
Country: United Kingdom
Budget: 0
Revenue: 0
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Synopsis

Bulldog Drummond leaves retirement to help a Scotland Yard Sergeant catch thieves armed with radar.

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Reviews

Nonureva Really Surprised!
Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.
FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
Portia Hilton Blistering performances.
bsmith5552 Having just watched "Bulldog Drummond" (1929) with Ronald Coleman, this film suffers greatly by comparison. In the first place, Coleman was the perfect screen Drummond, whereas Walter Pidgeon the lead in this picture lacks much of the bon vivant, devil may care persona of Coleman.The story takes place in London where a gang of criminals led by Arthur Gunns (Robert Beatty) and directed by an unseen boss, has been robbing big businesses all over London. Scotland Yard Inspector McIver (Charles Victor) goes to the retired Hugh "Bulldog" Drummond Walter Pidgeon), now raising prize pigs, for help. Drummond reluctantly agrees to come out of retirement to help.Drummond fakes his flight to Africa under the guise of having cheated at cards in an exclusive men's club, to "disappear" from sight. He is teamed up with Scotland Yard Sgt. Helen Smith (Margaret Leighton) to pose as rival crooks in order to infiltrate the gang.Gunns, suspicious at first, takes a liking to Smith much to the dismay of girl friend Molly (Peggy Evans). Molly by chance, discovers the plot by Drummond and Smith and......................................Walter Pidgeon, although a competent actor in his own right, was totally miscast as the sleuth Drummond. He has none of the humor and romantic nature or the British accent of either Coleman or of John Howard, who starred in the late 30s Drummonds. Margaret Leighton, on the other hand, is excellent as the undercover detective. David Tomlinson as Algy Longworth provides what humor there is but has little to do otherwise. In fact he doesn't appear with Pidgeon until three quarters of the way though the film. Robert Beatty, a Canadian sans British Accent, is a competent adversary. Bernard Lee ("M" in the early James Bond films) plays Colonel Wetson a member of Drummond's men's club.As a stand alone mystery, the film is not to bad but, as a revival of the Bulldog Drummond series, it fails miserably.
oscar-35 *Spoiler/plot- Calling Bulldog Drummond, 1951. Post WW2 London has six large robberies occur with military precision and Scotland Yard is confused. They call on Bulldog Drummond (retired detective) to help in the investigation. Drummond changes into another 'personae' and closes the case with the help of a female feisty constable Sargent.*Special Stars- Walter Pigoen, Margaret Leighton, Robert Beatty, David Tomlinson, Bernard Lee.*Theme- Deduction and observation helps in good police work.*Trivia/location/goofs- B & W. British. Walter Pigeon is the 12 man to play the role in 20 films going back to the early 20's. Watch for Bernard Lee in an early role and was later to be established in the James Bond series as director "m". From a close friend of Pigeon, "This time Drummond was played by Walter Pidgeon, his single time in the role. Pidgeon was also suave and charming, but was not a young man by this time and lacked the energy and vivacity for the part. In any case, the director Victor Savile was clearly infatuated (if only in the directorial sense) with Pidgeon's female co-star in this film, the remarkable Margaret Leighton.We get plenty of closeups of her, but none of Pidgeon. Pidgeon was evidently happy to let Margaret Leighton steal all her scenes, as it must have amused him that in her role as a woman police officer masquerading with him as a crook to infiltrate a criminal gang of thieves, she was taking over the film. Pidgeon was not an egotist. I knew him slightly when I was young and he was old. Despite his impeccable manners of a gentleman, which were perfectly genuine, he could be a bit difficult at times and did not suffer fools gladly. He had an excellent sense of humor and laughed heartily and deeply. He was a passionate drinker of strong coffee, and the twinkle in his eye was natural and innate. Despite the many decades of difference in our ages, we 'clicked', and if circumstances had permitted, we could have had long and meaningful conversations, whereas our conversations were never long, and our acquaintance was passing. However, I gained enough of a personal impression of him to judge his worth, and that was high indeed. He was an extremely interesting, thoughtful, and amusing man, and he was far from superficial." Walter Pigeon , a Canadian willed his body to be donated for medical science students at UCLA.*Emotion- A well acted, fast moving, engrossing police mystery involving The Yard, Drummond, and the lower classes of London, England. Much more of a feature film representation of Drummond than the older stage plays films. The film is the best (and the last) of the all the series. A high point of this detective character on film.*Based on- Maj Hugh 'Bulldog' Drummond detective series.
MartinHafer Starting in 1922 and through the early 1940s, many, many different actors played Drummond--and he even reappeared a few times after that. It wasn't until John Howard finally got the role and managed to play him six times that the series had any stability. Mostly, however, it consisted of an actor taking the helm for only one or two films--and including Ronald Colman, Ray Milland and Tom Conway. In total, there were 24 appearances by 14 actors--so consistency was NOT a strength of the Drummond series!! If they had stuck with only one or two actors, the series might have gained a wider following. So, seeing the American Walter Pidgeon taking on the role isn't that surprise--everyone seemed to be playing him! In many ways, this iteration of Drummond is different from earlier ones. The light-hearted sense of humor is missing and instead, the film seems a bit film noir in sensibilities. Part of this might be because Algy (the usual comic relief) is more of a minor character in this one. The baddies in the film also aren't afraid to shoot the police, the dialog is more tough and the lighting is, at times, very noir---and Algy brutally plugs one of the gang members at point-blank range. It certainly looked a lot more 50s in style! This film starts with an incredibly cool and well-designed robbery. Eight guys in trench coats, fedora hats and rubber masks efficiently steal a ton of cash in very workmanlike fashion. To assist them, the carry a backpack radio (like would have been used by troops during the war) to keep in touch with the boss who guides them. They do this all so neatly, you'd assume they will never get caught.Because three such split-second timed jobs have been executed with military efficiency, the police have decided to consult Hugh 'Bulldog' Drummond--who has been retired for some time. He agrees to go undercover and try to insinuate himself into the gang once he locates it--as Drummond always wants to do it the dangerous way! And, he's assisted by a pretty female from Scotland Yard. But can they manage to avoid detection? After all, this is a very smart gang! All in all, I really liked this style Bulldog Drummond film--a lot more than the earlier ones. Because it was much more realistic and gritty, the film seemed less like just another B-series film. It's a shame, though, that this film apparently didn't catch on and was the only one in which Pidgeon starred. My score of 8 is relative to other B-movies as well as the other Drummond films.By the way, look for a younger Bernard Lee as the nine-fingered man. You probably will recognize his face--he was the original 'M' from the Sean Connery, George Lazenby and Roger Moore films in the James Bond series. Also, notice that Drummond and Algy refer to British football as 'soccer'. Do the Brits ever refer to this sport as soccer? I thought only silly Americans (like me) call it that. I assumed they used that term since this film was made by an American studio.
David (Handlinghandel) And one only, in my opinion.That reason is Margaret Leighton. She is a wonderful actress, on-stage as well as on the screen. We have few chances to see her, though. I think that's especially true in the United States.Here she plays a sympathetic role. Not only that but she is also very pretty and meant to be something of a bombshell.Walter Pigeon does not hold up the tradition of Drummond performers. He is always reliable but he's not much fun. He's not a rascal or a knave. Consequently, this seemed to me a talky endeavor with little action or suspense. But check it out for Leighton.