Fluentiama Perfect cast and a good story

Marketic It's no definitive masterpiece but it's damn close.

Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

JohnHowardReid Victor Halperin, who make such excellent work of both "White Zombie" (1932) and "Supernatural" (1933) obviously had an off day when he agreed to direct "Buried Alive" (1939) (available on a quite good Alpha disc), which is actually not a horror film by any stretch of the imagination, but a slack prison picture in which the luckless hero is condemned to an endless stretch. So no-one is actually physically buried alive at all. It's merely a figure of speech. That, in itself, is more than somewhat disappointing. But there is even more bad news to come! Burdened with a surfeit of dialogue and a totally uninteresting cast (including throaty-voiced Beverly Roberts in her final movie appearance — and who could blame her for quitting after being incarcerated in this turnkey turkey?), it makes for a boring 62 minutes, despite an obvious borrowing from John Steinbeck's "Of Mice and Men".

fwmurnau A prisoner with a spotless record, about to be paroled, encounters a series of misunderstandings, unlucky accidents, and set-backs that jeopardize his freedom and his future with the blonde prison infirmary nurse he's fallen in love with. Sound interesting? IT'S NOT!This movie is so badly written, it might be used as a textbook example of how not to construct a story. The exposition wanders around, trying to get a story started, and fails miserably.It's not even clear who the main character is until about 45 minutes in. The script seems to have been written as some kind of protest piece against capital punishment. A worse punishment is trying to sit through this movie to the end.Wooden dialog, poor acting and direction, and scene after scene in which characters' actions make absolutely no sense. This is almost Ed Wood- bad, but sadly it's not "so bad it's good". It's "so bad it's depressing".

Red-Barracuda This mind-bogglingly tedious and utterly meaninglessly titled prison-drama is about a convict who is wrongly accused of killing a prison guard and subsequently sentenced to death by electric chair. Victor Halperin is at the helm here, he will be known to some as a director of some low grade poverty row genre pictures of the 30's. This has to be his least enjoyable feature that I have seen so far. It simply never gets going. It's very much a drama with little in the way of thrills; however, this is not a problem in itself. The issue is that the set-up and character relationships are not believable or compelling. The prison itself is like no other I know of, where felons are allowed out to work as chauffeurs for staff and even go drinking with them in bars in town. It's very silly. So too is the romantic sub-plot, where it seems that every man in the prison is deeply in love with the nurse/token woman. It's kind of trite and is a weak and pointless thread, as it doesn't really generate any worthwhile developments in the plot.One of the few points of interest in the plot is the way the film deals with the issue of capitol punishment. It seems to be very much anti-death penalty. This surprised me, as I thought that the general consensus back in the 30's would have been 'kill them, kill them!' Shows you what I know, turns out there were some very libertarian humanistic views on the subject back then. So that was quite interesting. Sadly not a lot else actually was.

wes-connors "A prison trustee is soon to be released from prison when he ends up stopping a bar brawl involving one of the prison guards. After some unkind press for him on the bar brawl, the convict is turned down for his early parole. Will his love for the prison nurse help him in getting past all of the people trying to keep him in prison and looking at the electric chair?" according to the DVD sleeve's synopsis."Buried Alive" is a potentially interesting look at the electric chair era, and the public servants who organize the executions. But, the main story, involving handsome Robert Wilcox (as Johnny Martin) doesn't end up serving the film's morality question; at least, not the one introduced in the opening, by twitchy switch-puller George Pembroke (as Ernie Matthews).A "love story" between Mr. Wilcox and beautiful nurse Beverly Roberts (as Joan Wright) isn't terribly exciting. The book Wilcox describes, while driving, is John Steinbeck's "Of Mice and Men" - which makes Wilcox "George" and cell-mate Don Rowan (as Big Billy) "Lennie". In the 1929s, prisoners did a lot more reading (and motion pictures were sometimes too talky).*** Buried Alive (11/6/39) Victor Halperin ~ Robert Wilcox, Beverly Roberts, George Pembroke