EarDelightBase Waste of Money.

ReaderKenka Let's be realistic.

GurlyIamBeach Instant Favorite.

Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

JohnHowardReid A United Artists rfelease, 1 July 1948, directed by George Archainbaud.CAST: William Boyd, Andy Clyde, Rand Brooks, Elaine Riley, John Kellogg, Helen Chapman, John Parrish, Cliff Clark, Anne O'Neal, Earle Hodgins, Herbert Rawlinson, Don Haggerty, James Harrison. Running time: 59 minutes. (Available on an excellent Platinum Disc or Echo Bridge DVD). COMMENT: This one not only offers a plot line that's rather dull but cheats outrageously in order to bring about a "surprise" ending. Obviously aimed at a kiddies' audience, it wastes an enormous amount of time in the school room. True, Anne O'Neal does well by the typically spinsterish school marm, but Andy Clyde has obviously been encouraged to way over-act. Fortunately, Helen Chapman makes a dandy saloon girl, but she's not in the movie all that much. Admittedly, John Parrish does his best to fill in for Morris Ankrum as the villain and it's good to see barkeep Byron Foulger stooging for Clyde, as well as Earle Hodgins making the best of his running gag as an always-late sheriff. All told though, it's a disinterestedly directed entry that out-stays its welcome even at 59 minutes.

chipe This was the 64th of 66 Hoppy movies, and it was one of the worst, unfortunately. The few things to like in the movie are: (1) the neat title to the movie, "Borrowed Trouble;" I always liked that; (2) the wordless scenes at the start of the movie — the cowboys driving the cattle through the plains to the railhead; good mountain scenery; (3) Anne O'Neal's performance as the crusty, feisty old schoolmarm was at turns charming and tolerable; and (4) a surprising twist ending when the "mystery" was solved.Those are all minor good points and are weighted down by the many many minutes of bad aspects: tedious repetitive scenes; lack of action; and California's stupid humor that would try the patience of a child. The plot was no great shakes, relied on coincidences (gifts from heaven). The main story line lacked much interest — the noise from a saloon disrupting the teaching of children in the near-by school house.

Paularoc Miss Abbott (Anne ONeal) is a schoolteacher who is having a running battle with saloon owner Steve Mawson (John Parrish) over the proximity of his saloon to the schoolhouse. Hoppy goes to see the teacher after he catches her breaking the windows in Mawson's saloon by heaving apples through them. Abbott is the stereotypical curmudgeonly, yet curiously likable old spinsterish teacher. Sometimes the supporting actors get all the best lines. After Hoppy introduces himself as Hopalong Cassidy, she tells him "I can't do anything about that, why don't you change it." He informs her that Hopalong is a nickname and that his real name is Bill, so of course she calls him "William" throughout the movie. She also gets in another zinger later when – after she has hit a bad guy – Lucky tells her "You sure knocked him out," she says, "That's nothing, he was unconscious fifteen years ago when he was a student of mine". After the apple-throwing incident, the teacher is kidnapped. Both California and Hoppy briefly look after the school children. Hoppy's scenes with the children are delightful and a highlight of the film. The ending of the film had a nice little twist to it. I agree there's not a lot of action in this film but it is an engaging, funny and quite charming film. As one reviewer said – it's all a matter of taste.

dougdoepke This entry in the Hoppy series is pretty much a matter of taste. There's not much hard- riding or fast-shooting; however, the Lone Pine locations do provide some good big rock scenery. Also, the plot's a little different. Saloon owner Mawson is feuding with both rival saloon owner Davis and with schoolmarm Abott who can't teach with a saloon next door. When Abott mysteriously disappears, Hoppy and the boys investigate. The entry may be a little short of action, but the dialog and interplay between characters is better than usual. Anne O'Neal is excellent as the spinsterish schoolmarm with several good throwaway lines— (On their first meeting), Hoppy, "My name is Hopalong Cassidy". Schoolmarm, "That's not my fault. Maybe you should change it !". The ending is also something of a departure and surprise. Then too, I suspect the series was aiming for both a change of pace and a story more directly involving kids (here, it's the amusing school kids). Lucky (Rand Brooks) has his usual mock romance, this time with a dimpled saloon girl (Chapman). Nonetheless, I think the series lost a lot when Russell Hayden withdrew from the cast as Lucky. He was so good at being moonstruck in these romantic situations.Anyway, this rather offbeat 60-minutes in the Hoppy series is short on action but long in other departments, and remains largely a matter of taste.