Bombay

1995
8.1| 2h21m| en| More Info
Released: 10 March 1995 Released
Producted By: Ayngaran International
Country: India
Budget: 0
Revenue: 0
Official Website:
Synopsis

A Hindu man and a Muslim woman fall in love in a small village and move to Mumbai, where they have two children. However, growing religious tensions and erupting riots threaten to tear the family apart.

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Reviews

SnoReptilePlenty Memorable, crazy movie
Moustroll Good movie but grossly overrated
Console best movie i've ever seen.
Kamila Bell This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
silvan-desouza Mani Ratnam after ROJA came back with BOMBAY yet again the film is a tamil film dubbed in Hindi but it's a great film. The film has a good storyline and also mirrors the true story of the riots happened in 1992-1993. The film got tremendous acclaim and awards too. The film keeps you involved throughout, one scene worth recalling is when the riots break apart and both the eniemies finally save each other. Though the end is idealistic but still evokes good reactionsDirection is amazing Music is great, Kehna Hi Kya is superb, Tu Hi Re and other songs are fabArvind Swamy is amazing in his role, Manisha Koirala is great too Nasser is amazing, Prakash Raj has a brief role and is okay rest are okayThe dubbing does seem odd at places but yet a good job overall
Thomas Diemer This story of love and marriage between a Hindu man and Mospem woman was very well done. Even though I could not get the English subtitles to work on my DVD player, I was able to follow the plot with a little help from the package notes. The portrayal of the Hindu/Moslem religious riots of 1992/3 was very well done. It was an excellent portrayal of the violence, horror, bloodshed and suffering in so many such acts of violence in too many time periods, for too many reasons, and between too many groups of people. The thing uppermost in my mind was how Christian fundamentalists could want to import such horrors and such suffering to the United States - but I guess Christian fundamentalists do not watch movies like this.
jonasjobbar Begins like a silly Indian love/dance movie and develops into the strongest, most emotional movie I have ever seen. I saw it in the Gothenburg film festival and I saw couples holding each other after the film finished (comforting each other) and a guy asked: " Do they have a crisis center set up to help us deal with the movie now?". Religious tensions and human conflicts is a hard subject (doing the right vs the wrong thing), wonderfully dealt with in this movie. A strong argument for peace and a colorful tale of recent Indian history. See it.
Reini Urban This movie is often compared to Spielberg's "Schindler's List", as the one and only movie which actually works in this context and how Spielberg could have made it to express his strong pathetic and political emotions. What a shame that "Bombay" haven't got such a big audience.The true life epos tells us the story of the Muslim-Hindu conflict 1995 in Bombay from the viewpoint of a young Muslim-Hindu couple doomed to leave their home town and families. This movie was made in the south, in Madras, shortly after the riots, and was immediately synchronized in Bombay to Hindi for the big audience. During the next three hours (the typical hindi movie length) everything works out fine, until the last thirty minutes where the Bombay riots suddenly break up everything. Mani Ratnam is the one and only director how dares to bring a song (every Hindi movie is a musical) during the very realistic war scenes, where such a scene actually works. Scenes where you are immediately reminded to how you would have shaken your head or laughed if this was just "Schindler's List". Imagine the jews singing in the last 30 minutes. Or the Trier train dance scene (for which you have to see "Dil Se") cut to the end. Not so here. They sing about the cruelty of war. Stop fighting. Crying, laughing, singing, dying, very close together. Where Trier sinks into unbelievable and childish anti-dead sentence pathos, Ratnam is still with the people, full of positive power. Incredible. A must see from one of the most important directors world-wide.